DOCUMENT AND EYEWITNESS - RE-RELEASE
pre order here
Wire in 1979 by Annette Green
When informed that Wire were planning to reissue Document and Eyewitness, Rough Trade boss Geoff Travis (who released the original vinyl version in 1981) commented that the band were “completely mad.”
Such is the reputation of Document and Eyewitness – an entry in Wire’s discography that has had as many vehement detractors as enthusiastic supporters.
For those unfamiliar with Document and Eyewitness, it really doesn’t do the album justice to describe it simply as a collection of live recordings from three turn-of-the-80s Wire gigs. What makes it more than that is the unorthodox nature of the main performance and the way it was presented on record.
The centrepiece of the original vinyl release was a recording of the final gig of Wire’s 70s phase (albeit one that took place in February 1980). This was a concert at the Electric Ballroom that grew out of the band’s performance art-based residency at the Jeannetta Cochrane Theatre the previous November.
Wire at the Electric Ballroom 29.02.1980 by Steven Richards
Delivering a traditional rock gig – or even fully realized songs, for that matter – was not a priority at the Electric Ballroom, and Wire’s set was composed of largely new (and often under-rehearsed) work, accompanied by a series of artistic actions and interventions. The annotated track list gave some indication of the band’s broader approach to performance and entertainment on the night: this included such delights as an individual beating a gas cooker with a hammer, a woman pulling two bound men across the stage, an illuminated goose and massed percussionists sporting newspaper headdresses. One band member donned an exaggerated beekeeper’s veil, while others wore Morris-dancing bells. Veering back and forth between the playful and the unsettling, this was a combination of performance art and absurdist farce, in more or less equal measure.
Wire at the Electric Ballroom 29.02.1980 by Steven Richards
The evening was memorable, above all, for the unusually hostile reaction from sections of the audience, which has perhaps elevated it beyond a simple passing moment. If the crowd was expecting a standard gig, the level of outrage, expressed in vociferous abuse – and with the odd thrown bottle – suggested that the band’s intentions were lost on those in attendance, who were instead confounded, bored and exasperated by the apparent artistic pretensions on display. What is beyond doubt is the fact that the documentation and presentation of the spectacle has lent an air of seriousness and intentionality to something that was considerably more about experimentation than deliberate career choice.
Wire at the Electric Ballroom 29.02.1980 by Steven Richards
A recording (marred by technical issues) was made for posterity, and by spring Newman, Lewis, Gilbert and Grey had begun to pursue their own projects beyond Wire. A year on from the Electric Ballroom gig, however, Rough Trade came to the band with a proposal to commit something of that night's events to vinyl. The approach was to couple selected live tracks with a spoken commentary on the proceedings by long-term Wire fans Adrian Garston and Russell Mills. Hence the title, Document and Eyewitness.
For the album, the Electric Ballroom material was supplemented with recordings from a July 1979 show at the Notre Dame Hall (a straightforward band performance), along with one track ("Heartbeat") from a March 1979 gig in Montreux, during Wire’s stint as the support act on Roxy Music’s Manifesto tour.
As Bruce Gilbert has often remarked, "Context is all," and it’s important to situate this material within a particular stage in the evolution of Wire. For many reasons, both good and bad, this period in Wire’s history became one of its defining moments, with the band paradoxically enjoying a phase of intense creative energy at the same time as it was dissolving – as if it had been dropped in acid.
This release-cycle provides a wider view of the period, bringing in as much additional material as can be accommodated within the confines of the media. It takes as its core the Electric Ballroom, Notre Dame Hall and Montreux shows (remastered from the original tapes and pitch-corrected where necessary) and adds further texture with studio and rehearsal room recordings.
In order to accommodate it all, five distinct items are being released:
DOCUMENT AND EYEWITNESS - 1979-1980 (DOUBLE CD) PF21 CD: Packaged in a square Amaray case with a booklet containing an adapted text from Read & Burn: A Book About Wire (Jawbone, 2013) by Wilson Neate . Disc 1 has the original album in full. Disc 2 adds two singles (+ B-sides) from the period, plus some rehearsal room recordings unheard for nearly 35 years!
CD 1: 01. 5/10 / 02. 12XU (Fragment) / 03. Underwater Experiences / 04. Everything's Going to Be Nice / 05. Piano Tuner (Keep Strumming Those Guitars) / 06. We Meet Under Tables / 07. ZEGK HOQP / 08. Eastern Standard / 09. Instrumental (Thrown Bottle) / 10. Eels Sang Lino / 11. Revealing Trade Secrets / 12. And Then… Coda / 13. Go Ahead / 14. Ally in Exile / 15. Relationship / 16. Underwater Experiences / 17. Witness to the Fact / 18. 2 People in a Room / 19. Our Swimmer / 20. Heartbeat
Tracks 01-12 from Electric Ballroom. Tracks 13-19 from Notre Dame Hall. Track 20 from Montreux.
