Tame Impala Announce North American Arena Tour with Djo + Dominic Fike

TAME IMPALA 

ANNOUNCE NORTH AMERICAN ARENA TOUR

W/ DJO & DOMINIC FIKE

 

“DRACULA (JENNIE REMIX)” OUT NOW

LISTEN HERE

ORIGINAL SONG REMAINS #1 AT ALT RADIO THIS WEEK

DEADBEAT - OUT NOW

NOMINATED FOR A BRIT AWARD

AND WINNER OF GRAMMY AWARD FOR BEST DANCE/ELECTRONIC RECORDING

 

After 2025 and 2026 global sell-outs, Tame Impala has added another run of North American dates kicking off this summer. The tour will begin in Miami at Kaseya Center on July 7th and wrap up September 19th at the Toyota Center in Houston. The first half of the tour will be supported by Djo and the latter half by Dominic Fike, marking the first time either of the two massive artists in their own right have ever supported on a tour.  Artist presales via Seated will begin Wednesday, February 18 at 12pm local time, with unique passwords required. Additional presales will follow on Thursday, February 19 at 12pm local time, including the AEG/Venue presale, the Ticketmaster/AXS presale, and the Radio presale. All presales will conclude Thursday, February 19 at 10pm local time, with the public on sale beginning Friday, February 20 at 12pm local time. For more information visit www.tameimpala.com

 

Late last year, Tame Impala released his fifth full-length album, Deadbeat via Columbia Records. On it, Parker sculpted a collection of wickedly potent club-psych explorations as a vehicle for some of his most direct, brain-wormy songwriting to date, including the breakout hit “Dracula.” The song has now held the #1 position at ALT radio and Tame Impala has since released “Dracula (JENNIE Remix).” The song travelled all the way to South Korea and came back reborn with vocals from the global superstar. LISTEN HERE. 

 

After releasing Deadbeat, Parker scored a GRAMMY nomination for Best Dance/Electronic Recording for the single “End Of Summer” (the only track eligible for the 2026 GRAMMYS) and won the category earlier this month. He also picked up a BRIT Award nomination for International Group of the Year. Tame Impala has had 5 career GRAMMY nominations and now two wins, and has racked up three BRIT Award nominations and a win throughout his career. Prior to becoming tour-mates, Tame Impala and Djo (Joe Keery) teamed up for the “Loser” video - WATCH HERE. 

 

"One of the best live shows of the year."

– Uproxx

 

Lala Hayden previews new project with striking new single/video 'PLM'

LALA HAYDEN unveils striking dance-pop single/video 'PLM', exploring identity & transformation Watch 'PLM' video HERE  LALA HAYDEN supports Aziya at Colours Hoxton, London on 21st February

Photo credit: Hanna L Hayden

WATCH video for 'PLM': https://youtu.be/ooWXX0j0Myc LISTEN new single 'PLM': https://slinky.to/PsychosomaticLoveMachine

(12 February) Combining electro-pop production with a disco-informed groove, LALA HAYDEN’s newly released single/video 'PLM' explores transformation and identity while marking her first new music since 2025’s 'viva venus' EP. The release arrives ahead of a London show at Colours Hoxton on 21st February, where she supports Aziya. The accompanying video, directed by Ariana Oña, Nerea Figueras and LALA HAYDEN, unfolds within a stylised red-curtain world where surreal, theatrical scenes blur domestic ritual and personal symbolism. Rather than telling a literal story, it uses dark humour and heightened imagery to reflect the pressures and contradictions surrounding motherhood - presenting pregnancy as a shift in identity and power, not a disappearance of self. Bridging contemporary synth-pop with the gloss of disco and 80s dance-pop, 'PLM' was co-written and produced by Jake Gosling (Lady Gaga, Paloma Faith) and offers a first glimpse of a new project set for release later this year. Speaking on the release, LALA HAYDEN said:  "The video for PLM is set in a red room - part doll’s house, part battleground - reflecting the scrutiny placed on motherhood and the tension between my inner child and my inner Madonna. The song holds contradiction: love and fear, freedom and confinement. PLM is about holding love and fear in the same breath. I wrote it during pregnancy, a time rarely represented in the music I grew up with. It’s a song about becoming - not disappearing - as a woman, an artist, and a mother." Forging her own distinctive identity across her two previously released EPs - last year's 'viva venus' and 2023 debut EP 'GIRL BECOMES' - London/Barcelona-based LALA HAYDEN (real name Laura Hayden) nods to influences ranging from Robyn and Róisín Murphy to Ladyhawke, Self Esteem, Donna Summer, Jessie Ware, and Lykke Li. With firm support from press tastemakers including NME, Dork Magazine, DIY Magazine, CLASH Magazine, The Line of Best Fit, and Ones To Watch, LALA HAYDEN has also solidified herself as a fascinating proposition on the live stage with key festival appearances at Eurosonic, The Great Escape, Liverpool Sound City, Beyond The Music & more. Across her work, LALA HAYDEN explores themes of womanhood, selfhood and interdependence with clarity and intent, pairing emotionally direct lyrics with performances that emphasise presence and control. As she told Vogue: “The goal of my music is to make you walk with your back a little straighter, your chest a little more open and your head a little higher." LALA HAYDEN supports Aziya at Colours Hoxton, London on 21st February. New single 'PLM' is out now.

