Lykke Li Shares Mura Masa Remix. Final Album "The Afterparty" Out Now

LYKKE LI SHARES MURA MASA REMIX OF "SICK OF LOVE" — OUT NOW   FOLLOWING THE RELEASE OF ACCLAIMED ALBUM THE AFTERPARTY, LYKKE LI UNVEILS A REIMAGINED VERSION OF THE FAN FAVORITE TRACK

LISTEN “SICK OF LOVE (MURA MASA REMIX)” LISTEN THE AFTERPARTY (ALBUM) Today, Lykke Li shares a striking new remix of "Sick of Love" from acclaimed producer, songwriter, and Grammy Award-winning artist Mura Masa. Transforming one of the emotional centerpieces of her recently released album The Afterparty, Mura Masa injects the track with a hypnotic pulse while preserving the raw vulnerability at the heart of Lykke's original recording.   Originally featured on The Afterparty, Lykke Li's sixth studio album released via Neon Gold/Futures on May 8, "Sick of Love" quickly emerged as a standout, capturing the album's themes of destruction and rebirth. The Mura Masa remix reframes the song through a late-night electronic lens, bringing new energy to one of the album's biggest standouts. The release arrives amid a remarkable moment in Lykke Li's career. Last month, Drake's chart-dominating single "Janice STFU", which interpolates Lykke's beloved classic "I Follow Rivers", earned the Swedish singer-songwriter her first-ever songwriting credit on a Billboard Hot 100 No. 1 record. The achievement came as Drake simultaneously occupied nine spots in the Hot 100's Top 10, setting multiple chart records in the process. Released earlier this spring, The Afterparty has been hailed as one of Lykke Li's most intimate and emotionally fearless works to date. Written during what she described as her "existential era," the album finds her exploring themes of mortality, desire, revenge, shame, hope, and transformation across a collection of deeply personal songs. With the Mura Masa remix of "Sick of Love," Lykke Li continues to expand the world of The Afterparty, inviting listeners deeper into one of the most compelling and celebrated chapters of her career. THE AFTERPARTY is out now. Listen HERE 2026 TOUR DATES 06/19 - Metronome Festival - Prague 06/22 - Odeon of Herodes - Athens ,Greece 06/28 - Live is Live Festival - Belgium 07/02 - Roskilde Festival - Denmark 07/05 - Finsbury Park - London^ 07/10 - Pohoda Festival - Slovakia  08/14 - Way Out West Festival - Sweden 08/16 - Flow Festival - Finland 08/22 - Pstereo Festival - Trondheim, Norway 08/27 - Rock en Seine Festival - Paris 08/31 - Superbloom Festival - Munich Germany 09/19 - Palacio de los Deportes – Mexico City, MX** 10/3 & 10/10 - Austin City Limits – Austin, TV  *w/ Nick Cave ^ w/ Wolf Alice ** w/ Robyn

The Afterparty -  Track List Not Gon Cry Happy Now Lucky Again Famous Last Words Future Fear So Happy I Could Die Sick Of Love Knife In The Heart Euphoria photo credit: Chloé Le Drezen

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MAGIC WANDS : 'Remixes EP' - new EP by US dream-pop duo out 12th June 2026 (Metropolis Records)

MAGIC WANDS | Remixes EP cover artwork

MAGIC WANDS
REMIXES EP

new EP
out 12th June 2026
(Metropolis Records)

stream | Bandcamp

includes
SACRED MIRRORS
(LOST SIGNAL REMIX)
Bandcamp | YouTube


MAGIC WANDS | Sacred Mirrors (Lost Signal Remix) YouTube audio


US dream-pop duo Magic Wands have released a new remix EP today (12th June) on Metropolis Records. The six track ‘Remixes EP’ includes reworkings of four songs from their current studio album, ‘Cascades’ (2025), one from its 2023 predecessor ‘Switch’, plus the 2026 single ‘Sacred Mirrors’. The last of these was a collaboration with Psychedelic Furs guitarist John Ashton and has been remixed by Lost Signal. It can be heard HERE.

“This EP brings together artists we genuinely admire,” states Magic Wands vocalist/guitarist and co-producer Dexy Valentine. “Our Metropolis labelmates Lost Signal, Principe Valiente and Delerium contributed remixes, each bringing their own unique perspectives to our songs. We were also thrilled when Glass Chapel and our friend Lars Deutsch (an Emmy winning composer) got involved, adding other distinct voices to the collection. We’re really happy with how it turned out.”

