8/24/2026

punk, art & culture collide at the Goethe-Institut Los Angeles on Thursday Aug 27th at 7 PM -- FREE PARKING

PUNK, ART & CULTURE COLLIDE

AT THE GOETHE-INSTITUT

LOS ANGELES

THIS THURSDAY

AUGUST 27TH, 2026

AT 7 PM

 

TEQUILA MOCKINGBIRD'S PUNK MUSEUM

Exhibition Opening

Thursday, August 27th

7 pm - 9:30 pm

at Goethe-Institut Los Angeles Project Space

1901 W 7th St Ste A/B, Los Angeles, CA 90057

FREE PARKING --> enter parking garage at 674 S. Westlake Ave. then follow signs

More information in LINK

 

The exhibition showcases an extraordinary collection of punk art, memorabilia, photographs, flyers, zines, posters, records, and rare ephemera that trace the evolution of one of the city’s most influential cultural movements, even drawing connections to the punk scenes in Europe and Germany.

 

 

CAVA FROM BERLIN LIVE IN CONCERT

Friday, August 28th

Doors: 7:30 PM

Show: 8:00 PM

at Redwood Bar

316 W 2nd St., Los Angeles, CA 90012

Tickets in LINK

 

Berlin-based garage-punk band CAVA kick-off their tour across America, as part of the Goethe-Institut program, Alle gegen Alles. Punk@50. Show is at the Redwood Bar in downtown L.A. where CAVA is part of an extraordinary line-up featuring headliners FEA, and scene stars Ratas en Zelo along with queer core darlings The Groans.

 

 

Additional Goethe-Institut Los Angeles programming for Alle gegen Alles. Punk@50 includes:

 

WOMEN IN PUNK: September 9th

moderator Jessica Schwartz, with Tequila Mockingbird, Jula Bell Liebi, Pleasant Gehman

 

LISTENING SESSION: September 30th

with Thomas Venker, Dave Markey, Lorraine Petel

 

SURVIVE, THRIVE OR DIE: October 21 – December 15

curated by filmmaker and anthropologist Melody Mayer

 

FILM SCREENINGS AND ONLINE RESOURCES: ongoing

 

Find out more in press release HERE, or in online calendar HERE, and by signing up for newsletter HERE.

 

 

ONLINE

www.goethe.de/usa/punk50

The Well Share New Video For 'Love Cult (Xmas)' New Album "...And Flames Ran Like Living Animals " Out September 14 Via Spaceflight Records

The Well Share New Video For 'Love Cult (Xmas)'
New Album "...And Flames Ran Like Living Animals "
Out September 14 Via Spaceflight Records
North American Tour Happening Now


August 24, 2026 - Austin, TX: Austin Psych-Rockers The Well share a new video today for 'Love Cult (Xmas).’ The band recently announced their fourth full-length studio album "...And Flames Ran Like Living Animals," out September 14 on Spaceflight Records. (Pre-save here.)


The video for 'Love Cult (Xmas)' perfectly encapsulates the vibe of the track. Dark, reverent, maniacal, ritualistic, and festive.


Bassist and vocalist Lisa Alley says "Ian saw a headline about a cult in Colorado during the pandemic when the news first broke. The story was compelling and inspired 'Love Cult (Xmas).' It was one of those magical moments where the song came together in one sitting, pretty much fully formed.” She adds "HBO released a documentary about it: Love Has Won: The Cult of Mother God in 2023. We introduced the song to our live set in 2021. It’s been a crowd favorite from the onset and we are very excited have the recording finally available on “…And Flames Ran Like Living Animals.”


The video was shot in Ian’s (likely haunted) woodshed and in the middle of the rural Texas countryside in the heat of summer, adding to the feverish atmosphere. Directed, filmed and edited by TV’s Daniel (Radioactivity, Bad Sports, Mugger) using in camera and practical effects, it pays homage to the MTV videos of the late eighties and early nineties. Grimy, eerie, raw. Secret guest appearance by Luis Herrera (Cast of Thousands, TV's Daniel, Rough Kids) as the figure wrapped in Christmas lights, writhing in sacramental cloth and moths.