'PLM' single artwork

LIVE DATES 21 February - London, Colours Hoxton (w/ Aziya)

Follow LALA HAYDEN Instagram: @lauralalahayden X / Twitter: @lauralalahayden TikTok: @lauralalahayden

MYRKUR releases new "Touch My Love And Die" video - Performing at Dansk Melodi Grand Prix

Composer, multi-instrumentalist and vocalist MYRKUR (Amalie Bruun) Releases Epic New Video “Touch My Love And Die” - Watch / Share

Performing single at the Dansk Melodi Grand Prix song competition this Saturday, February 14 – Winner to represent Denmark at Eurovision 2026

Just ahead of her performance at Dansk Melodi Grand Prix this weekend, composer, vocalist and multi-instrumentalist, Myrkur (Amalie Bruun), has shared an epic new video for her competition entry, “Touch My Love And Die".

Filmed on Northern Europe's highest mountain pass, Sognefjellet, directors Line Klungseth Johansen and Øystein Moe powerfully capture the single's cinematic grandeur that feels more like a ritual than a song. Johansen tells, "We wanted to contrast the intimate performance moments with vast, elemental landscapes. The burning forest, ice lake, and mountain sequences were conceived as emotional extensions of the song, placing Amalie in environments that feel both fragile and powerful. The natural locations were chosen for their raw, dramatic qualities, reinforcing the intensity and scale of the track."

“Touch My Love And Die” is a ballad in which Myrkur’s various musical expressions merge into a new whole. The sound incorporates elements from metal, Nordic folk music, mythology and film scores, recorded in Dolby Atmos with real musicians—from cello, a girls’ choir, and ancient folk instruments to drums captured with more than 40 microphones. A physical, human soundscape in a time marked by speed, artificiality, and distance.

Lyrically, the song moves within the supernatural and the gothic. A romance with multiple layers: a kiss of death, a warning, a spell. Love as both release and danger. For Myrkur, it is essential that the lyrics remain open and can be freely interpreted by the listener.

The past year has been marked by major personal and artistic changes, and the song stands as a culmination of this movement. Recorded in Winter 2025 with Christopher Juul (Heilung), Myrkur describes “Touch My Love And Die” as a work into which “heart, soul, blood, and tears” have been poured—both in song and performance—something she hopes can exist as an antidote to a world dominated by AI and a throwaway culture. A reminder of humanity’s roots, spirit, and resilience.

With “Touch My Love And Die,” commissioned via Danish broadcaster DR, Myrkur enters Dansk Melodi Grand Prix 2026 with a contribution that does not seek to fit in, but to open the space. A song in which darkness is not concealed, but allowed to cast light. The winner of the Dansk Melodi Grand Prix this Saturday, February 14 will represent Denmark at Eurovision 2026 in Vienna, Austria in May.  

Photo By Julia Nikiforova

Listen / Share / Playlist “Touch My Love And Die”

Under the name Myrkur, Amalie Bruun has, across four albums, two EPs, and a staged work, created a distinctive artistic universe in which Scandinavian folk music, black metal, and cinematic soundscapes reflect one another. From the emotionally charged metal expressions of M (2015) and Mareridt (2017) to Folkesange (2020) and Spine (2023), where she found grounding in ancient ballads, mythology, and shared narratives, Myrkur has consistently moved between the familiar and the untested—between darkness and light, the brutal and the beautiful.

