Silversun Pickups Announce 28-Date 2027 Tenterhooks Tour

SILVERSUN PICKUPS ANNOUNCE 28-DATE 2027 TENTERHOOKS TOUR TO PERFORM IN CITIES INCLUDING LOS ANGELES, NASHVILLE, WASHINGTON D.C., NEW YORK CITY, CHICAGO, LAS VEGAS, AND MORE   SEVENTH STUDIO ALBUM, TENTERHOOKS, PRODUCED BY BUTCH VIG, OUT NOW

Today, Silversun Pickups, the multiplatinum, GRAMMY-nominated Los Angeles quartet announce their 28-date Tenterhooks Tour 2027. Fresh off their tour opening for Weezer, the band confirms new dates in cities including Nashville, Washington D.C., New York City, Chicago, Las Vegas, Los Angeles and more (full dates below). The band will also perform at Salt Lake City’s Kilby Block Party. Artist pre-sale begins on Wed, Nov 11 at 10am time, and general on-sale begins Fri, Nov 13 at 10am time. More information and tickets are available here. Silversun Pickups recently released their seventh studio album, Tenterhooks via their label, New Machine Recordings. For the album, the band —Brian Aubert [vocals, guitar], Nikki Monninger [bass, vocals], Christopher Guanlao [drums], and Joe Lester [keys]—reunited with producer Butch Vig to create an emotionally charged and unapologetic collection of ten tracks appropriate for the times, yet as timeless as anything they’ve done. “We wanted to make a tight record that could fit on one vinyl with five songs on each side,” says Aubert. “To me, it’s an impatient, apprehensive, and more aggressive album. We started recording when the world was changing again. You invariably wonder, ‘What are we headed towards?’ Even if you’re not necessarily writing about it, it bleeds into how you’re feeling and approaching life. We stripped things down and went louder and rawer.” Tenterhooks is available on all formats including CD, LP and digitally here. Silversun Pickups had finished touring in 2024 and enjoyed a rare break. During the downtime, Aubert saved voice memos, riffs, and other ideas as they came to him. Before he knew it, he found himself back in the studio with his bandmates and longtime producer Butch Vig [Nirvana, The Smashing Pumpkins, Garbage]. After two records together, they had perfected a real-time exchange of ideas. The musicians grabbed their instruments and jammed live as the producer listened and recorded. The album took shape seamlessly, but life intervened. Butch had commitments on the road with Garbage, taking him away from the studio. Aubert meanwhile went through one of the worst nightmares imaginable for any artist: he lost hearing in one ear. During a seven-day stay in the hospital, he even received a blood transfusion. “I had a hole in my ear drum,” he recalls. “They couldn’t figure out why I was losing blood, so they gave me the transfusion. We found out there was a rupture in my stomach lining due to the ibuprofen I was taking for the pain. That’s why I had been losing blood. One day, I was finally hearing again.” Eventually, the band regrouped with Vig and concluded the sessions. The title referenced the phrase, “On Tenterhooks.” “There was something in the air,” he observes. “It seemed as if everyone was on Tenterhooks waiting for whatever was next. The music has the same feeling.” Silversun Pickups Tenterhooks Tour 2027 Dates Sat, Nov 14 - Huntington Beach, CA - Darker Waves* Fri, Feb 26 - Austin, TX - Stubb's Waller Creek Amphitheater Sat, Feb 27 - Dallas, TX - Granada Theater Sun, Feb 28 - Houston, TX - White Oak Music Hall Tue, Mar 02 - Nashville, TN - Brooklyn Bowl Nashville Wed, Mar 03 - Atlanta, GA - Buckhead Theatre Fri, Mar 05 - Asheville, NC - The Orange Peel Sat, Mar 06 - Washington, DC - 9:30 Club Sun, Mar 07 - Philadelphia, PA - Union Transfer Tue, Mar 09 - Boston, MA - Paradise Rock Club Wed, Mar 10 - New York, NY - Webster Hall        Fri, Mar 12 – South Burlington, VT - Higher Ground Sat, Mar 13 - Toronto, ON – HISTORY Sun, Mar 14 - Detroit, MI - Saint Andrew’s Hall Tue, Mar 16 - Chicago, IL - Riviera Theatre Wed, Mar 17 - Minneapolis, MN - First Avenue Wed, May 05 - Del Mar, CA - The Sound Thu, May 06 – Santa Cruz, CA – Rio Theatre Fri, May 07 - San Francisco, CA – The Castro Theatre Sat, May 08 - Sacramento, CA - Ace of Spades Mon, May 10 - Seattle, WA - Showbox SoDo Tue, May 11 - Vancouver, BC - Commodore Ballroom Wed, May 12 - Portland, OR - Roseland Theater Fri, May 14 - Salt Lake City, UT - Kilby Block Party* Sat, May 15 - Denver, CO – The Ogden Theatre Sun, May 16 - Santa Fe, NM - The Bridge at Santa Fe Brewing Company Tue, May 18 - Tempe, AZ - Marquee Theatre Wed, May 19 - Las Vegas, NV – Brooklyn Bowl Las Vegas Fri, May 21 - Rancho Mirage, CA – The Show at Agua Caliente Casino Rancho Mirage Sat, May 22 - Los Angeles, CA - The Wiltern *Festival Date

