"her music explores the complexities of love and longing, it also doubles as an anthem for selfhood and independence." - Atwood Magazine
Following her debut EP Dirty Blonde, Mollie Elizabeth shares a first glimpse into her next phase, “The Disappearing Girl” HERE. Written by Mollie Elizabeth, Madison Love and Christopher J Baran, it was produced by CJ Baran, and recorded at VAMP studios in Los Angeles. Towards the end of the month, on November 25th, she’ll play Seattle’s Cloudbreak Festival, details HERE.
Mollie Elizabeth adds: “This song came from a very personal place, where in my life I found my struggles to be turned into a spectacle by friends and family rather than acknowledged as a strain. It’s always easier to put someone in a pretty box than to come face to face with the reality of what they are going through.”
Gearing up to deliver more subtly penned story songs, the 21-year-old Washington State-based artist Mollie Elizabeth only introduced herself last January, and has already delivered a stunning debut EP Dirty Blonde via Neon Gold / Virgin Music. Known for her whimsical, melancholic, and empowering songs, the Pacific Northwest artist describes her music as “tiny worlds”, a refuge shaped by her upbringing in the Washington woods, suffused with old-Hollywood elegance and emotional depth. Mollie co-produced her newest song, including music video for “Doe Eyed” (dir. Maya Sassoon) HERE, along with her Dirty Blonde EP with Dean Reid (Lana Del Rey, Marina) and co-written with Reid and GRAMMY-nominated Casey Smith (Olivia Rodrigo, Ashe, Benson Boone).
She introduced herself with her first viral song, “Vegas Venetian”. Elizabeth adds: “To me, every melody is a tiny world that invites you in—an invitation to be both fierce and delicate, and to celebrate who you are, who you have been, and who you are becoming. My music isn’t just for listening—it’s for wandering, for imagining, and for finding a piece of yourself in a place you’d forgotten.”
Mollie Elizabeth about her debut EP: “I always knew my first collection of work that I put out would have a story to it, a through line that connected all of the songs together. “Dirty Blonde” represents the tale of most every relationship I've ever experienced, romantic or otherwise - it starts out with a story of self love and discovery, taking yourself out for dinner and gathering crushes on the beach, before galavanting into the riptides of love and loss. I hope you can find your story in it too!”
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