Guitarist/co-producer Chris Valentine adds: “What makes this release special is how differently these artists approached the material. Every track reveals something new about the original songs, with each also standing in their own right. We’re honoured to have had so many talented friends and collaborators be a part of it.”

REMIXES EP
TRACKLIST
1 Armour (Lost Signal Remix)
2 Albatross (Lars Deutsch Remix)
3 Sacred Mirrors (Lost Signal Remix)
4 Moonshadow (Delerium Remix)
5 Candle Sea (Principe Valiente Remix)
6 Time To Dream (Glass Chapel Remix)



Originally formed in Nashville, but now based in Los Angeles, Magic Wands are the duo of vocalists/guitarists Dexy and Chris Valentine. Renowned for a shimmering, dreamy sound that melds elements of shoegaze, dream-pop, post-punk and goth, their music utilises heavily textured guitars, synth drones and ethereal vocals to conjure an otherworldly atmosphere.

Their current album, ‘Cascades’, was released in October 2025. It explores transformation, reflection and the pull of distant horizons. Imbued with the spirit of centuries-old poetry, gothic romance and myth, its celestial mood bridges the sound of their 2012 debut album, 'Aloha Moon’, with subsequent releases.

2026 has also seen the release of an EP entitled ‘Wishing Well’, which included the recent singles ‘Sacred Mirrors’ and ‘Wishing Well’, two new songs, plus two remixes of tracks from ‘Cascades’.


MAGIC WANDS : Cascades | Wishing Well cover artwork

“Amid the cacophony of today’s world, Magic Wands emerges like a whisper in the wind; a spellbinding blend of sound that feels both familiar and foreign"
POST-PUNK
“Moody and atmospheric. For maximum effectiveness, listen to it at dusk with a single candle lit ****”
SPILL MAGAZINE
“Both familiar and quietly bold, a record that walks that razor-thin line between dream-pop and gothic atmosphere. A slow, smoky invocation 4.5/5”
CHAIN D.L.K.


MAGIC WANDS | photography by John Charter


Official Site | Facebook | Instagram

PUSSY RIOT RELEASE DEBUT ALBUM CYKA (FT VLADIMIR PUTIN, AVENGED SEVENFOLD, B-REAL, SALEM ILESE)

PUSSY RIOT RELEASES  DEBUT ALBUM CYKA TODAY HERE VLADIMIR PUTIN IS A CONTRIBUTOR ON THE ALBUM BESIDES CYPRESS HILL’S B-REAL, SALEM ILESE AS WELL AS  AVENGED SEVENFOLD ON “CANDY DOPAMINE” “DISOBEY” VIDEO SHOT AT VENICE BIENNALE NADYA TOLOKONNIKOVA CHALLENGES PUTIN TO FACE HER IN THE UFC CAGE MATCH AT THE WHITE HOUSE ON JUNE 14