Watch 'Love Cult (Xmas) 'On YouTube:


"...And Flames Ran Like Living Animals" is the follow up to 2019’s Death & Consolation. Of the new album, vocalist and guitarist Ian Graham says "I think it’s our most diverse album because it’s packed with the intense emotional peaks and valleys that have defined the last 6 or 7 years. It’s been a wild ride, so of course this album reflects it.”


The first four songs were recorded with Bryan Richie (The Sword, Spaceflight Records) at Paper Weapons Studio in Taylor, TX and the band continued to write and craft and play live (supporting 1000mods, Truckfighters, and headlining tours.) Lisa Alley talks about the process "We decided, or embraced the opportunity to be able, to not rush it. To treat these first new songs with care. We emerged more contemplative, maybe… deliberate. Recalling the spirit with which we approached our first album, we spent time with the mood of each song, the dynamics, the storytelling, but we also came at them with the intent that they be played live.” She continues "We were building a live set, more precious after the time away from that possibility.”


The rest of the album was written and recorded in the storm of 2025 with longtime collaborator Chico Jones producing, mixing and doing additional tracking to the Taylor sessions, and Max Lorenzen of Rare Earth mastering the set. These songs feel very now; though not directly speaking to any one current issue fighting for attention in the long list of today’s headlines, they are of it, and snatch you up in recognition.


The end result, "…And Flames Ran Like Living Animals," is a push and pull, a swing of an ax and a sigh of relief, a call to arms and a suggestion of inner battles to conquer first. A balm, but also a mirror. A reminder that we’re going through this moment together.


The Well will be showcasing the new album with late summer and fall tour dates with support from Moon Destroys & Pink Fuzz, along with a Leviation appearance 9/13. Ian Graham says "Sci-fi psychedelic, occult kink, heartbreak, post apocalyptic murder madness. Rejoice within the riff."


Lisa Alley talks about being on the road: "We’ve always been a band that tours heavily, but heading out this time feels special, as it is the first time since the pandemic that we have a new album to bring along and share and celebrate. We got extra pep in our step.”

"We scored advance copies of “…And Flames Ran Like Living Animals” special Magma edition from Goldrush Vinyl as we rolled out of town. A select number will be available each night at the merch table directly from the band, so get your tickets & get there early to ensure you are able to secure an advance limited edition copy. “

The Well team up with Moon Destroys (members of Torche, Royal Thunder) on this east coast portion of tour, who also have a new album, Omni, out September 4th on Blues Funeral Recordings. Denver’s Pink Fuzz join the west coast dates in October, hot off their recent single 'Manipulator.'


Tickets available here.


Live Dates

With Moon Destroys:
08.25 - Philadelphia, PA - Milkboy
08.26 - Brooklyn, NY - The Wood Shop
08.27 - Hamden, CT - Space Ballroom
08.28 - Lowell, MA - Taffeta Music Hall
08.29 - Rochester, NY - Bug Jar
08.30 - Toronto, ON - Bovine Sex Club
09.01 - Cleveland, OH - Beachland Tavern
09.02 - Detroit, MI - Small’s
09.03 - Indianapolis, IN - Black Circle
09.04 - Nashville, TN - The 58
09.05 - Dayton, OH - Fairborn Phoenix
09.06 - Chicago, IL - Sleeping Village
09.07 - Milwaukee, WI - X-Ray Arcade
09.08 - Kansas City, MO - Sk8bar