CD 2: 01. Our Swimmer / 02. Midnight Bahnhof Cafe / 03. Second Length (Our Swimmer) / 04. Catapult 30 / 05. Ally in Exile / 06. Go Ahead / 07. Remove for Improvement V2 / 08. Over My Head V2 / 09. Safe / 10. Relationship / 11. Underwater Experiences / 12. Eels Sang Lino / 13. Cancel Your Order / 14. Part of Our History (emerges)
Tracks 01-02 from "Our Swimmer" (1981) single. Tracks 03-04 from "Second Length" (1981) a single not released at the time. Track 05: a personal recording from Jan. 1979 in Cadaqués, Spain. Tracks 06-14: Wire rehearsal recordings from 1979 and 1980.
DOCUMENT AND EYEWITNESS (DOUBLE VINYL) PF21 LP: Packaged in a gatefold sleeve with "eyewitness photography" across the whole inner. Disc 1 is the same as the original vinyl, albeit remastered and re-edited. Disc 2 features the original selection from the Notre Dame Hall show on side one and the two singles and B-sides on side two.
Disc 1
Side One: 01. 5/10 / 02. 12XU (Fragment) / 03. Underwater Experiences / 04. Everything's Going to Be Nice / 05. Piano Tuner (Keep Strumming Those Guitars) / 06. We Meet Under Tables
Side Two: 07. ZEGK HOQP / 08. Eastern Standard / 09. Instrumental (Thrown Bottle) / 10. Eels Sang Lino / 11. Revealing Trade Secrets / 12. And Then… Coda
Tracks 01-12 from Electric Ballroom
Disc 2
Side One: 13. Go Ahead / 14. Ally in Exile / 15. Relationship / 16. Underwater Experiences / 17. Witness to the Fact / 18. 2 People in a Room / 19. Our Swimmer / 20. Heartbeat
Side Two: 21. Our Swimmer / 22. Midnight Bahnhof Cafe / 23. Second Length (Our Swimmer) / 24. Catapult 30
Tracks 01-12 from Electric Ballroom. Tracks 13-19 from Notre Dame Hall. Track 20 from Montreux. Tracks 21-22 from "Our Swimmer" (1981) single. Tracks 23-24 from an unreleased 1981 single.
LEGAL BOOTLEG SERIES: In addition - the full, unedited gig recording of each show will be added to the 2nd Legal Bootleg Series (digital only).
These will be:
While "Heartbeat" was on the orginal (and re-released) D&E (mainly because of the 3,000 whistling Swiss who wanted Roxy Music) and a few tracks have turned up elsewhere (most famously on the Bootleg "Take a Terrifying Trip To The Past") this is the first time, to our knowlege, the whole set has been made available.
Tracklisting
01. Another the Letter / 02. Practice Makes Perfect / 03. 2 People in a Room / 04. I Feel Mysterious Today / 05. Being Sucked In / 06. Blessed State / 07. A Question of Degree / 08. Mercy / 09. A Touching Display / 10. Former Airline / 11. French Film Blurred / 12. Men 2nd / 13. Heartbeat
The sets of the 19th & 20th of July were in fact the last "conventional" performances Wire made of the 70's. However, in typical Wire fashion - even though 154 was only recorded, not yet even released - the set only contained 3 songs from it (4 if you count "Question of Degree" which was recorded on the same sessions) whilst containing 8 "new" songs alongside 4 "oldies". Interestimgly this met none of the hostile reaction the "Electric Ballroom" received. Again this is the first time the whole set has been made available and most notably the first time any of it is at the right speed!
Tracklisting
01. Go Ahead / 02. Ally in Exile / 03. Being Sucked In / 04. Relationship / 05. Midnight Bahnhof Cafe / 06. Underwater Experiences / 07. Blessed State / 08. Witness to the Fact / 09. I Should Have Known Better / 10. Safe / 11. Lorries / 12. 2 People in a Room / 13. A Question of Degree / 14. Our Swimmer / 15. I Am the Fly / 16. Heartbeat / 17. Strange
Framed by a conversation between Graham and Bruce on one side and Russell Mills and Adrian Garston (the eyewitnesses) on the other side the "naked" version of the Electric Ballroom set of the 29th February 1980 (the full set with no edits or interruptions) is in many ways the missing piece of the puzzle. Ultimately, it tells the same story as the group photo at the head of this newsletter: four people in a fiercely creative mood but not necessarily heading in the same direction.
00. Eyewitness Accounts / 01. 5/10 / 02. Request Spot/12XU / 03. Underwater Experiences / 04. Everything's Going to Be Nice / 05. Piano Tuner (Keep Strumming Those Guitars) / 06. We Meet Under Tables / 07. Inventory / 08. ZEGK HOQP / 09. Eastern Standard / 10. Instrumental (Thrown Bottle) / 11. Ritual View / 12. Part of Our History / 13. Eels Sang Lino / 14. Revealing Trade Secrets / 15. And Then… Coda
Suggested reading: Wilson Neate's Read & Burn: A Book About Wire, Chapter 5
ORDERING & LEGAL BOOTS
While the CD/digital and LP versions will not be available in shops until August 18th, they are of course able to be pre-ordered HERE. Meanwhile, the three new items in the Legal Bootleg Series 2 will beimmediately available to all subscribers to the complete series; sorry, but the rest of you will have to wait! However, there are some bundles available for those that want to buy Document & Eyewitness and haven't yet subscribed to the Legal Bootleg Series 2. While these three are supposed to mark the end of the second legal bootleg series, it is not beyond the bounds of possibility that we might add something else, if the right thing turns up!
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