CURRENT JOYS releases new album 'ROSEBUD' + video "SWEPT AWAY" ~ LA/NYC release shows

CURRENT JOYS' new album ROSEBUD arrives via They Are Evil / Stem - listen / share / buy

Producer/musician Nick Rattigan has steadily released each single via a video from diverse filmmakers, giving every track a unique visual identity -- watch / share final track "SWEPT AWAY" directed by Otium

Performing in NYC Nov 18 + Intimate Hometown LA Release Show Nov 21 at Milky's

photo by Alexis Gross


Watch: "CHAOS" (by Jaxon Ray @whitetrashwarrior), "WILDFIRE" (by Justin Kaminuma), "HOLE" (by Davis Stewart), "blood on the stereo" (self), "KNIGHT OF SWORDS" (by Karsten Elliot Taylor), "SUFFERER" (self), "skinamarink on the tv" (Neve Abcari), "HALLOWEEN" (self)


ROSEBUD is a departure. But then, every Current Joys record is. Over time, the solo project of producer/artist and Surf Curse drummer Nick Rattigan, Current Joys has encompassed anywhere from folksy acoustic music inspired by the Grateful Dead to noisy hyperpop, darkwave, and anything else caught in Rattigan’s dragnet of curiosity. With ROSEBUD, an album of anthemic choruses and maximalist production, Rattigan looks to nu metal, electronica, hip-hop, emo and more to inspire his latest collection of songs.

ROSEBUD is out today via Rattigan's own imprint They Are Evil, in partnership with Stem. Over the past few months he has steadily revealed each track in order accompanied by a music video from different filmmakers, giving every song a unique identity within the visual world of ROSEBUD. It's a throwback to his early days of uploading The Nicholas Project and TELE/VISIONS tracks to Bandcamp at freewill, and a tribute to the profound artistic freedom ROSEBUD represents. Check out its final video "SWEPT AWAY" directed by Otium:


watch / share "SWEPT AWAY" official music video | playlist here



Rattigan's career has soared: Triple-Platinum and Gold Record certifications, a member of Spotify’s Billions Club via Surf Curse, extensive global tours, 8 studio albums, 5 EPs, countless singles and collabs with the likes of Lil Yachty (“Gatsby”), Polo Perks, Matt Proxy (“God”), etc. and now his own hit “Kids”, which initially went viral 11 years ago, has reemerged alongside “Televisions” in this year’s cult horror film ‘Obsession’ – all under his belt at just 33.

Initially, ROSEBUD was a bummer. Rattigan wrote and recorded it while going through a difficult period, and he found himself sitting on half an hour of slowcore songs he could barely stomach. Meanwhile, he was getting his mind blown by the high-concept production of experimental hip-hop artists and cheered himself up working with rappers like Lil Yachty, Polo Perks, Ayooli, and others. It was while doing production and vocals during a session with Matt Proxy’s that Rattigan met Danny Dwyer, the producer who goes by the name never goodbye (“the most beautiful producer in the world,” as Rattigan puts it). Watching Dwyer dial in “God”’s carnivalesque track—which sounds like two or three songs on top of one another, plus seagulls—was a revelation for Rattigan. He sent Dwyer some of the sad-boi songs he’d been sitting on and together they reworked them, adding glitches, screams, foamy curtains of distortion, and whatever else they could think of.

