The musicians remember digging the groove in the studio so much that they kept playing the track until the 2” tape ran out. Keyboard player Tuomo Prättälä was inspired by the sounds of a vintage Vox Continental organ (similar to the organ that Ethiopian music pioneer Mulatu Astatke used on some of his legendary recordings) while Verneri Pohjola added unorthodox live effect treatments to his trumpet on the spot. Meanwhile the two drummers – Juho Viljanen and Jaska Lukkarinen – laid down a steady West African groove, together with bass player Jeremias Ijäs and rhythm guitarists Markus Nordenstreng and Miikka ‘McGyver’ Paatelainen.
"Waiting Room" is a significant departure from Tuomo & Markus' previous recorded works. Firstly, their trademark vocal harmonies are missing from the forefront. The two ambitious musicians are now speaking solely through their instruments while hitting instrumental jazz territory with their impeccable psychedelic approach. Tuomo & Markus most recent album, Game Changing (recorded with Jonathan Wilson at his famous LA studio and released to critical acclaim in January 2023), was focused heavily on apocalyptic lyrics, psychedelia, indie folk jangles and multi-layered Laurel Canyon harmonies. Its predecessor, Dead Circles (2018) was more of an Americana affair, as the duo held court in a recording studio in Tucson AZ, backed by their friends from Calexico and Wilco.
Up until recently, Tuomo & Markus have also managed to find time to record 7” retro soul singles for Timmion/Daptone under the pseudonym Pratt & Moody. Pratt & Moody’s most recent offering, “Creeping Around,” was released in February and noticed by the likes of Billboard and Elton John.
Writer David Fricke – a longtime fan of the band – has on many occasions compared Tuomo & Markus to the Grateful Dead. Although they hardly fit the classic tie-dye JamBand stereotype of the 2020's, Tuomo & Markus certainly have a passionate love for the same cosmic American songbook as Jerry Garcia once did. They also share the same rare capability of moving naturally and without prejudice from one musical genre to the next without blinking an eye, while sounding totally unique.
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