8/27/2026

MAGNOLIA PICTURES SETS THEATRICAL RELEASE FOR NEW 4K RESTORATION OF
‘END OF THE CENTURY: THE STORY OF THE RAMONES,' CELEBRATING THE 50TH ANNIVERSARY OF THE ICONIC PUNK BAND’S FIRST ALBUM





MAGNOLIA PICTURES SETS THEATRICAL RELEASE FOR NEW 4K RESTORATION OF END OF THE CENTURY: THE STORY OF THE RAMONES, CELEBRATING THE 50TH ANNIVERSARY OF THE ICONIC PUNK BAND’S FIRST ALBUM

The Re-Release Also Marks The First Time Ever That The Film Will Be Available On Digital



Ramones Photo Courtesy of Magnolia Pictures

FOR IMMEDIATE RELEASE:

NEW YORK, NY (August 26, 2026) - Magnolia Pictures announced today that they will release a brand new 4K restoration of END OF THE CENTURY: THE STORY OF THE RAMONES, from directors Michael Gramaglia and Jim Fields. The documentary is a vibrant, candid portrait of one of the most influential bands in punk rock history. The 4K restoration will be released in theaters later this year, and marks the first time ever that the film will be available to rent and own on digital.

In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens called the Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-seventies music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, they managed to endure in the face of fleeting success and crushing interpersonal conflicts by maintaining a rigorous touring schedule for twenty-two years. END OF THE CENTURY: THE STORY OF THE RAMONES traces the history of the band, from its unlikely origins, through its star-crossed career, bitter demise, and the sad fates of Joey and Dee Dee.

This year also marks the 50th anniversary of the release of the Ramones’ first album and on August 30, a supergroup of artists including CRETIN FAMILY, Tim Armstrong, Billie Joe Armstrong, Travis Barker, and CJ Ramone will unite at Hollywood Forever Cemetery on Aug 30 in Los Angeles to cover Ramones classics.

Produced and directed by Michael Gramaglia and Jim Fields, END OF THE CENTURY: THE STORY OF THE RAMONES is also produced by Rosemary Quigley and Chinagraph NYC, and George Seminara. Executive producers are Jan Rofekamp, Diana Holtzberg, Andrew Hurwitz.

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ABOUT MAGNOLIA PICTURES
A leading independent film studio for 25 years, Magnolia Pictures is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, boasting a library of over 500 titles including genre-defining classics like Oscar®-winner MAN ON WIRE, June Squibb action-comedy THELMA, Tomas Alfredson’s LET THE RIGHT ONE IN, Oscar®-nominated RBG, Lars von Trier’s MELANCHOLIA, Bong Joon-ho’s creature feature THE HOST, Raoul Peck’s Oscar®-nominated I AM NOT YOUR NEGRO, Bob Odenkirk action film NORMAL, Cannes Palme d'Or winner and Oscar®-nominated SHOPLIFTERS, John Early’s critically acclaimed directorial debut MADDIE’S SECRET, Ruben Östlund’s FORCE MAJEURE and Gregg Araki’s Sundance hit I WANT YOUR SEX. Upcoming releases include John Wilson’s Sundance world-premiere THE HISTORY OF CONCRETE, Dave Boyle’s SXSW Audience Award-winner NEVER AFTER DARK, and THE SHEPHERD, John Hyams’ horror-thriller starring David Dastmalchian and Georgina Campbell.




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CURRENT JOYS drops "WILDFIRE" video/single - New album out Oct 2




CURRENT JOYS Debuts “WILDFIRE” Single / Video

New Album ROSEBUD​​​​​​​ Coming Nov 6 via They Are Evil

Currently On Sold Out EU / UK Tour


photo by Alexis Gross


Multi-instrumentalist/singer/songwriter Current Joys – the solo project of Surf Curse drummer Nick Rattigan – releases his introspective new single and powerful video, “WILDFIRE”.

“WILDFIRE” is taken from Current Joys’ forthcoming new album ROSEBUD, due for release November 6 via Rattigan’s own new imprint They Are Evil in partnership with Stem.

A reflective track that reflects on a period of profound personal upheaval, “WILDFIRE” finds Rattigan looking back on years of self-destruction from a place of tentative hope and renewal.

