Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts

7/09/2020

THE IMMACULATE CONCEPT 1985




THE IMMACULATE CONCEPT 1985
a film by Alexander Laurence


This is an early version of the film I made in 1985. It was basically a collaboration between myself and Greg Yalch (of The Bell Jar) and Ann De Jarnett (of Mneumonic Devices). I wrote the script soon after watching some Surrealist films. Mark Held and Chris Mehess had both shot three films each of their own. I helped edit and shoot those films and we all used the same equipment. Mehess had taken a film class at Golden West College.

The original film I wanted to shoot was violent and obscene. The original film was lost when I left it over at a friend's house. A VHS copy I made with a soundtrack was given to Greg Yalch and he lost it. Chris Mehess lost his trilogy of films in the 1980s. Mark Held and Steve Zweig created a video called DOG FOOD TRILOGY 1985 which I have previously uploaded.

We used to show these films at Poetry Night at Safari Sams in 1985 and 1986. My film used a soundtrack of songs by Can, and also Brian Eno Ambient 4. Ann De Jarnett and I recorded a ten minute track that was meant to use for showings. But I never used it. 25 years had passed and there was only a faint memory of this film. In 2020, I finally discovered the original super 8mm film. It was mainly outtakes and footage cut from the other films that I had kept for some reason. It still retains the energy and the original vision of the original films, and may be possibly better. The Immaculate Concept was a cut up montage film. So it's like the vague remnants of my film mixed with similar films by Chris Mehess and Mark Held.

Chris Mehess died in June 2018










      Film stills from THE IMMACULATE CONCEPT 1985



8/01/2016

All Things Must Pass coming to DVD on 9/13


All Things Must Pass
coming to DVD on September 13th

Documentary examining Tower Records' explosive trajectory, tragic demise, and legacy

Established in 1960, Tower Records was once a retail powerhouse with 200 stores, in 30 countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made an astounding $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story.
Directed by Colin Hanks, and featuring music icons like Dave Grohl, Elton John and Bruce Springsteen, All Things Must Pass is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder Russ Solomon. For seven years, Hanks took on the documentary that lamented and celebrated the Sacramento-based record store that grew from his hometown into an American retail powerhouse.

"I remember buying 'Blood Sugar Sex Magik' by the Red Hot Chili Peppers. It was the informative record for me on my musical path, which I bought at Tower Records," he said.
Variety validated the efforts of Hanks saying the film was "soundly constructed, briskly paced and, in the end, affectingly wistful." 

The DVD can be ordered now at the MVD Shop

10/14/2015

Adam Ant "The Blueblack Hussar" doc coming 10/16

Adam Ant "The Blueblack Hussar"
In-depth documentary coming to on DVD and digital platforms in the US
on October 16th

 "Jack Bond's intriguingly unguarded fly-on-the-Ant-wall doc finds Adam himself a mite stomped-on by mental health issues and music-biz vagaries." - The Guardian
This Sunrise Pictures production was described as, "Amazing and wonderful", by Jimmy Page of Led Zeppelin and, "Up there with Pennebaker and the Maysles Brothers", by Sam Dunn, BFI. The film's Director, the renowned Jack Bond, captures this true icon's extraordinary and brave comeback, after years of mental health problems. The 99 minute film comes packaged with bonus features like rare live performance footage, and a Q&A with Jack Bond hosted by journalist John Robb. The trailer can be seen here:http://youtu.be/lZ2d3TwWVLo 