The Well Only:
9.13 - Austin, TX - Levitation Festival

With Pink Fuzz:
10.08 - Albuquerque, NM - Sister Bar
10.09 - Trinidad, CO - Fancy Spider Fest
10.10 - Denver, CO - Federal Theatre
10.11 - Colorado Springs, CO - What’s Left Records (The Well Only)
10.13 - Fort Collins, CO - Surfside 7 (The Well Only)
10.14 - Frisco, CO - 10 Mile Music Hall
10.15 - Salt Lake City, UT - Aces High
10.16 - Boise, ID - Neurolux
10.17 - Yakima, WA - Bearded Monkey
10.18 - Vancouver, BC - Astoria
10.20 - Seattle, WA - Funhouse
10.21 - Portland, OR - High Water Mark
10.22 - Sacramento, CA - Cafe Colonial
10.23 - Oakland, CA - Thee Stork Club
10.24 - Vista, CA - Booze Bros
10.25 - Costa Mesa, CA - Wayfarer
10.26 - Los Angeles, CA - Zebulon




STELLA LEFTY ANNOUNCES 2027 HEADLINE ‘LONG WAY HOME TOUR’

STELLA LEFTY ANNOUNCES 2027 HEADLINE ‘LONG WAY HOME TOUR’


DEBUT ALBUM ‘LONG WAY HOME’ OUT NOW - LISTEN HERE


Tickets Available Starting Thursday, August 27 via Artist Presale


General Onsale Begins Friday, August 28 at 10am Local at Stella-Lefty.com




(AUGUST 24, 2026) - Today, rising singer-songwriter Stella Lefty announced a 2027 headline tour across North America in support of her debut album Long Way Home, which was released this past Friday via Atlantic Outpost. Listen HERE.


Promoted by Live Nation, the tour kicks off on Saturday, January 9 at The Fillmore in Detroit, MI before making stops in Toronto, Montreal, Boston, Brooklyn, Atlanta, Nashville, San Francisco, and more, culminating with a hometown show at Chicago's Aragon Ballroom on Saturday, February 20. The 2027 headline run follows Stella's sold-out tour and festival performances across North America and Australia this fall.


The announcement comes on the heels of Lefty’s debut album release, Long Way Home, which represents a full circle moment for the Chicago-born musician that reflects the pop country influences that shaped Stella and sparked her passion to create music, reconnecting her with the sound that first inspired her to become an artist. The album features seven new songs in addition to seven previously released tracks including hit singles “Boston” and “Thinking ‘bout You”. Upon release, the project was quickly praised by the likes of Billboard, NPR, and Vanity Fair and now helps set the stage for her Opry debut on September 2nd. 


The tour caps off a breakout year for Lefty, whose breakout “Boston” has amassed more than 400 million streams and over 1 billion video views, while reaching the Top 3 on the Billboard Hot 100. The track has dominated the charts for the last 19 weeks, while gaining at both Country and Pop Radio too. Stella made her late night debut with “Boston” on Jimmy Kimmel Live! and performed it last weekend with Marcus Mumford on stage at Madison Square Garden. It also just received a MTV Video Music Awards nomination in the “Best Country” category, in addition to Stella’s nomination for “Best New Artist”.


Simultaneously, Lefty continues to sell out headline tour dates after landing slots at standout festivals including CMA Fest, Lollapalooza, Osheaga and ACL as she also has taken the stage alongside shows for Mumford & Sons, Jessie Murph, and Cameron Whitcomb. 


TICKETS: To participate in the Stella Lefty Artist Presale on Thursday, August 27 at 10am local, you must sign up HERE by Tuesday, August 25 at 10pm PT. No codes are needed – access is tied to your account, and anyone who signs up can join the sale. Working in partnership with Ticketmaster, extra protections will be in place to help block bad actors from signing up for the Artist Presale. Some fans may be asked to complete a quick selfie check, or in rare cases, provide an ID via Persona to sign up. Find out more about security checks here. Remaining tickets will be available via general onsale starting Friday, August 28 at 10am local at stella-lefty.com


VIP: The tour will also offer a VIP package and experience for fans to take their concert experience to the next level. The package includes a general admission ticket, Stella Lefty’s pre-show Soundcheck Party, autographed VIP-exclusive poster, early entry into the venue & more. For more information, visit vipnation.com



STELLA LEFTY: LONG WAY HOME TOUR 2027 DATES

Sat, Jan 9 — Detroit, MI — The Fillmore Detroit

Sun, Jan 10 — Columbus, OH — Kemba Live! 