“I wrote WILDFIRE at a time in my life when everything felt like it was collapsing,” says Rattigan. “I’d been through a few years of self destruction and was just starting to come out of it. I always wanted the video to be me in a house on fire, just embracing the flames. When Justin [director] came in, I think he wanted it to be a bit more optimistic. He convinced me to reach my hand out to the door in the final scene implying something more than just burning. I’m at a point in my life where I’m starting to believe in the reach.”

The accompanying video, directed by Justin Kaminuma, brings that imagery to life. The final gesture towards the door mirrors the song’s shift from destruction towards something more hopeful – an acknowledgement that even after years spent embracing the flames, there might still be a way out.




Listen / Share / Playlist “WILDFIRE” | Watch Music Video





ROSEBUD is a departure. But then, every Current Joys record is a departure. Rattigan's solo project encompasses folksy acoustic music inspired by the Grateful Dead, noisy hyperpop, darkwave, and anything else caught in his dragnet of curiosity.

His career has soared: Triple-Platinum and Gold Record certifications, a member of Spotify’s Billions Club via Surf Curse, extensive global tours, 8 studio albums, 5 EPs, countless singles and collabs with the likes of Lil Yachty (“Gatsby”), Polo Perks, Matt Proxy (“God”), etc. and now his own hit “Kids”, which initially went viral 11 years ago, has reemerged alongside “Televisions” in this year’s cult horror film ‘Obsession’ – all under his belt at just 33.

Now Rattigan prepares ROSEBUD, an album of anthemic choruses and maximalist production. Gaze into it deeply and the faint outlines of heartbreak start to emerge. Try to focus on that portrait and it disappears in a cloud of redlined noise.

Initially, ROSEBUD was a bummer. Rattigan wrote and recorded it while going through a difficult period, and he found himself sitting on half an hour of slowcore songs he could barely stomach. Meanwhile, he was getting his mind blown by the high-concept production of experimental hip-hop artists and cheered himself up working with rappers like Lil Yachty, Polo Perks, Ayooli, and others. It was while doing production and vocals during a session with Matt Proxy’s that Rattigan met Danny Dwyer, the producer who goes by the name never goodbye (“the most beautiful producer in the world,” as Rattigan puts it). Watching Dwyer dial in “God”’s carnivalesque track—which sounds like two or three songs on top of one another, plus seagulls—was a revelation for Rattigan. He sent Dwyer some of the sad-boi songs he’d been sitting on and together they reworked them, adding glitches, screams, foamy curtains of distortion, and whatever else they could think of.

The ROSEBUD you’ll hear soon is a completely different record from the one Rattigan began with, and from anything else in his catalog. It’s punchy. It’s full of big pop hooks shouted through layers of static, sticky OC punk chord progressions twisted and chewed up by digital manipulation which is heard clearly on previous single “HOLE”.

At times, Rattigan turns his maximalist ethos on its head, producing exceptionally tender songs made even softer by the unexpected production choices. There are moments throughout ROSEBUD, when the vulnerability at the album’s core begins to reshape all of the sound that’s piled on top of it. But throughout Rattigan calmly plucks out supremely bummed arpeggios on his guitar. No matter how loud the song gets, that guitar line seems to hang in space, a weird bit of human persistence and resilience in the face of overwhelming dissonance.

Rattigan’s always allowed his interests and curiosity to guide how he makes his music—his falling in love with Lil Peep’s music greatly influenced Love + Pop—but ROSEBUD feels like an encapsulation of everything he’s done in his career, even as it sounds very little like any of his previous records. Nu metal, screamo, electronica, hip-hop, power-pop, emo, darkwave—it’s a rush of signifiers. “I wanted it to be a collage of all of my influences,” It’s obvious that bringing together so many different ideas has brought Rattigan to a new level of inspiration.

In that way, it’s appropriate that this is the first record he is self-releasing after many years on Secretly Canadian. It’s a throwback to his early days of uploading The Nicholas Project and TELE/VISIONS tracks to Bandcamp at freewill, and a tribute to the profound artistic freedom ROSEBUD represents.

Current Joys are currently performing on a sold out run across Europe and the UK. For a full list of dates see below. Stay tuned for North American updates.