The ROSEBUD you’ll hear soon is a completely different record from the one Rattigan began with, and from anything else in his catalog. It’s punchy. It’s full of big pop hooks shouted through layers of static, sticky OC punk chord progressions twisted and chewed up by digital manipulation.

At times, Rattigan turns his maximalist ethos on its head, producing exceptionally tender songs made even softer by the unexpected production choices. There are moments throughout ROSEBUD, when the vulnerability at the album’s core begins to reshape all of the sound that’s piled on top of it. But throughout Rattigan calmly plucks out supremely bummed arpeggios on his guitar. No matter how loud the song gets, that guitar line seems to hang in space, a weird bit of human persistence and resilience in the face of overwhelming dissonance.

Rattigan’s always allowed his interests and curiosity to guide how he makes his music—his falling in love with Lil Peep’s music greatly influenced Love + Pop—but ROSEBUD feels like an encapsulation of everything he’s done in his career, even as it sounds very little like any of his previous records. Nu metal, screamo, electronica, hip-hop, power-pop, emo, darkwave—it’s a rush of signifiers. “I wanted it to be a collage of all of my influences,” It’s obvious that bringing together so many different ideas has brought Rattigan to a new level of inspiration.


listen / playlist / buy ROSEBUD


Current Joys has confirmed two official ROSEBUD record release shows. He performs Wednesday, November 18 at Saint Vitus in Brooklyn and hosts an intimate hometown show on Saturday, November 21 at Milky’s in Los Angeles. For tickets and more info, go here.

Current Joys Live Dates:

Nov 18: Brooklyn, NY - Saint Vitus
Nov 21: Los Angeles, CA - Milky’s (SOLD OUT)
May 14-16: Salt Lake City, UT - Kilby Block Party

GAEREA release "Shallow" single/video - North American tour starts friday w/ Imminence and Dying Wish

GAEREA Release New Single / Video “Shallow” - Listen / Share
Plus Three Alternative Versions

North American Tour w/ Imminence and Dying Wish Starts Friday

Photo By Chantik Photography


On the heels of their North American tour, Portugal's GAEREA unveil their new standalone track, “Shallow”. Atmospheric, introspective, and deeply emotive, the song arrives just as the days grow shorter, perfectly capturing the melancholy of the season.

The band comments: "'Shallow' was written on the edge where depression and clarity briefly meet in an endless dance. It is a song about hoping for a brighter day while sinking deeper into the dark sheets of self-loathing. One of the most experimental tracks GAEREA have ever created, it gave rise to extensive vocal and orchestral experimentation and serves as a reflection of what GAEREA has become throughout ten years of relentless creativity, touring, and complete commitment to our true selves."

But GAEREA did not want to stop there. Inspired by the song's emotional depth and expansive atmosphere, the band invited several artists from vastly different creative backgrounds to reinterpret “Shallow” through their own artistic lens:

The accompanying video for the acoustic version features London-based cellist and composer Jo Quail, whose haunting performance adds an even more somber and cinematic dimension to the track. Watch it here.

Meanwhile, renowned electronic artist Paranormal Attack deconstructs the original composition and rebuilds it as a volatile, genre-defying remix, while Juan L. Otaiza distills the song's essence into a dark and deeply evocative piano interpretation.

With these collaborations, GAEREA also sought to shine a spotlight on Portugal's rich creative community. Despite the country's often-overlooked presence on the music map, the band wanted to celebrate and support some of the remarkable talents in and around their homeland.


Listen / Share / Playlist “Shallow” | Video Here




Over the past 18 months, GAEREA have remained relentlessly active. In addition to releasing their 2026 critically acclaimed album, Loss, the band has toured the globe extensively and appeared at numerous European festivals, completed a tour of Australia, and performed in Japan for the very first time. Now, they are preparing to bring their acclaimed live show and the songs from Coma to North American audiences as part of their upcoming run with Imminence and Dying Wish. See below for a full list of dates and for tickets and more info, go here.