The Blueblack Hussar is Adam's latest persona and, so emboldened, he embarks on his first tour for 15 years with a new backing band, 'The Good, the Mad and the Lovely Posse'. For the first time since his Punk roots, Adam is captured playing with a young, hungry band, and collaborating with the likes of Boz Boorer (Morrissey, The Pole Cats, etc). The film includes electrifying live performances, starting at London's 100 Club and culminating at Hyde Park, before an audience of 55,000. Jack Bond's 'fly on the wall' direction includes intimate scenes of Adam at home, backstage and even getting a new tattoo. The film exposes Adam's complex personality through the characters he interacts with on his journey, who include Amy Winehouse producer, Mark Ronson, Jamie Reynolds of The Klaxons and the legendary Pop Artist Allen Jones ('A Clockwork Orange'), Adam's art student days' mentor.
The film takes in the atmosphere pervading Adam's life in London, including that explosive show at the 100 Club. The Blueblack Hussar also follows his escape to Paris to record with his 'Bardoesque' backing singer, Twinkle and the enigmatic film star, Charlotte Rampling, who inspired his first album, 'Dirk Wears White Sox'. Jack Bond, one of Britain's most innovative directors, returns to the Cinema Verité roots of his ground-breaking 1965 film, 'Dali in New York' to portray the creative talent of Adam Ant, another 'mad genius'.
Jack Bond himself is an English Director/Producer of feature films and television documentaries, including films on Salvador Dali, Roald Dahl, Patricia Highsmith, Werner Herzog and The Pet Shop Boys. Three of his feature films: 'Separation', 'Anticlock' and 'The Other Side of the Underneath' have been re-released on DVD and Blu-ray by the BFI. Jack Bond is to be the subject of a biography by Kirk Lake ('There Will Be Rainbows', a biography of Rufus Wainwright) and is currently working on a new feature film.
The Blueblack Hussar is an honest - at times excruciatingly so - portrait of a troubled, but ultimately triumphant natural talent. The years may have marched on but Adam Ant, as this unflinching film proves beyond doubt, remains a true star.

Bonus Materials include:
Live performance of 'Whip in My Valise' at The Scala, London
Live performance of 'Young Parisians' duet with Boy George
Live performance of 'Deutsche Girls' at the Electric Ballroom, London
Q&A Jack Bond and journalist John Robb

8/31/2015

I Need A Dodge: Joe Strummer On The Run

I Need A Dodge: Joe Strummer On The Run

Coming to the US on October 16th

"Poignant doc... A snapshot of a man - not a rock star - 
looking for catharsis in the most unlikely of places." - NME

Produced and Directed by Nick Hall, this is the story of Joe Strummer's self-imposed exile in Granada in 1985/6. It will be released on DVD by MVD on October 16th and comes packaged with a cassette of a Spanish radio interview with Strummer, a postcard, sticker, and pin. 

"This is Joe Strummer at a crossroads in his professional and personal life. Initially his trips to Spain seemed to be little more than an anecdote but this story says so much about Joe coming to terms with life after The Clash," said Hall.
Johnny Green, The Clash's legendary road manager said of the film, "I glowed - I felt uplifted. Once again, it was as if I had spent a little time with my dear lost friend, Joe Strummer. I was hooked all through - the story is compulsive. More to the point, you have perfectly captured the brooding melancholia, that shy underside, which was a compelling component of Ol' Joe. I Need A Dodge is fabulous." The film also received a special mention at the In-Edit Festival in Barcelona.
Heading to Spain in 1985 to flee the disaster that was the implosion of The Clash version two, the band formed in the wake of Strummer firing Mick Jones and aftre Topper Headon left the band. The new line-up's Cut The Crap album had largely been shunned by both critics and the public alike andStrummer needed space. Telling a Diario De Granada interviewer that he had come "to feel the pain of the wound," upon arrival in Granada, Strummer found himself firmly subsumed into the city's musical and cultural fabric. He was welcomed with open arms by local acts 091 and bigger-fish Radio Fortuna, who all met up at the Silbar.
"When we met Joe it was like a miraculous apparition," said Jose Ignacio Lapido, 091's guitarist. It was Radio Fortuna who facilitated the purchase of a set of wheels for Strummer. Tracking down a Barreiros, essentially a European edition of the Dodge-Dart, became a mission. As Santiago Auseron, the Radio Fortuna singer said, "It looked cool, it just looked a bit mad. Which at that time suited Joe very well."
Strummer was delighted with the huge car which he thrashed around the streets of Granada and Madrid. However, having parked the car in the capital when he flew back to the UK for the birth of his daughter Lola, he forgot where it was and never saw it again. I Need A Dodge! Joe Strummer On The Run is partly the story of the search for the car, and partly the story of Strummer's own search for meaning and redemption in those wilderness years. 