Pre-Order / Pre-Save ROSEBUD


ROSEBUD Tracklist:

01- HOLE
02 - WILDFIRE
03 - CHAOS
04 - SUFFERER
05 - blood on the stereo
06 - KNIGHT OF SWORDS
07 - STAY (Feat. never goodbye)
08 - skinamarink on the tv
09 - HALLOWEEN
10 - SWEPT AWAY



Current Joys Live Dates:

Aug 27: Dublin – The Academy (SOLD OUT)
Aug 29: Glasgow – The Garage (SOLD OUT)
Aug 30: Manchester – New Century Hall (SOLD OUT)
Sep 01: Paris – Elysée Montmartre (SOLD OUT)

Altın Gün Embark on North American Tour

ALTIN GÜN BEGIN NORTH AMERICAN TOUR SEPTEMBER 6

CELEBRATING "SONICALLY EXPANSIVE AND BEAUTIFUL" (NPR) NEW ALBUM GARIP
OUT NOW VIA ATO RECORDS


ALEX MAAS OF THE BLACK ANGELS OPENING

SHOWS @ BROOKLYN STEEL, THE ORPHEUM LA
& MORE

Photo by Sanja Marusic


PRAISE FOR ALTIN GÜN & GARIP

“Sonically expansive and beautiful.”
NPR Music

"Sonic alchemy."
SPIN

"Traditional music as living blues, still asking timeless questions and still hitting right in the chest."
KCRW

“Masterfully navigates the balance of historical reverence and forward-looking creativity.”
Relix

“A thoroughly enjoyable ride."
MOJO

"A gateway to a universe of some of the most fascinating sounds you’re likely to hear."
Spectrum Culture

“Contains some of the band’s most endearingly experimental, otherworldly efforts."
Far Out

“One spin through Garip shows that the band are playing with a little bit more fiery pizazz, making it not just another time-marking installment in their catalog, but a highlight.”
AllMusic

“Mixing consummate grooves with a rich base of traditional folk music and 1960s psychedelic rock, Altin Gün continue to concoct their own musical genre.”
Qobuz Magazine

“A 10-song trip through palpable melodies that bend and twist without breaking, allowing the band to reimagine the same tropes they’re looking to uphold.”
Glide Magazine

Altın Gün — “Amsterdam’s finest Turkish psych revivalists” (Pitchfork) — are heading out on their North American tour, beginning September 6 in Vancouver and co-presented by Levitation and Desert Daze. The band is hitting major markets across the continent in rooms like Brooklyn Steel and The Orpheum throughout September, taking along Alex Maas of The Black Angels and a co-founder of the Levitation Festival as their opener. Altın Gün is also playing BBC Proms at Royal Albert Hall in London on August 28, more info here. Tickets and all tour dates are here and below.

The tour is in celebration of their acclaimed sixth album Garip, which arrived earlier this year via ATO Records. Upon release, the band's vocalist, keyboardist, and bağlama player Erdinç Eçevit talked about Garip on NPR's Weekend Edition, listen here.

Watch Altın Gün perform live at Fuji Rock Festival in Japan here.

Garip — which translates to "strange, poor, and alone" in English — is a loving tribute to Neşet Ertaş, a beloved icon of Anatolian music who carried the spirit of the ashik folk tradition into the modern era. Ertaş was a gifted singer, lyricist, and bağlama virtuoso who recorded more than 30 albums and wrote hundreds of songs.

In reimagining ten Ertaş compositions, Altın Gün carry on his trailblazing spirit — weaving in lush Arabesque string arrangements, bursts of saxophone, glimmering synth balladry, and a fresh surge of tightly wound rock ’n’ roll. Garip  is thus a fitting way to honor a figure as titanic as Ertaş, a work that traces Altın Gün's sonic roots while simultaneously charting an exhilarating path forward.

That freewheeling verve and experimental vision of rock and folk music has kept Altın Gün on the cutting-edge of 21st century psychedelic music, leading them to world tours, opening slots for Tame Impala and King Gizzard & The Lizard Wizard, Coachella and Primavera festival stages, and even a GRAMMY nomination.