Courtesy of Pussy Riot.   Today marks the arrival of CYKA, the debut album of Pussy Riot and it’s founder Nadya Tolokonnikova, was always destined to make: fourteen years of protest, imprisonment, surveillance, exile, and sheer survival crystallized distilled into one single, searing record. This album might sound sad at times, because it is. 2026: Russia is the world’s largest exporter of death and destruction. It’s the fifth year of Russia’s war against Ukraine. Nadya Tolokonnikova says: “Me and my countrymen could have prevented it, we just had to fight harder for our dream of a peaceful democratic Russia. I live in exile, like a rat. Everything I loved was taken from me; my entire country was stolen. My mother died of cancer in Moscow, and I couldn’t be there to say goodbye. The father of my daughter nearly died after being poisoned with a nerve agent by the FSB. My friend Alexey Navalny was murdered in jail. And I no longer know whether I’ll ever be able to let people get close to me again - being torn away from everyone I loved cost too much. Vengeance is what forces my eyes open in the morning, and what keeps me going. “OUTRO” is dedicated to my mother and my love to her. Vladimir Putin is even listed as a contributor on the album (please check the DSP liner notes) and make of that what you will.  Pussy Riot launched their debut album with an explosive protest at the Venice Biennale, the so-called "Olympics of the art world", timed deliberately to coincide with Russia's controversial return to the event. The stunt made headlines globally and sent exactly the message intended: we see you, we hate it, we brought cameras, and we declare “DISOBEY”. Nadya explains the album further, on the opening song “GODSLEFT”, she adds: “As I've been writing and producing the song, had in mind a vision of a world three years after a nuclear war, as scarse remnants of humanity surviving a nuclear winter: "третий год небо в ночной пелене, все что любила утопло в огне" (English: "For the third year, the sky is shrouded in a nocturnal veil; everything I loved has drowned in fire"). Its a song about how god left this world to find a new one, as they were feeling hopeless about humanity. It’s a cry for hope maybe one day we will find a new world, but the current one feels destroyed beyond repair. My dreams travel far beyond my death - I know i will die before all these probelsm are fixed, but at least I can hope in something else - maybe even in the darkness. When I wrote "my dreams travel far beyond my death", I was thinking of all my colleagues and friends I lost in this seemingly endless fight with Putin.  The chorus is meant to be a first-person confession of this crying child, who lost everything in the fire ("плачет ребенок в далеком селе плач его глохнет в пустой тишине, все что любил он исчезло в огне, голос его запомнился мнe..."; English: "A child weeps in a distant village; his cries are stifled by the empty silence. All that he loved has vanished in the flames, yet his voice remains etched in my memory...") Traditional Siberian song is sampled  - filled with a typical for our land sense of stoicism in the face of dread. I'm hugely inspired by the "Ghost in the Shell: Innocence"'s "The Ballad of the Puppets", with lines loosely translated from Japanese as "The blossoms beseech the gods: Even though in this world we may know grief and suffering, Our dreams shall never die". The song's imagery inspired by a British movie "Threads" about a nuclear war descending on humanity, perhaps the darkest movie ever produced. And by Akira Kurosawa's "Dreams" - specifically chapters "Mount Fuji in Red" (nuclear disaster) and "The Weeping Demon" (nuclear aftermath). One of the synth themes in the chorus is based on Alla Pugacheva's - a Soviet-era diva who's vehemently anti-Putin and lives in exile now - track "Жизнь невозможно повернуть назад, И время ни на миг не остановишь" ("Life cannot be turned back, and time cannot be stopped—not even for a moment.") This song is a spiritual sequel to "Black Snow", released in 2019. “PAIN” is about our stolen childhood and the country that eats its own babies alive. I was thinking about Masha Moskaleva, a school girl who drew a Ukrainian flag at the lesson, the teacher compained to the police, and Masha's dad was jailed. On “NOTHING TO LOSE”: I am very hated in russia, but maybe not what you think, not just Kremlin stooges - also the liberal intelligentsia. Once I started being outspoken about supporting Ukraine’s military, I crossed some rubicon (in their minds) and they all just hate me. Often times what comes from the kremlin and what comes from liberal russian opposition in relation to me sounds about the same. It bothered me for a little, but there is a liberation in having nothing to lose. I said that in my prison sentencing speech - I am more free than those charging me, I can say what I want, and they are forced to say only things that are allowed. It is a bit similar - like Janis said, freedom’s just another word for nothing left to lose. I have a certain moral clarity now - one that I create myself, I’m not beholden to anyone.  “CYKA” is like a diss track towards Ekaterina MIzulina, who is essentially the state censor of russia. She is the one in charge of making sure rap songs dont have bad words, that teh LGBT movement is considered criminal, and she happens to be married to the biggest disgusting propagandist cringe fest SHAMAN. But its also about the rappers inside russia who claim to be hard, and talk about AKs and how street they are, but they cave to this woman and make sure to erase out bad words - the whole thing is just so cringe and stupid.  In my TED talk a couple years ago, I actually studied hip hop diss tracks, and I used my moment to address Putin to his face “one criminal to another”. The state of despair and hopelessness for any type of future in russia is just so far gone, I guess on occasion it’s fun to just say fuck you and call this censor, and all the rappers inside russia who listen to her bitches.” About “GORE” ft Cypress Hill’s B-Real: “When I was performing my POLICE STATE exhibit at MOCA last year, the ICE raids and riots kicked off hard in LA, actually directly outside my exhibit - forcing us to close down. It was surreal - that the POLICE STATE was closed due to the coming of the police state. We got asked by Tom Morello to do a concert for immigrant rights groups called DEFEND LA at the Echo in LA, and we showed up. It was here where I connected to B-Real, who was also performing there.  There is a universality to street wisdom - don’t trust cops, don’t cross people, things like that - and its fun that these can transcend country of origin, background, and honest people can look at what is happening in America, especially with this ICE shit and collaborate. Everyone would consider B-Real like LA royalty, I’m humbled to get to collaborate with him.” “CANDY DOPAMINE (ft Avenged Sevenfold)”: “This song is kind of a love & hate song to prescription and designer drug culture. It started with my dependence on anti depressants, but it’s also looking at everyone now mentalhealthmaxxing and looksmaxxing via pills and injections. It’s not a judgement, it’s just an observation and my personal experience with these things is that I have to be in a long term relationship with them for my PTSD and depression.”  “FACELESS PIGS”: “Again with the ICE stuff - this was my song specifically about the masked faceless pigs. We performed it in LA live when the shit was happening and people seemed to like the old school pussy riot punk vibe. Theres always some tongue in cheek nods with punk I do - the Oi Oi Oi, like no one is gonna nominate me for a nobel prize for oi oi oi , but I like it, I like performing it, and like the punk folk background of  things like this. Pussy Riot was created as a fake punk band in 2011, we recorded our first song in my friends stairwell on a tape recorder using shitty old punk. The DIY aspect has always stuck with me about the Punk movement, even though I will actively (and confusingly) tell you I’m not a punk musician.  I did want to to play around a bit with the punk genre though, I went with electric drums instead of traditional drumset on this - a little more modern I guess or unique and fitting the rest of the album.  “UTOPIA ft Salem Ilese”: “Salem has the voice of an angel - every time I do a collaboration with her I hear her voice and am in love. I don’t really know what else to say about it, she’s one in a million.” “DISOBEY”: This was the track I did in regards to the Venice Biennale - a whole melodrama of fighting the return of the Russian propagandists back to the heart of European culture - while they send their kremlin stooges and state approved artists to Venice, they also send their shahid drones and ballistic missiles to Ukraine. It’s disgusting and I wanted to just be as loud as possible. No one is coming to help you - and it’s a message to myself as well as everyone else - the art institutions failed us, politicians failed us, artists themselves were too scared to take our side - so we showed up and were loud, and drowned out the media spotlight from their cringe little event, and pointed the collective spotlight toward their war crimes and hypocrisy. The video was done in classic Pussy Riot fashion, we staged the action on May 6, 2026, and the video was released that night - done by Pussy Riot’s OG video team Tasya and Vasya. They did all the OG videos, were with us before pussy riot during our first collective VOINA. It was lovely to work with them, and this time they brought their 8 year old daughter Unna - who has a GoPro and actively navigates the mosh pits and smoke and police and gets amazing footage. A true prideful moment to see the next generation of Pussy Riot growing, a literal 8 year old genius following in her mom’s footsteps. You can see her footage in the video.  As for the meaning of the song - get up off your couch and fight, disobey. It’s to everyone. People inside russia, outside, inside the US, inside Europe. I snuck in a little meta self reflection too - I’m not your fucking jesus christ - stop looking to me to be this voice against putin and the rise of authoritarianism. Everyone has their opinions about me, about this action in Venice, most of the loudest ones never did anything themselves though.  “GOD LOVES THE FIERCE”: Working with Chris Greatti is always my happy place. We did “Panic Attack” and “Rage” together as well, he just is a magical guy. “CANCEL ME”: Similar to “NOTHING LEFT TO LOSE”, I use music instead of therapy I guess. When I appeared on Maddow in December just after Pussy Riot was deemed an extremist orginization, she asked if I had any advice to the west, to america to fight the descent into authoritarianism. My answer was to stop cancelling each other - build big coalitions. The russian opposition spends most of its time talking shit about each other and undermining it’s own allies, it’s almost like putin doesn’t even have to put his propagandists on this job. Learn from that I guess, don’t do that. We find our allies and we fight alongside them against a common enemy.  There is a moral clarity you get when you spend time in Ukraine, you’ll notice people aren't picking apart regrettable words used in old tweets, or disagreements on political topics - they have a common enemy and fight shoulder to shoulder, for the survival of their homeland and their people. Then you come to the west and see a constant fucking comptetion of who can complain more about what should probably be their allies - it’s how trump is just bulldozing his way to more and more power while everyone complains and shit talks each other. Go look whats happening with Hasan or even Bernie or AOC, just ridiculous. Anyways I don’t get it. About “BLIZZARD”, she says: “My school friend Masha committed suicide ten years ago. It’s a letter to her. We grew up in such a hopeless shitty country - she saw no future, and she took her own life. I struggle with mental health, depression, PTSD after jail, and always bring back this concept of feeling crazy in an insane world. What is the normal response to being born into a country where the only thing it exports are oil, rape and murder. Where the state literally is aimed at destroying any hope or individuality you have. I don’t know - loss is part of this album, I lost my home, my hope for a better country, my friends along the way. I don’t want anything for it, I just want revenge, and justice for the people this regime has killed and destroyed. I still think it can come, Ukraine’s victory the precursor to this.” “OUTRO”: “My mom died last year, It’s a song to her. I wasn’t able to visit her when she went on hospice - because I’d go to jail if I went back to russia. So i had to say bye to her on zoom. People like saying im heroic or to keep it up, but they don’t remember im a human , a daughter, a mom, sometimes.There are consequences when you decide to pit yourself against an entire apparatus of a nation state. Im not the only one, but my life, my home, my family, is all essentially destroyed by this regime, this country, and this album is a sort of reckoning with all those feelings - sadness, rage, and maybe even some far off hope.” Next, Pussy Riot will bring the apocalypse live to Paris at the BEYOND THE STREETS exhibit in Grande Halle de la Villette on Saturday, June 20th. More live shows to be announced. Pussy Riot declares: All these old men ruining the world right now act tough - but we see thru their fragile egos - and I’m not afraid to call them out. They are, in fact, pussies. While the world is waiting for the UFC Freedom 250 on June 14 at the White House, I challenge President Putin to a cage match. He thinks he’s so tough, but afraid of a girl? Let’s see. He loses? He gets the fuck out of Ukraine. The world can watch him lose to a girl, even with all his judo training. He can’t even URA anymore, but he throws the world into despair.  Just like Brener in 1995 when they bombed Chechnya, and he challenged Yeltsin, now they bomb Ukraine, and I challenge Putin. “Putin! Come here!” Pussy Riot - CYKA tracklist: 01. GODS LEFT 02. PAIN / БОЛЬ 03. NOTHING TO LOSE 04. CYKA ft Vladimir Putin 05. MURKA 06. GORE ft B-Real 07. CANDY DOPAMINE ft Avenged Sevenfold 08. FACELESS PIGS 09. UTOPIA ft salem ilese 10. DISOBEY 11. GOD LOVES THE FIERCE / БОГ ЛЮБИТ ЛЮТЫХ 12. CANCEL ME 13. BLIZZARD 14. OUTRO