Strummer  launched an unsuccessful attempt to find the car, making an appeal for information on Spain's Radio 3 in 1997. With witnesses disagreeing on the colour and style of the car - agreeing only that it was registered in Oviendo - and some claiming never to have seen it, filmmaker Nick Hall's quest seems unlikely to succeed, yet his investigation does unearth the truth about this period of Strummer's life that has largely been ignored.
Installing himself in the producer's chair for the recording of 091's album, Strummer's micro-management led, rather than to the boost these star-struck musicians were hoping for, to a growing sense of disquiet and wasted studio time. The album eventually surfaced, having finished off to the record label's specification rather than the band's, and was disappointing.
The Dodge is an emblem for Strummer's time in Spain, his ambition, personal style and, in a way, the nature of those troubled days in general. When he is pulled over by the police, it is revealed that he doesn't even have a license to drive. Drawing on the recollections of his friends in London and in Spain, his partner Gaby Holford, and the members of 091 and Radio Fortuna, this a revealing story of a search for much more than just a car.
"It was an escape. He was a man on the run. He was getting away from the tension in London," saysSantiago Auseron.
Joe Strummer did, indeed, need a Dodge. 

The DVD package can be pre-ordered directly through MVD here, or on Amazon here.

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7/13/2015

MICHELLE HANDELMAN | THE HENRY ART GALLERY | JULY 11 - OCT 11, 2015


Irma Vep, The Last BreathJuly 11 – October 11, 2015

The Henry Art Gallery
University of Washington
15th Ave. NE & NE 41st St.
Seattle, Washington 98105

The Henry presents the West Coat premiere of the multichannel video installation Irma Vep, The Last Breath (2013) by Michelle Handelman. Irma Vep – an anagram for vampire – is the lead female character of Les Vampires (1915, dir. Louis Feuillade, 1915 – 16), a French silent, serial film about a gang of thieves that terrorizes the upper class of Parisian society.

In Handelman’s contemporary reconsideration of Feuillade’s classic, the legacy of screen criminal Irma Vep comes alive in the body of transgender artist and performer Zackary Drucker (Transparent). A non-linear narrative and psychological portrait unfolds as Irma Vep exchanges dialogue with her therapist and encounters the real-life actress who played her, Musidora, in the form of drag icon Flawless Sabrina (The Queen). Starkly illuminated projections and a dramatic audio score envelop viewers in a story of queer identity, criminal anxiety, and a life within the shadows of society. Irma Vep, The Last Breath features a score by Quentin Chiappetta (Christian Marclay's The Clock) and costumes by Garo Sparo and award- winning fashion collective threeASFOUR.

This marks the 100-year anniversary of Les Vampires,and in celebration the Henry will host a series of screenings and talks, ranging from a profile of the film’s female lead, Musidora, to the cultural history of the catsuit.
Interrupted Dialogues Series
July – October, 2015:
Michael McCann with To Catch A Thief
August 14, 2015, 8:30-11pm
- Jessica Burstein with Irma Vep
October 8, 2015, 6-8:30pm

Irma Vep, The Last Breath – Cast & Crew
Director: Michelle Handelman; Cinematographer: Ed David; Composer: Quentin Chiappetta; Editor: Michelle Handelman; Costume Designer: Garo Sparo and threeASFOUR; Makeup Designer: Michael Gwaltney; Production Designers: Michelle Handelman, Nadja Verena Marcin; Choreographer: Tori Sparks; Still Photographer: Laure Leber; Production Manager: Dominic Cloutier; Performers: Irma Vep: Zackary Drucker; Musidora: Jack Doroshow a.k.a. Flawless Sabrina; Therapist: MIchelle Handelman; Rooftop Irma Veps: A.K. Burns, Zackary Drucker, Marti Domination, Tori Sparks.
Michelle Handelman is a Brooklyn-based artist who has exhibited and screened her work internationally. She has had solo shows at the Eli & Edythe Broad Art Museum, Michigan State University, East Lansing (2014); Arthouse at the Jones Center, Austin, Texas (2011); and Participant, Inc., New York (2009). She was awarded a John Simon Guggenheim Fellowship for research toward Irma Vep, The Last Breath and has received grants from the New York Foundation for the Arts and Art Matters. She is an associate Professor in the Film and Media department at the Fashion Institute of Technology, New York.