TOUR DATES



Sept 6 - The Pearl - Vancouver, BC
Sept 7 - The Pearl - Vancouver, BC
Sept 8 - Showbox Sodo - Seattle, WA
Sept 9 - Revolution Hall - Portland, OR
Sept 11 - The Regency Ballroom -  San Francisco, CA
Sept 12 - The Orpheum Theatre - Los Angeles, CA
Sept 15 - Fine Line - Minneapolis, MN
Sept 16 - Vic Theatre - Chicago, IL
Sept 18 - Danforth Music Hall - Toronto, ON
Sept 19 - Théâtre Beanfield - Montreal QC
Sept 22 - Big Night Live - Boston MA
Sept 23 - Brooklyn Steel - Brooklyn NY
Sept 24 - Union Transfer - Philadelphia, PA
Sept 25 - Howard Theatre - Washington, DC
Sept 26 - Roxian Theatre - Pittsburgh, PA

 

PHOEBE GREEN releases 'Clothes Still On' - new album PREMATURE NOSTALGIA out 2nd October

Phoebe Green releases new single 
'Clothes Still On'

New album PREMATURE NOSTALGIA out 2nd October via The Green Dream Machine / Absolute
Photo credit: Charles Moss

LISTEN 'Clothes Still On'
YouTube | Smartlink

PRE-ORDER PREMATURE NOSTALGIA
https://slinky.to/PREMATURENOSTALGIA

(27 August) Manchester's Phoebe Green today releases 'Clothes Still On', the captivating new single from her forthcoming new album PREMATURE NOSTALGIA, out 2nd October via The Green Dream Machine / Absolute. 'Clothes Still On' follows the album’s previously released singles 'There's Always Someone Kicking The Seat' and 'Polluting You With Me'.

"'Clothes Still On' is probably my favourite song on the album," Phoebe shares. "It feels like such a perfect combination of mine and Lucy’s influences and sounds; for me the verses are quite 00s emo but also a little Alex G, the choruses have an almost BROCKHAMPTON style vocal, but Lucy’s signature mental synth sounds keep us in our dramatic electronic little world."

To celebrate the album's release, Phoebe Green headlines Rough Trade East in London on 6th October (tickets here) and plays Night & Day in Manchester on 22nd September (tickets here).

 

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Written and produced alongside her sister Lucy Green (aka Elucyve) - a producer of contemporary classical and electronic music in her own right - PREMATURE NOSTALGIA was created between the flat the pair share in Manchester and their parents' home in Lytham St Annes. 

Across the album, Phoebe and Lucy draw inspiration from artists such as Imogen Heap, Oklou, Jockstrap, James Blake, FKA twigs and Sega Bodega - embracing warped electronics, fragmented structures and experimental forms of pop songwriting.

Speaking about the album, Phoebe said: "‘PREMATURE NOSTALGIA’ explores the feeling of missing a moment before it’s over, grieving the present in real time and trying to retain every detail of an encounter so that the memory is always intact and in full colour. My sister Lucy and I composed, produced and recorded this album in our flat in Manchester, it holds such sentimental value and is a real amalgamation of both of our influences, perspectives and individual style; dreamy, heavy, dramatic synths and confessional lyrics that document the beautiful and messy experience of living."

A darker and more enigmatic companion to 2025 EP The Container and her acclaimed debut album Lucky Me, new album PREMATURE NOSTALGIA also features collaborations with Picture Parlour’s Katherine Parlour and incorporates field recordings and metallic textures pulled directly from Manchester’s industrial landscape and club culture.

Throughout, the album remains rooted in the bond between Phoebe and Lucy - sisters, collaborators and proud adopted Mancunians navigating the realities of independent artistry together.

Over the past decade, Phoebe Green has become one of UK alternative pop’s most distinctive voices. Alongside collaborations with Swim Deep, The Big Moon, Holiday87 and Scout, her music has featured in Killing Eve and most recently on the soundtrack to 2026 film Finding Emily - while recent work alongside Lucy has also seen the pair take their first major step into soundtrack composition.

Phoebe Green's 2025 EP The Container attracted consistent daytime airplay from BBC 6 Music (Nemone, Amy Lamé, Craig Charles, New Music Fix), glowing press support from key tastemakers including The Line of Best Fit, CLASH Magazine, Dork Magazine, DIY Magazine, 1883 Magazine, Far Out Magazine, Popjustice, Rough Trade and covering Spotify's Fresh Finds UK playlist and YouTube Music's young x dazed playlist.

Phoebe Green's new album PREMATURE NOSTALGIA is out 2nd October digitally and on 12" vinyl via The Green Dream Machine / Absolute. New single 'Clothes Still On' is out now.