In parallel, Myrkur has worked extensively with music for film, television, and theatre, including as a composer for Vikings: Valhalla on Netflix and as the creator of the soundtrack for Ragnarok at The Royal Danish Theatre. The cinematic and narrative dimensions have long been an integral part of her artistic language, and this is precisely what she now brings into Dansk Melodi Grand Prix.

 

MYRKUR | INSTAGRAM | FACEBOOK

Frieze Los Angeles 2026: A Global Platform for Connection and Community

Photo by Casey Kelbaugh. Courtesy of Frieze and CKA.

Over 100 local and international galleries will convene to spotlight California’s lasting influence on the global art scene Solo, dual and group presentations reflect the city’s multigenerational creative landscape Frieze Library’s inaugural Los Angeles edition will donate a permanent collection of artist publications to the newly reopened Pacific Palisades Library   Los Angeles, CA (February 12, 2026) – Frieze Los Angeles will take place from February 26 – March 1, 2026, bringing together leading international art galleries alongside a strong selection of Los Angeles-based spaces. This edition will highlight the city's dynamic creative landscape, featuring artists whose work continues to shape a contemporary practice across generations and communities. Returning to the Santa Monica Airport, the 2026 edition will present more than 100 galleries from 24 countries, including 17 first-time participants. Together with Deutsche Bank as Global Lead Partner, the fair reaffirms a shared commitment to celebrating artistic innovation and excellence worldwide. ‘Los Angeles thrives on experimentation and artist-led practice, yet its defining strength is the enduring, interconnected community of artists, curators, collectors and institutions who show up for one another across generations. Frieze Los Angeles 2026 captures this energy, from pioneering surveys to ambitious emerging voices, reflecting a city where engagement and creativity ripple outward, shaping the global contemporary art conversation and infusing Los Angeles with a distinctive vibrancy felt around the world.’ said Christine Messineo, Frieze’s Director of Americas.

Deb Never announces debut album + shares title track and new music video

DEB NEVER ANNOUNCES NEW ALBUM ARCADE OUT MAY 8TH VIA GIANT MUSIC SHARES ALBUM TITLE TRACK & NEW MUSIC VIDEO

Deb Never by Jason Garofolo “ARCADE” WATCH: https://www.youtube.com/watch?v=r2TIPHRLsK4 LISTEN: https://found.ee/PreSaveARCADE ARCADE PRE-SAVE/PRE-ORDER: https://found.ee/ARCADEAlbum (February 12, 2026) - Washington state native Deb Never announces her long-awaited debut album ARCADE, out May 8th via Giant Music and the newly-shared title track “ARCADE”, which is accompanied by a new music video directed by Iris Kim, starring Deb and featuring cameos from Romil Hemnani, Q, supermodel*, Ashlan Grey and more. Deb also previewed the song to fans with the release of an online arcade game where fans could play out the box car race in the music video. ARCADE intentionally centers Deb’s vocals and songwriting, stripping away dense production and emotional inaccessibility in favor of building intricate songs out of demos that she recorded intimately at home with just her guitar. That approach is embodied on the album’s previously released singles “Blue”, “KNOW ME BETTER”, and “Not In Love”. The album is now available to pre-save on all streaming platforms and a special vinyl edition of the album is now available to pre-order HERE, with art direction by Metals. ARCADE mirrors the process in which it was made, pieced together through impromptu sessions, the spontaneity of life in LA and reflective moments spent writing that captured the arc of her life in that moment. It began as personal vignettes that were meant to capture her life entirely, and eventually flowed together into a focused, unshakeably vulnerable debut that chronicles the life-altering experience of a deeply felt relationship and its dissolution.  The vulnerability Deb embraces on this album is a far cry from how it was recorded. She worked with executive producer Romil Hemnani, who helped mold these songs with Deb’s essence in mind and add meaningful texture to the intimacy of her early bedroom demos, while a cadre of friends like boylife, Dominic Fike and more flowed in and out of the studio at any given time. That contrast, between the calmness of these songs and how they began in her bedroom and the chaotic restlessness of the studio, grounds the album in Deb’s true life experience. “There's always so much going on, there's always people around me, I'm always surrounded,” Deb says of how ARCADE was made. “But I always felt this singularity and this isolation and in my music is the only time where I can really express that.” Deb first hinted at a realized debut album through a series of singles released in 2024 and 2025, a year which began with Deb being highlighted as one of Amazon Music’s 2025 Artists to Watch. Deb also played some of the biggest venues of her career on the road with Wallows across the Midwest and East Coast last Spring, closing the year with a standout performance at the Camp Flog Gnaw Carnival on the Dodger Stadium grounds in LA. ARCADE finds Deb returning to the stripped-down essence of her beloved debut EP House on Wheels, which arrived after she made a standout contribution to BROCKHAMPTON’s fifth studio album GINGER in 2019. Deb’s artistic evolution continued with the release of two subsequent EPs, 2021’s Where Have All The Flowers Gone? and Thank You For Attending in 2023, culminating in her debut full-length. Deb has collaborated with peers, producers and songwriters like Kenny Beats, Biig Piig, Audrey Nuna, D33J, Shlohmo, Jim-E-Stack (Charli xcx, HAIM, Bon Iver), Michael Percy (Snoh Alegra, Joy Crookes), and Jam City (Olivia Rodrigo, Kelela, Troye Sivan), and has toured with Omar Apollo, Dominic Fike, slowthai and Tommy Genesis. Deb has also caught the eye of the fashion world, being featured in campaigns for the likes of Calvin Klein, YSL, GANNI, Burberry and Givenchy. Check out “ARCADE” above, see below for more album info and stay tuned for more from Deb coming soon.