6/24/2015

Soaked In Bleach, comes to DVD, re-examines the death of Kurt Cobain

Soaked In Bleach coming to DVD on August 14th

Benjamin Statler's groundbreaking docudrama explores the controversial death of Kurt Cobain  
Soaked In Bleach , a docudrama by  Benjamin Statler , reveals the events behind Kurt Cobain's death as seen through the eyes of Tom Grant, the private investigator that was hired by Courtney Love in 1994 to track down her missing husband (Kurt Cobain) only days before his deceased body was found at their Seattle home. Cobain's death was ruled a suicide by the police (a reported self-inflicted gunshot wound), but doubts have circulated for twenty years as to the legitimacy of this ruling, especially due to the work of Mr. Grant, a former L.A. County Sheriff's detective, who did his own investigation and determined there was significant empirical and circumstantial evidence to conclude that foul play could very well have occurred. The film develops as a narrative mystery with cinematic re-creations, interviews with key experts and witnesses and the examination of official artifacts from the 1994 case.
Statler says, " Half of the film is cinematic recreations of Tom Grant's investigation in 94' incorporating actual audio recordings, while the other half of the film is interviews with Tom Grant and some of the world's top experts in the respective areas of the case. The recreations served the purpose of helping people to see how the investigation actually unfolded and to better appreciate the context of certain situations.  The interviews provide the objective scientific facts involved in the case of Kurt Cobain's death and back up what Tom Grant has been saying for 20 plus years."
Soaked In Bleach  is Benjamin Statler's directorial debut. He also wrote and produced the film under his production company Montani Productions He has been the executive producer on such projects as fan favorite Comic Con Episode 4: A Fan's Hope and the fact-based Navy Seal thriller Act Of Valor. 

Soaked In Bleach , is the first in a trilogy of docudramas to be produced by Montani Productions. Ben will also be producing and directing other projects with Montani, which primarily will be based on true life stories.

6/05/2015

Inland Empire Screening of SEEDS Doc 'Pushin' Too Hard' (TOMORROW June 6th)

Vicky and the Vengents  will be performing at the official screening party for Pushin' Too Hard, the amazing documentary about 60's rock band The Seeds, at Mission Tobacco Lounge in Riverside, CA on June 6th. 

A bit about the film:
A Seeds long form 110+ minute movie documentary THE SEEDS “Pushin’ Too Hard,”directed and produced by Neil Norman for GNP Crescendo that had a theatrical premiere on August 16th 2014 at The Egyptian Theater at the American Cinematheque in Hollywood, screened in Brooklyn, New York on December 6, 2014 at the Bell House and on March 7, 2015 it was shown in Carpenteria, California on March 7th.
 
On May 9th, it will play in San Luis Obispo at the Fremont Theater, On June 6th at the Mission Tobacco Lounge in Riverside the movie will screen followed by local area rock bands, including Vicky and the Vengents.  

The movie is narrated by author Miss Pamela Des Barres.

“Of all the Nuggetarian bands that came to psychedelic light in the Gar Age, the Seeds brought rock back to its most hypnotic elementals,” proclaimed writer, musician, Patti Smith group member, and Nuggets box compiler/producer, Lenny Kaye in March 2015. “This docu-drama provides a heartfelt insight into the band's inner universe, their time and place, a behind-the-scenarios look at a group whose impact would resonate throughout the coming of punk and beyond.  We are truly up in their room, and it feels so good....”

Documentary trailer can be seen HERE

A bit about Vicky and the Vengents:
Born in the Summer of 2008, Vicky and the Vengents are a self-proclaimed “Maltshop Punk” group hailing from sunny Southern California.

With two full-lengths and a single under their belt, their latest bundle of tunes can be found under the Burger/Wiener Records banner!