Tue, Jan 12 — Toronto, ON — HISTORY

Fri, Jan 15 — Montreal, QC — MTELUS

Sun, Jan 17 — Boston, MA — MGM Music Hall at Fenway

Tue, Jan 19 — Brooklyn, NY — Brooklyn Paramount

Fri, Jan 22 — Philadelphia, PA — The Met

Sat, Jan 23 — Washington, DC — The Anthem

Mon, Jan 25 — Charlotte, NC — The Fillmore Charlotte

Tue, Jan 26 — Atlanta, GA — Tabernacle

Thu, Jan 28 — Dallas, TX — South Side Ballroom

Sat, Jan 30 — Houston, TX — House of Blues

Sun, Jan 31 — Austin, TX — ACL Live at the Moody Theater

Tue, Feb 9 — San Francisco, CA — The Masonic

Fri, Feb 12 — Salt Lake City, UT — The Union Event Center

Sat, Feb 13 — Denver, CO — Fillmore Auditorium

Wed, Feb 17 — Nashville, TN — Ryman Auditorium

Sat, Feb 20 — Chicago, IL — Aragon Ballroom


8/21/2026

The Cramps 'Gravest Gravy'; Never-Before-Released 1977 Album Produced By Alex Chilton


 

NEVER-BEFORE-RELEASED ALEX CHILTON-PRODUCED 1977 ALBUM,
‘GRAVEST GRAVY’, OUT TODAY ON VENGEANCE RECORDS
 
AVAILABLE ON MULTIPLE COLORED VINYL & CD
 
THE CRAMPS INC., A NEW COMPANY RELEASING CRAMPS RARITIES
 
Photo: GODLIS
 
The Cramps Inc. is the artist formerly known as Poison Ivy Rorschach, Larry Hardy, owner and operator of In The Red Records, and Jimmy Maslon, a film producer responsible for some of the Cramps music videos, and owner of the Herschel Gordon Lewis and Doris Wishman film catalogs. Both have deep ties to Lux and Ivy, forged over decades. Ivy is the major beneficiary, Larry and Jimmy are handling all the logistics. The company has restarted The Cramps’ label Vengeance Records, created official merchandise, and ventured into the vaults to unleash unheard recordings of this amazing band. The first archival release, the never-before-heard 1977 album, Gravest Gravy, produced by Alex Chilton, is out today.  
 
Ian MacKaye and Henry Rollins, operating as RAM Prod. (Rollins and MacKaye), are working on behalf of The Cramps Inc., coming up with releases pulled from the Cramps audio archive, and are aligned with Inner Ear Studios in Arlington, VA and Infrasonic Sound in Nashville, TN. The two are working steadily at developing future potential releases on the recently-revived Vengeance Records. 
 
In October 1977, the Cramps, who were at that time, Lux Interior on vocals, Poison Ivy on guitar, Bryan Gregory on guitar, and Nick Knox on drums, ventured into Ardent Studios with the extraordinarily talented musician and producer, Alex Chilton. These sessions were responsible for the first two Vengeance Records releases, both permanently disfiguring the music world in 1978.
 
 In 1979, young British degenerates were treated to a five track 12” EP by the Cramps called Gravest Hits, which featured all four tracks released in the USA, along with another from the October 1977 sessions, a great channeling of Ricky Nelson’s hit Lonesome Town. From there, the band released their first LP, Songs The Lord Taught Us, again working with Alex Chilton, and went onward, releasing records and touring all over the world, until the sad passing of Lux in 2009.
 
What Cramps fans might not know was, at Ardent, the band had planned to record their song TV Set to be their first A-side, along with another track or tracks. Alex Chilton told them that he liked to have a band play every song they knew and the best of the batch would be committed to vinyl. This was fantastic advice, and luckily for us, that’s what The Cramps did. This is how Lonesome Town found its way to Gravest Hits. But, there was much more to the story...
 