Midge Ure - A Man Of Two Worlds Out Today - Double Album Featuring Instrumentals And Songs

Midge Ure New Album Out Today
A Man Of Two Worlds
Double Album Featuring Instrumentals And Songs
On His First Collection Of New Material In 12 Years




June 12, 2026 - New York, NY: Acclaimed musician, producer, and songwriter Midge Ure releases his new album A Man Of Two Worlds, in North America today. In recent years Ure has spent his time relentlessly touring, and not had the time to fully immerse himself in his studio creating music. To that end, A Man Of Two Worlds is his first album of new material since 2014’s Fragile.


Well worth the wait, the album is divided into two clear parts. The first half, World One: Music, consists of eight instrumental pieces, while the second half, World Two: Songs, features eight vocal songs. This concept was partly inspired by the time Midge spent during lockdown listening to instrumental music, and some of the beautiful work he heard while presenting THE SPACE on Scala Radio in the UK. This helped to create the spark to make something without lyrics to guide the way, where the melodies had to speak for themselves. He began writing the instrumental pieces, music shaped by reflection, uncertainty, and a strange kind of quiet.


The eight vocal songs which form the second part of the album, came to fruition as the world reopened. A more divided world, in many ways a much harder and less empathetic one. Sharing an atmosphere with the instrumentals, these songs are incredibly sparse and meditative, dealing with the frailty of the human condition, and a reflection of Midge’s concerns for the discord infecting the world today: "‘In an ever volatile world, words carry more power to make the change or make things worse. In the sixties what was heard was peace and love and nowadays it seems to be much more about division, hate and war. 'Just Words' reminds us words will only remain words unless they are acted upon."
Listen to 'The Man Who Stole Your Soul' on YouTube:




Lead track, ‘Just Words’ explores what the ’new normal’ is for people in positions of power who blatantly deny or lie, irrespective of what we can see or hear, while ‘The Man Who Stole Your Soul’ laments the current state of the US, and ‘Shouting At The Moon’ is a reminder about the power we have through unity. 'Caught In The Middle’ muses on human fallibility ‘Ordinary Man (Precious Moments)’ reflects on passing time and mortality, and the tender ‘The Pictures You Carry With You’ was crafted from a melody Midge sang to his daughters when they were babies.