Live Dates:

Nov 13: Worcester, MA - The Palladium
Nov 14: New York City, NY - Palladium Times Square
Nov 15: Silver Spring, MD - The Fillmore
Nov 17: Philadelphia, PA - The Fillmore
Nov 18: McKees Rocks, PA - Roxian Theatre
Nov 20: Atlanta, GA - Tabernacle
Nov 21: Raleigh, NC - The Ritz
Nov 22: Nashville, TN - Category 10
Nov 24: Dallas, TX - South Side Ballroom
Nov 25: Austin, TX - Stubb’s
Nov 27: Phoenix, AZ - The Van Buren
Nov 28: Los Angeles, CA - The Wiltern
Nov 29: Sacramento, CA - Channel 24
Dec 01: Salt Lake City, UT - The Union
Dec 03: Denver, CO - Fillmore Auditorium
Dec 05: Omaha, NE - Steelhouse Omaha
Dec 06: Kansas City, MO - Uptown Theater
Dec 07: Minneapolis, MN - The Fillmore
Dec 09: Madison, WI - The Sylvee
Dec 10: Chicago, IL - Riviera Theatre
Dec 11: Toronto, ON - History
Dec 13: Montreal, QB - Mtelus

Nov 13-Dec 13 Supporting Imminence, w/ Dying Wish

European Summer Festivals 2027:

Jun 09-12: (SE) Sweden Rock Festival
Jul 02-04: (FIN) Tuska Festival
Jul 08: (CZ) Masters of Rock
Jul 28-31: (DE) Wacken Open Air
Aug 18-21: (DE) Summer Breeze Open Air

The Strokes unveil “Lonely In The Future” music video with legendary puppeteers “Spitting Image,” make fifth appearance on “Saturday Night Live”

THE STROKES UNVEIL “LONELY IN THE FUTURE” MUSIC VIDEO IN COLLABORATION WITH LEGENDARY PUPPETEERS “SPITTING IMAGE”

THE STROKES MAKE FIFTH APPEARANCE ON “SATURDAY NIGHT LIVE”

photo credit: Warren Fu

November 8, 2026—Following this weekend’s groundbreaking “Saturday Night Live” performance, The Strokes have shared a new music video for “Lonely in the Future.” The band joins forces with the team behind the legendary British satirical show “Spitting Image” for the video along with their acclaimed directorial partner of nearly twenty years, Warren Fu. Pull the strings, watch the video HERE. Inspired by Genesis’ iconic collaboration with “Spitting Image” on the “Land of Confusion” music video, the band carries the torch with the puppet masters for their signature blend of satire with a comedic wink. The video features handcrafted puppets of the band along with a cast of familiar faces. To celebrate their fifth appearance on “Saturday Night Live,” the band devised a trailblazing visual experience to accompany the performances. They played “Lonely in the Future” and “Going Shopping”—where they were joined by friend and co-star of the “Going Shopping” music video, Walton Goggins. Among the stars of the “Lonely in the Future” music video are puppets of Amazon Labor Union co-founder Chris Smalls and comedian and political commentator Lee Camp. Both made appearances during The Strokes’ massive homecoming show last month at Flushing Meadows Corona Park to 40,000 fans. The band’s latest project, Reality Awaits—their first in six years—was released in July to instant praise from Vogue, The Guardian, The Los Angeles Times, Financial Times, Stereogum, Consequence, NME, Paste and many more. Reality Awaits awaits. The album was recorded in Costa Rica with the legendary producer Rick Rubin, who the band worked with on 2020’s acclaimed The New Abnormal. Following these first sessions, the band and Rubin continued to meet around the globe to finish the album wherever inspiration struck. In May, The Strokes debuted “Falling out of Love” on The Late Show with Stephen Colbert, playing one of the show’s final music performances.  The Strokes are a band from New York City. Since their 2001 debut, their beloved discography has defined the sound of a generation.

Reality Awaits album cover art — Untitled (Cowboy) 1989 courtesy of Richard Prince

REALITY AWAITS TRACK LIST 1. Psycho Shit 2. Dine N’Dash 3. Lonely in the Future 4. Falling out of Love 5. Going to Babble On 6. Going Shopping 7. Liar’s Remorse 8. The Fruits of Conquest 9. Tyrants of the Mellow Moon THE STROKES LIVE November 20—Lima, PE—Estadio Universidad San Marcos» November 22—Mexico City, MX—Corona Capital November 24—Quito, EC—Estadio Olimpico Atahualpa November 27—Santiago, CL—Primavera Sound Fauna November 29—Buenos Aires, AR—Primavera Sound Buenos Aires December 2—Bogotá, CO—Coliseo Medplus± December 5—São Paulo, BR—Primavera Sound São Paulo February 13—Brisbane, AUS—Brisbane Entertainment Centre* February 16—Melbourne, AUS—Rob Laver Arena* February 17—Melbourne, AUS—Rob Laver Arena* February 20—Sydney, AUS—Centennial Park† February 27—Tempe, AZ—Innings Festival May 14 – 16—Salt Lake City, UT—Kilby Block Party June 10 – 12—Aarhus , DK—NorthSide Festival »with Future Islands ±with Courtney Barnett *with Courtney Barnett and Promiseland †with Beck, Courtney Barnett and Promiseland