LIVE DATES 

22 September - Manchester, Night & Day
06 October - London, Rough Trade East

Wasia Project shares Gerd Janson remix of “Vogue” today

RISING DUO WASIA PROJECT SHARES GERD JANSON REMIX OF “VOGUE” TODAY

ANTICIPATED DEBUT ALBUM NOCTURNE OUT

SEPTEMBER 18

U.K. AND EUROPE HEADLINE TOUR CONFIRMED; TICKETS ON-SALE NOW

photo credit: Claryn Chong

August 27, 2026—Rising duo Wasia Project, siblings Will Gao and Olivia Hardy, partner with German dance icon Gerd Janson for a new remix of their song “Vogue” today—listen HERE.


“Wasia Project already had an irresistible groove in its original version,” says Janson. “My job was simply to concentrate on that, to emphasize and enhance it in order to firmly place it on the dance floor. In the best case, I did the glorious history of really good pop songs turned into extended dance mixes justice. Hopefully, it brings as much joy as the original.”


Janson and Wasia Project have teased the remix at shows across the spring and summer, with fans eagerly awaiting the track ever since.


The song comes ahead of their anticipated debut album, Nocturne, out September 18 via AWAL Recordings; pre-save HERE.


Produced by longtime collaborator St. Francis Hotel (Adele, Little Simz, Arcade Fire), Nocturne is Wasia Project’s first full-length album and marks a major step forward in the duo’s creative evolution. Across the album’s 12 tracks, Gao and Hardy lean into a more cathartic and emotionally charged sound that explores youth and identity, while continuing to dissolve the boundaries between genres and craft music that feels both deeply personal and collectively resonant.


Janson’s remix follows a run of new music from Wasia Project, including “Vogue” earlier this month, “Whale Call,” “Bleeding Gold” and “2515,” the latter of which i-D described as “moving toward something darker and a little more confrontational.” “Vogue,” “Bleeding Gold” and “2515” each received their first play as Hottest Record on BBC Radio 1's New Music Show with Jack Saunders, and “Whale Call” made its debut in Netflix’s Heartstopper Forever.


Acclaimed live performers, Wasia Project will embark on their most extensive U.K. and European headline tour to date this fall, following a run of sold-out piano shows across Southeast Asia and Australia. The newly announced run includes stops in London, Brussels, Amsterdam, Berlin, and more. See below for complete itinerary.



Hailed as “a fast-rising youth pop phenomenon” by British Vogue and praised by The Guardian for their “modern jazz and indie with a wisdom beyond their years,” Wasia Project has built a devoted audience with their distinctive, genre-defying blend of classical and contemporary pop. The new music follows the 2025 single, “Letters From The Day,” and 2024’s acclaimed Isotope EP, which earned praise from Wonderland, EUPHORIA, Clash Music and more. The project fueled sold-out headline tours across the U.K. and U.S., including two nights at both Los Angeles’ The Fonda Theatre and New York City’s Irving Plaza, along with a show at New York City’s legendary Blue Note. The duo has also shared stages with Laufey, Tom Odell and Rachel Chinouriri.


Formed in 2019, the London-based siblings draw on their Chinese-British heritage and classical music training to craft a distinctly global sound that explores themes of youth, identity and connection. The duo has been championed by British Vogue, The Guardian, NPR, GQ, DIY and Rolling Stone, and have graced the covers of NME, BRICKS, Dork and Notion.

single artwork

WASIA PROJECT LIVE

November 4––Glasgow, U.K.––Swg3 Galvanizers

November 6––Manchester, U.K.––New Century Hall

November 7––Leeds, U.K.––Leeds Beckett Student Union

November 8––Birmingham, U.K.––O2 Institute

November 10––Bristol, U.K.––O2 Academy

November 11––London, U.K.––Roundhouse

November 20––Paris, FR––Elysee Montmarte

November 22––Brussels, BE––La Madeleine

November 23––Amsterdam, NL––Melkweg

November 25––Berlin, DE––Astra Kulthurhaus

www.wasiaproject.com

MAGNOLIA PICTURES SETS THEATRICAL RELEASE FOR NEW 4K RESTORATION OF
‘END OF THE CENTURY: THE STORY OF THE RAMONES,' CELEBRATING THE 50TH ANNIVERSARY OF THE ICONIC PUNK BAND’S FIRST ALBUM

MAGNOLIA PICTURES SETS THEATRICAL RELEASE FOR NEW 4K RESTORATION OF END OF THE CENTURY: THE STORY OF THE RAMONES, CELEBRATING THE 50TH ANNIV...