In the late 1980s, Lux and Ivy endeavored to release more recordings from the October 1977 sessions. It was to be titled Gravest Gravy. It was a record for the fans, a journey back to Memphis, back to the first Cramps records, that, try as it might, the world has been unable to heal from. Lux and Ivy mixed several tracks between June 14th and 30th, 1989, at Present Time Recorders in North Hollywood. Alex Chilton mixed a few tracks in Memphis. The album had a title and a cover photo, shot by the late great Stephanie Chernikowski, but for reasons lost to time, Gravest Gravy was shelved. In 2026, it was apparent that this record absolutely needed to be with the fans. A team began to form and got to work to make that happen.
 
Photo: Stephanie Chernikowski / Design: Jon Krop
 
The tracks on Gravest Gravy were contained on seven 1/4 inch reels. Six were generated by Lux and Ivy, one by Alex Chilton. The tapes were carefully transferred by Brian Kehew, who was happy to report that all seven reels had withstood the test of time, and the tracks were in pristine condition. Many of the songs had multiple mixes, and it had to be clarified which ones were the keepers. Over several nights of concentrated listening, and copious notetaking, Henry was able to get an understanding of the changes made from mix to mix. Within a few nights, he determined that the last mix of each song was the keeper. Not only did the tracks sound to be at their fullest potential, it made sense.
 
Henry then sent the mixes and his notes to Ian MacKaye,who, days later, reported back that he agreed on all of them. Ian then volunteered to do some EQ and level adjustment on two of the tracks with Don Zientara at Inner Ear Studios..
 
Days later, all the tracks were at Infrasonic Sound for mastering under the careful watch of engineer Pete Lyman. The results were two six-song sides of The Cramps, extracted from a 1977 amber block, de-fossilized, and ready to be inflicted upon the ears of those who would rather Stay Sick and Turn Blue.
 
The Cramps Inc. team were able to locate the exact photo of Stephanie’s that Lux and Ivy had envisioned for the cover. The back cover photo was taken by the legendary David Godlis at CBGB
 
This new chapter for the band is a combined effort of people whose lives were changed by the music of the Cramps.The opportunity to bring this music to fellow Cramps fans is beyond a thrill. It is an absolute honor and we all feel so fortunate to be a part of it.
 
***
 
“When I first saw the Cramps at CBGB, I was overjoyed — entertained and inspired! And there was a girl in the band! It all felt so real: a fresh take on a regional American sound, updated in a way that was fun, smart, and exciting. I was screaming!” - Debbie Harry
 
“The first time I saw the Cramps in 1977 at CBGB I was agog at the amazing characters and unearthly sound I was witnessing. The place was packed, although they had only one 45 out, and the crowd was going absolutely nuts. I was entranced. Funny, sexy, and dangerous, I was not sure if the concert would end in an orgy or a riot. Either would do. Imagine my surprise being invited into the band a few years later. Sometimes I still find it hard to believe it ever happened.  But it did! And it was a real humdinger!” - Kid Congo Powers
 
“The Cramps created an occult sound world that you could escape into, full of rockabilly voodoo guitar damage from Poison Ivy Rorschach, with bug eyed psychotic wailings and swampsnake utterances from Lux Interior, driven into a backwoods frenzy by the pounding of Nick Knox’s zombie death drums and Bryan Gregory’s barbed wire feral guitar scrapings. It only took me one hit of witnessing them play live in Glasgow aged 17 in 1979 opening for The Police and I’ve been hooked ever since. Stay Sick / Turn Blue.” - Bobby Gillespie 
 

punk, art & culture collide at the Goethe-Institut Los Angeles on Thursday Aug 27th at 7 PM -- FREE PARKING

PUNK, ART & CULTURE COLLIDE AT THE GOETHE-INSTITUT LOS ANGELES THIS THURSDAY AUGUST 27TH, 2026 AT 7 PM   TEQUILA MOCKINGBIRD'S PUNK ...