Deb Never ARCADE May 8, 2026 GIANT Music 1. are you out of your mind? 2. ARCADE 3. Blue 4. all the time 5. DIZZY 6. deign  7. ineedmore  8. Another Life 9. Heavensake 10. Not in Love 11. KNOW ME BETTER 12. How to Forget Connect with Deb Never  Instagram | X (Twitter) | YouTube

Heavenly shares new single/video, "Scene Stealing" inspired by a-ha

HEAVENLY Shares New Single/Video, "Scene Stealing," plus a Spanish version of the track, "Roba Escenas."

 

VIDEO - "Scene Stealing" -

YouTube

 

STREAM - "Roba Escenas" -

YouTube

Today, UK band Heavenly shares a new single & video, "Scene Stealing," as well as a Spanish version of the same song, "Roba Escenas." These tracks arrive ahead of the band's first new album in 30 years, Highway To Heavenly, out on Skep Wax worldwide on Feb. 27.

Regarding the video, Heavenly's Rob Pursey said: "It looks innocent to start with, but it gets dark. Like a typical Heavenly song! ‘Scene Stealing’ is about YouTubers, so we needed young actors. Luckily our daughter Ivy persuaded three of her mates to perform alongside her."  

To give more context on "Roba Escenas," Amelia Fletcher added "“We played ‘Scene Stealing’ in Chile in 2024 and the promoter Anto loved it and offered to translate it. We have lots of Spanish-speaking friends and fans, so it’s good to have a song that  they don’t have to translate!”

TOUR DATES

Feb 25 COVENTRY – Just Dropped In
Feb 26 LONDON – The Lexington
Feb 28 ATHENS – Temple
Mar 5 RAMSGATE – Music Hall
Mar 6 PARIS – Petit Bain
Mar 8 LONDON – The Lexington (matinee, all ages)
Mar 14 OXFORD – The Nest
Mar 18 MANCHESTER – Yes
Mar 19 GLASGOW – Mono
Mar 20 SUNDERLAND – Pop Recs
Mar 21 SHEFFIELD – Sidney & Matilda
Mar 26 BRIGHTON – Hope & Ruin
Apr 4 CARDIFF – Wales Goes Pop
Apr 16 WASHINGTON DC – Black Cat
Apr 17 PHILADELPHIA – Johnny Brenda’s
Apr 18 NEW YORK – Bowery Ballroom
Apr 19 BOSTON – The Sinclair
Apr 21 TORONTO – The Great Hall
Apr 23 CHICAGO – Empty Bottle
Apr 24 CHICAGO - Beat Kitchen (early / all ages)
May 7 VALENCIA – Loco Club
May 8 MADRID – Sala Galileo Galilei
May 10 SAN SEBASTIAN – Sala Dabadaba
Jun 21 SAN DIEGO – Casbah
Jun 22 LOS ANGELES – Regent Theater
Jun 24 SAN FRANCISCO – Great American Music Hall
Jun 26 PORTLAND – Aladdin Theater
Jun 27 SEATTLE – The Crocodile
Jun 28 VANCOUVER – Hollywood Theatre

TICKETS

***
Heavenly are seen as the originators of a whole genre of music – known to some as ‘jangle’, others as ‘twee’ and to the band themselves as ‘indiepop.'  As fiercely independent as any punk band, but as sweetly melodic as any chart-topping act, Heavenly combine sharp-edged politics with shamelessly joyful pop music.