A Man Of Two Worlds brings two worlds together: the songs and the instrumentals. No particular genre. Just worlds colliding. Ure will tour the UK, Europe, Australia and New Zealand with North American Dates to be announced.


Midge on the Man Of Two Worlds album and tour: “Almost every album I’ve made over the past 40+ years has featured at least one instrumental track. For this album I wanted to explore this further, showing two sides of what I do. The ‘Man of Two Worlds’ Tour will reflect this idea, combining instrumentals I have done over the years with songs, album tracks and fan favourites side by side taking the audience on a journey.”


The album will be available on CD and LP formats and digital download. An avid photographer, all photos in the booklet/inner-sleeve were taken by Midge Ure.


High-res Packshots: https://spaces.hightail.com/space/oWBOZ9ryNi


Few artists can claim such creative longevity as Midge Ure. He launched his career with the glam rock days in Slik, followed by the punk-tinged energy of The Rich Kids (alongside Glen Matlock of the Sex Pistols.) He formed Visage with Rusty Egan and Billy Currie along with John McGeoch, Dave Formula and Barry Adamson from Magazine and the formidable Steve Strange. He played live with Thin Lizzy (after the departure of Gary Moore), and helped define the sound of the '80s with Ultravox. Midge Ure has consistently been at the forefront of innovation. His role in co-writing and producing the global anthem 'Do They Know It’s Christmas?' and helping orchestrate Live Aid remains one of the most significant moments in modern music history.
Midge Ure has won Ivor Novello, Grammy, and BASCAP awards and has a legacy of gold and platinum selling records to his name.

Live Dates:
Jun 20 - Kiel, GER - Kieler Woche
Jul 24 - VIenna, AUS - Forever Young
Jul 25 - Gelsenkirchen, GER - The 80's Live At Schalke 2026
Oct 8 - Perth, AU - Astor Theatre
Oct 10 - Adelaide, AU - The Gov
Oct 11 - Brisbane, AU - The Tivoli
Oct 13 - Hobart, AU - Odeon Theatre
Oct 15 - Sydney, AU - Enmore Theatre
Oct 16 - Melbourne, AU - Palais Theatre
Oct 22 - Christchurch, NZ - James Hay Theatre
Oct 23 - Wellington, NZ - Meow Nui
Oct 24 - Auckland, NZ - Powerstation
Nov 20 - York, UK - Barbican
Nov 21 - Derby, UK - Vaillant Live
Nov 22 - Hull, UK - Connexin Live
Nov 23 - Brighton, UK - Dome
Nov 25 - Cardiff, UK - Depot
Nov 27 - Watford, UK - Colosseum
Nov 29 - Coventry, UK - Warwick Arts Centre
Nov 30 - Guildford, UK - G Live


Tickets available from midgeure.seetickets.com/ & www.midgeure.co.uk


Photo Credit: ToddeVision

Website: http://www.midgeure.co.uk
Facebook: https://www.facebook.com/midge.ure/
Twitter: https://twitter.com/midgeure1
Instagram: https://www.instagram.com/midge_ure/

SUKI WATERHOUSE RELEASES NEW SINGLE “WHEN I GET DRUNK (I WANT YOU BOY)”

SUKI WATERHOUSE RELEASES NEW SINGLE “WHEN I GET DRUNK (I WANT YOU BOY)” NEW ALBUM LOVELAND OUT JULY 10TH PRE-SAVE / PRE-ORDER HERE