On their newest single, entitled You Used To Be My Baby, Vicky and the gang flex their genre-bending ways on three new tunes resulting in some “Punk Wop” nuggets that really show off the groups’ love for the Ramones, Doo Wop, and those wonderful 60’s girl groups.

You Used To Be My Baby was released on Wiener/Burger Records on May 27th and you can download it (but please don't share) for review HERE.
 

4/08/2015

Lightning in a Bottle 2015 Official Video has Arrived!


LiB
Lightning in a Bottle 2015 Official Video has Arrived!

The Official 2015 Lightning in a Bottle Video, entitled Anything is Possible, shows us the impossible wonder that is LIB. Featuring music from performers Flume and the Ambassadeurs, this year’s video focuses on core tenants of Lightning in a Bottle: nature, growth and freedom of self-expression. Director Russell Ward says, “With layers of creative expression artfully stacked on a base of positive intentions--capturing LIB’s essence is no easy task. The hard work of many artists came together in this piece.”  

As the West Coast’s premiere boutique festival, the tenth annual Lightning in a Bottle returns Memorial Day Weekend (May 21 - 25, 2015) to the San Antonio Recreation Area in Bradley, CA, featuring a lineup that includes Flume, SBTRKT, Panda Bear, Odesza, RL Grime, Thomas Jack, Tycho, GRiZ, John Digweed, Panda Bear, Lucent Dossier Experience, and speakers Neale Donald Walsch, Dennis McKenna, and Pema Khandro Rinpoche. They’ll be joined by over 300 more musicians and artists spread across three main stages, two yoga tents, and the Temple of Consciousness, delivering a transformational experience of a lifetime.
Shot and edited by The Confluence.

Attend LIB’s Temple of Consciousness pre-event in Los Angeles at The Springs on May 3.
Attend LIB’s pre-party in Los Angeles at Club Nokia on Saturday, May 9.

4/07/2015

HAL WILLNER PRESENTS: A CELEBRATION OF THE 60TH ANNIVERSARY OF ALLEN GINSBERG’S “HOWL”


HAL WILLNER PRESENTS: A CELEBRATION OF THE 60TH ANNIVERSARY OF ALLEN GINSBERG’S “HOWL” WITH MUSIC, WORDS AND FUNNY PEOPLE

7:30PM - TUE APR 07, 2015

$45 TO $125 - THE THEATRE AT ACE HOTEL, LOS ANGELES

Doors at 6:30pm and show at 7:30pm.
A Benefit for The David Lynch Foundation
JUST ANNOUNCED: Peaches, Nick Cave, Chris Parnell, Eric Mingus, Terry Adams (NRBQ)
featuring The Americans, Sam Amidon, Devendra Banhart, Kevin Drew, Will Forte, Petra Haden, Macy Gray, Andy Kim, Courtney Love, Mocean Worker, John Mulaney, Ken Nordine, Beth Orton, Van Dyke Parks, Amy Poehler, Tim Robbins, the Section Quartet, Lori Singer, Chloe Webb, Steve Weisberg, Lucinda Williams plus surprise special guests.
Directed by Matt Piedmont
Produced by Hal Willner
Production Supervision by Rachel Fox
All proceeds benefit the non-profit Foundation to bring Transcendental Meditation to at-risk populations suffering with PTSD

3/13/2015

The Music of David Lynch at The Theatre at Ace Hotel


The Music of David Lynch

April 1, 2015


We're dedicating April 1 to The Music of David Lynch at The Theatre at Ace Hotel, with performances and interpretations by Angelo Badalamenti, Chrysta Bell, Rebekah Del Rio, Donovan, Duran Duran, Jim James, Julee Cruise, Karen O, Kinney Landrum, Moby, Sky Ferreira, Tennis, Zola Jesus and other special guests.