Highway To Heavenly shares this recipe with the band’s first four albums, all of which were released in the 1990s at a time when sensitive indie types in the UK were sheltering from the prevailing macho-rock storm under the Sarah Records umbrella, and when women in the US were starting to find their Riot Grrrl voices in the small town of Olympia, where labels like K and Kill Rock Stars were designing a new creative space.

Heavenly were on Sarah Records in the UK and on K in the US - and maybe this is a useful shorthand for understanding the band’s ability to meld the attitude of American Riot Grrrl bands with the pop charms of the English indie scene.  In terms of style, Heavenly presented an androgynous look – short hair and pinafores for Amelia and Cathy - while Peter Rob and Mathew determinedly avoided the theatrics of male rock.  

Heavenly did not want to fit in with the hyper-gendered corporate music scene of the 1990s, and the band have stayed determinedly independent ever since (this new album is released on Rob and Amelia’s Skep Wax label).  The new songs are full of anger, of grief, of empathy, of love, and set themselves in opposition to the resurgence of the cold ‘masculine energy’ that is making the world a miserable, aggressive place today.

Heavenly have recently enjoyed a huge resurgence of interest from a younger generation of fans, who have cottoned on to Heavenly’s music, but also embraced the band’s inclusive version of feminism.  'Portland Town' is a joyful celebration of a place where diversity is welcomed.  'Press Return' is a demolition of those men who think technology and wealth make them winners rather than sad losers.  'Excuse Me' is an outburst of punk energy, as effervescent as a song on the first Undertones album, gleefully celebrating a teenage romance with the nerdiest boy in school.  A Different Beat tells the entire story of a doomed relationship, its heroine falling for and then escaping from an oppressive man, before heading for the metaphorical disco of freedom.  

Heavenly have clearly been to a disco or two lately: opening track 'Scene Stealing' feels like a distant cousin of Blondie’s ‘Heart Of Glass’ and tells the story of self-obsessed YouTube influencers who don’t know how to treat women with respect.  By contrast, album closer 'That Last Day' may be most poignant song about bereavement you will hear all year, certainly the only one you’ll want to sing along to.  It’s all pop here, but Highway To Heavenly has a huge range of tones and moods.

The band comprises original members Amelia Fletcher, Peter Momtchiloff, Cathy Rogers and Rob Pursey, who are now joined on drums by Ian Button.  (An important element of the Heavenly story was the loss of Mathew Fletcher, who took his own life just before the fourth album was released.  It took Amelia, Peter, Cathy and Rob a long time to get over the loss; maybe it took even longer to find a drummer as good as Ian.)  

The new Heavenly have played a number of sell-out shows in the past couple of years, where older fans have mingled with new devotees.  The band are looking forward to their slow-motion international tour in the first half of 2026, with dates in the UK, the US, Canada, France, Greece and Spain. 

Highway To Heavenly was recorded at Rumbaba (Deptford, London) and at The Sunday School (Kent).  It was produced by Toby Burroughs.

Heavenly are: 
Amelia Fletcher – vocals, guitar, Cathy Rogers – vocals, keyboard, Ian Button – drums, Peter Momtchiloff – guitar, Rob Pursey – bass.

 

Heavenly
Highway To Heavenly
(Skep Wax)
Street date: Feb. 27, 2026

Track List:
SIDE A
01. Scene Stealing       3.51
02. Portland Town        3.12
03. Press Return             4.03
04. Skep Wax               3.00
05. Deflicted                 3.57
06. Excuse Me             2.36
 
SIDE B
07. A Different Beat      4.59
08. Good Times               3.29
09. The Neverseen       4.06
10. She Is The One       4.01
11. That Last Day           3.20

HEAVENLY LINKS:

Instagram
Bandcamp
Skep Wax