Photo Credit: Michael Donovan

Today, Suki Waterhouse releases “When I Get Drunk (I Want You Boy)” – the latest single from her forthcoming album Loveland. Co-written by Suki, Raj Jain (noise dept.), and Michael Derenzo, “When I Get Drunk (I Want You Boy)” is a sultry song steeped in temptation, full of desire, and brimming with chemistry. Listen HERE.   “I’ve been obsessed with this song ever since we made it,” Suki shares. “For me, it’s an ode to an intoxicating kind of love and that feeling of chasing a thrill, and the more you listen to it, the more it pulls you into its spell.”   The track’s accompanying video, also out today, is a stylized, drunken fever dream that was co-directed by Suki and Tyler Weinberger and shot in her home. Watch it HERE. “When I Get Drunk (I Want You Boy)” is taken from Suki’s upcoming record Loveland due out July 10th via Island Records. Suki was recently featured on the cover of Variety’s Power of Women UK issue, where they celebrated her “sublime new album” commenting that it “puts Waterhouse’s expansive range on full display.” Read the full cover story HERE.    The album will also include previous singles “Back in Love,” lauded by Harper’s Bazaar as “a super joyful track made for late summer nights dancing around with friends,” and “Tiny Raisin,” which was included in Billboard’s best new music of the week and praised by Wonderland, who wrote, “She wails, she vocally sashays, and she sings her heart out on this fuck you, love you anthem.”    When Suki recently announced the tracklist for her upcoming album, she revealed that the vinyl gatefold doubles as a playing board for the “Game of Loveland” – a board game of desire and devotion, made to be played with hearts open, record playing, with friends or with strangers. As the album unfolds, players roll the dice and move through the songs, prompting them to get to know each other. The person who went through a breakup most recently goes first. Check out the full gameplay rules HERE.   Suki shared on her Instagram at the time, "Writing Loveland was me trying to find myself again. To understand who I was becoming while making this record. The emotions of it all felt like a rollercoaster. A game of winning, losing, longing, choosing, starting over. So inside the vinyl, I made one."   This summer, Suki will embark on The Loveland Tour, which kicks off in North America on July 22nd and will see her grace the stages of Radio City Music Hall, Hollywood Forever Cemetery, Lollapalooza, Austin City Limits, and more. Tickets are on sale HERE. See below for a full list of Suki’s tour dates.   Suki Waterhouse – The Loveland Tour: July 22, 2026 – Phoenix, AZ – Arizona Financial Theatre ^ July 23, 2026 – Los Angeles, CA – Hollywood Forever Cemetery ^ July 26, 2026 – San Francisco, CA – Stern Grove Festival *^ July 27, 2026 – Salt Lake City, UT – Twilight Concert Series ^ July 28, 2026 – Denver, CO – Fillmore Auditorium ^ July 30, 2026 – Chicago, IL – House of Blues + July 31, 2026 – Chicago, IL – Lollapalooza * August 2, 2026 – St. Charles, IA – Hinterland Music Festival * August 3, 2026 – St. Paul, MN – Palace Theatre ^ August 6, 2026 – Seattle, WA – Woodland Park Zoo ^ August 7, 2026 – Portland, OR – The Square ^ August 8, 2026 – Vancouver, BC – Orpheum ^ September 18, 2026 – Indianapolis, IN – Egyptian Room at Old National Centre ^ September 19, 2026 – Toronto, ON – Coca-Cola Coliseum ^ September 21, 2026 – Philadelphia, PA – The Fillmore Philadelphia ^ September 22, 2026 – Boston, MA – MGM Music Hall at Fenway ^ September 24, 2026 – New York, NY – Radio City Music Hall ^ September 26, 2026 – Washington, DC – All Things Go * September 27, 2026 – Raleigh, NC – The Ritz + September 29, 2026 – Atlanta, GA – Coca-Cola Roxy # September 30, 2026 – Orlando, FL – House of Blues # October 1, 2026 – St. Petersburg, FL – Jannus Live # October 3, 2026 – Austin, TX – Austin City Limits (ACL) * October 6, 2026 – Oklahoma City, OK – The Criterion # October 10, 2026 – Austin, TX – Austin City Limits (ACL) * October 12, 2026 – St. Louis, MO – The Pageant # October 13, 2026 – Milwaukee, WI – Landmark Credit Union Live # October 14, 2026 – Nashville, TN – The Truth # October 16, 2026 – Detroit, MI – The Fillmore Detroit # October 17, 2026 – Chicago, IL – Aragon Ballroom # *Indicates Festival Performance ^With Special Guest Charlotte Lawrence #With Special Guest Rochelle Jordan +With Special Guest Love Spells   Suki Waterhouse - Loveland Tracklist Back in Love Any Man Happy With It Notting Hill Teardrops When I Get Drunk (I Want You Boy) Jukebox Seasons Tiny Raisin Almost Puppy Dog Eyes Morals Loveland Weirdo   Listen to “When I Get Drunk (I Want You Boy)” HERE Watch the Official Music Video HERE Pre-save/Pre-order Loveland HERE Follow Suki Waterhouse: WEBSITE INSTAGRAM TIKTOK X YOUTUBE