Bob Dylan’s 'The Rolling Thunder Revue: The 1976 Live Recordings' out today

BOB DYLAN’S THE ROLLING THUNDER REVUE: THE 1976 LIVE RECORDINGS OUT TODAY ON COLUMBIA RECORDS / LEGACY RECORDINGS

39 DISC BOX SET CAPTURES ALL PROFESSIONALLY RECORDED SHOWS FROM SECOND LEG OF LEGENDARY TOUR, ALL FROM ORIGINAL TAPE SOURCES COLLECTION CONTAINS 371 NEVER-BEFORE-HEARD TRACKS 3-LP SET OF THE COMPLETE MAY 16, 1976 FORT WORTH SHOW ALSO AVAILABLE

Photo credit: Jerry Aronson; Full CD Box Set

"A massive new box set […]incredible on-stage music. The set makes a powerful case for a tour that some Dylan fans have given short shrift."

“Dylan sets out to recreate the magic of 1975, and winds up bottling a different kind of lightning. This box isn’t merely the document of a tour that happened half a century ago. It’s a complete adventure.” 9/10

“Mammoth […] To say that this is hugely anticipated by the worldwide Dylan fan base would be a massive understatement—this wondrous collection of live recordings to hear this travelling carnival circus of musicians, led by the maestro Dylan himself, in all their ragged glory.” ★★★★★ November 6, 2026—Bob Dylan’s highly acclaimed The Rolling Thunder Revue: The 1976 Live Recordings is out today on Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment—order/listen/share here. The 39 CD box set fully captures this tour alongside a stellar company of backing musicians and guest artists, yet another breakthrough in Dylan’s performance career. A 3-LP set of the complete May 16, 1976 Fort Worth show, remixed from the original multi-track tapes, is also available today. Beginning on April 18th, 1976 in Lakeland, Florida, and concluding in Salt Lake City on May 25th, 1976, the tour spanned twenty-five dates, almost all of which are represented in the 371 never-before-heard tracks. A storied and brilliant era of Dylan’s career, the tour’s tapes unveil how Dylan’s progressively furious performances all culminate in the complete Fort Collins recording on May 23, 1976, remixed from the original multi-track tapes, which yielded the special Hard Rain, broadcasted on television only once. ‘“Idiot Wind” in NBC’s Hard Rain is among the most rageful and brilliant performances Dylan ever committed before camera,” writes writer and music journalist Mikal Gilmore in his exclusive liner notes essay. “Yet again, it was for nought. […] One night, one hour only. It never saw any time in a theater. It was never rebroadcast, never issued as a video tape or DVD. It’s gone. All that’s left of the Rolling Thunder movie that was never made but instead played out on stages for four-and-a-half weeks in the spring of 1976, is what you now hold in your hands. Play the music, close your eyes, and watch the story.” The second leg of the legendary Rolling Thunder Revue tour saw Dylan welcome old friends and collaborators to his troupe. Dylan reunited with Joan Baez to perform a moving set of duets across many dates, including performances of “Blowin’ in the Wind” and “Railroad Boy.” Dylan’s band included bassist Rob Stoner, violinist Scarlet Rivera, drummer Howie Wyeth (who had all worked on the chart-topping album Desire), guitarists Mick Ronson (of David Bowie’s Spiders from Mars), Steven Soles, David Mansfield and T Bone Burnett. Burnett recalls, “The Rolling Thunder Revue was the first national punk rock tour. It opened a door that led to a furious explosion of new music—The Clash, Elvis Costello, The Ramones, The Sex Pistols and on and on. Dylan had done it again. He is good at walking through doors that no one else even sees, doors that others think are walls.” The 39 CD Deluxe set includes 381 tracks, 371 of which have never been released, plus a booklet with liner notes by Mikal Gilmore and rare photographs. The 3LP complete Fort Worth show includes 22 tracks. CREDITS AVAILABLE HERE