The remaining tickets are priced for the well-heeled, and as a "Hey, thanks" for supporting such a strong cause, they're slipping in a limited edition Shepard Fairy poster — and a personal invite to a guided meditation session with Mr. Lynch himself. 
If you want to keep it weird and skip the meditation and poster, you can stay over at our next door hotel after the show. We've got a combo deal for that. 
All proceeds benefit The David Lynch Foundation

3/11/2015

The Damned Documentary Trailer Released + SXSW Premiere

DAMNED DOCUMENTARY TO
WORLD PREMIERE AT SXSW


The Damned Will Attend, Perform Afterward
 

 
Poster Photo Credit: Ian Dickson // ian@late20thcenturyboy.com 

Trailer Premieres on Pitchfork 

Chrissie Hynde, Mick Jones, Lemmy, Members of Sex Pistols, Pink Floyd, Guns ‘N’ Roses All Appear in Film
 
 
THE DAMNED: Don’t You Wish That We Were Dead is filmmaker Wes Orshoski’s long-awaited documentary of British punk pioneers The Damned. The film will world premiere Wednesday March 18th at The Paramount Theatre in Austin as part of the 2015 South by Southwest Film & Music Festival. The Damned will attend the premiere and perform later that night at an official SXSW showcase at Mohawk. 

Shot around the world over the past four years, the authorized film features appearances by Chrissie Hynde (The Pretenders), Mick Jones (The Clash), Nick Mason (Pink Floyd), Lemmy Kilmister (Motörhead), Duff McKagan (Guns ‘N’ Roses), Ian MacKaye (Minor Threat/Fugazi), Jello Biafra (Dead Kennedys), actor/comedian Fred Armisen, and more. 
The world premiere is scheduled for 2:15 p.m. on March 18, and will be attended by the current line-up of the Damned, including founding members David Vanian and Captain Sensible. 

The third prong in the holy trinity of English punk—alongside the Sex Pistols and The Clash—The Damned beat both in the race to be the first to put punk on wax: The Damned were the first U.K. punk band to release a single (1976’s essential “New Rose”) and album (1977’s iconic Damned Damned Damned) and they were the first to bring British punk to America, including a stop at New York’s hallowed CBGBs. 

Weathering near fatal line-changes, The Damned went on to record hits in the new wave era (“Love Song” & “Smash It Up”) and registered a massive impact on the 1980s goth scene. The Damned is one of the only surviving band’s from punk’s first wave. 

THE DAMNED: Don’t You Wish That We Were Dead charts the band’s unique history and bitter infighting; it captures the band in the midst of a 35th anniversary tour in 2011 which estranged former members Rat Scabies and Brian James answered with their own anniversary tour. Meanwhile other former members reunite in the unlikeliest of places—a Welsh cancer ward; elsewhere, members of Black Flag, Circle Jerks, Melvins, T.S.O.L., Buzzcocks, Adverts and the Offspring detail the Damned’s role in setting fire to the dinosaur rock of the 1970s while sparking the punk movement in America. 

THE DAMNED: Don’t You Wish That We Were Dead is longtime journalist/ photographer Wes Orshoski’s follow-up to 2011’s Lemmy, the award-winning portrait of Motörhead legend Kilmister (which Orshoski co-directed/produced). 

The Damned’s current line-up of Vanian, Sensible, keyboardist Monty Oxymoron, drummer Pinch and bassist Stu West will launch the film by appearing at the world premiere and with a performance at 11 p.m. that night (Weds. March 18) at Mohawak, on the first night of the SXSW Music Festival. 
  
THE DAMNED: Don’t You Wish That We Were Dead 
Screening Times and Locations at SXSW:
 
  
Wednesday, March 18, 2:15 p.m. 
(World Premiere to be attended by The Damned) 
Paramount Theatre 
713 N Congress Ave., Austin 
  
Thursday, March 19, 11 a.m. 
Stateside Theatre 
719 Congress Ave., Austin 
  
Friday, March 20, 4 p.m. 
Marchesa Theatre 
6226 Middle Fiskville Road, Austin 
  
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Calla Share New Track "Paralyzed" || Announce First Studio Album Since 2007, "DE FACTO" || Out 10/9

CALLA ANNOUNCE NEWS OF THEIR FIRST STUDIO ALBUM SINCE 2007, DE FACTO, OUT 10/9 LISTEN AND WATCH THE VISUALIZER FOR NEW SONG “PARALYZED” phot...