10/01/2025

CLARA MANN shares two new singles "500 Miles" & "My Life" and announces 'Rift (Expanded Edition)' out Oct 22nd via state51. UK tour dates announced.


CLARA MANN

- Shares two new singles "500 Miles" & "My Life"
- Announces 'Rift (Extended Edition)' out Oct 22nd via state51
- UK tour dates start next week

Photo credit: Fabian Prynn


Following the release of her debut album Rift earlier this year via state51, Clara Mann today announces Rift (Extended Edition) - out digitally October 22nd and available for pre-order on a limited edition vinyl. The expanded release includes two new covers and two French-language versions of standout tracks from the original album.

To coincide with the announcement, a new double A side single is out today, “500 Miles” alongside “My Life". The former being a reimagining of the traditional song based on Hedy West’s version, and the latter a cover of the Iris DeMent ballad, both feature fiddle player Owen Spafford.

Speaking about "500 Miles", Clara Mann said:

"It is rare, in my line of songwriting, that you get to have fun on stage. I often feel excited, or energised, or lifted by the music- as often as I feel heavy or moved- but when I first played this folk tune through with my friend Owen Spafford, we did, in fact, have fun. 

I love the part that Owen wrote, the fiddle like a train, on this version of the American tune (which I first came across as sung by Hedy West), and the way we shaped the song together around my vocal and guitar part. I feel, always, lucky to play with Owen: the friendship and music that we share are forces of light in my life. 

I have always felt careful around folk music - I do not have roots in any particular community around trad, did not grow up around session culture. There are spaces in which I do not want to take up space that should be occupied by other, more experienced, more authentic musicians. 

It’s light and wistful and I like it because it’s a moment in the live set in which I don’t have to excavate my own big heavy feelings, or go digging - it’s just singing for singing’s sake, singing to be together, singing for joy."


Listen to "500 Miles (feat. Owen Spafford)" here: https://www.youtube.com/watch?v=sMwF4Rrrk9Q

On "My Life" Mann added :

"My mum and I had an Iris Dement CD in the car when I was little, and this was the final track on it. I have always loved it.

The first time I performed it live, a friend came up to me and said “It breaks my heart, hearing you sing those words”- I know what she meant, I  guess this song is really about looking back on life rather than being, as I am, still quite near the beginning of it. Up until that moment, though, I hadn’t thought of it as sad.  I think I associate it with the “mother and daughter” moments of my life, like being in the car together, or her sitting on the end of my bed when I’m back home and we’re chatting, catching up - in a sense, the song sits between me and my ma’s chapters in life, between our ages. She could sing it, and so can I, and we both understand it from different angles."


Listen to "My Life (feat. Owen Spafford)" here: https://www.youtube.com/watch?v=SX7LryPLgiU

Listen to "500 Miles/ My Life" on other streaming services herehttps://clara-mann.lnk.to/500miles-mylife

On the extended version of Rift, Mann said "It has been 6 months since I released Rift. Even if at the time of releasing a record it feels like launching it into the void of the internet, it has been #real 

Thank you so much to everyone who has been listening, and sending messages, and coming to shows, for making it feel like that. 

Since then the songs have aged for me, but I am so happy to be sharing some music that bring Rift into the present in my life. Two covers, two French versions of the songs, all of which represent the road since the release. Country and folk songwriting continue to be touchstones of writing for me, I love that, sometimes, songs get to be ageless.
 
The French versions represent the parts of my world and songs that grew from a childhood in between languages and places. I translated these songs and it was really challenging thank you for asking and also thank you to dear Martin Egidi who sat with me in parks, and in cafes, and then on WhatsApp late into the night on the eve of recording, going through these lyrics on our shared Google Doc. The songs changed character, and gained body, through translation. They are something quite different, to me, to the original versions - it is very nice to find new things in songs that I wrote a long time ago. 
 
Music allows me to travel, and explore, and go on adventures, and for that I am very grateful. To be able to complete the world of Rift with the sharing of the expanded edition, reflecting the language, geography, and history of the songs in a more literal sense, is a joy, as well as to recognise the part that my dear friend Owen Spafford has played in bringing these songs to live audiences over the last year or so, with his imaginative and sensitive playing. Our friendship and musical collaboration started with these Rift live shows, and I like to think that it is just the beginning Owen can you please confirm asap thanks.
 
The music will be available on the big bad internet streamers HOWEVER you can also pre-order a special limited edition 7” lathe-cut of them, which is nice because then it’s yours and not anyone else’s and also you can hold it with your hands like a frisbee."

Pre-order here: https://state51.greedbag.com/buy/rift-17/

Since the release of her debut album Rift, Mann has sold out her debut headline tour across the UK and recently played a sold-out show at the Royal Albert Hall, as well as a performance with The Unthanks at Sage Gateshead. Mann also recently performed in Broadside Hacks’ Dylan tribute at End of the Road, as well as their Incredible String Band show at Queen Elizabeth Hall. She’s shared stages with Richard Dawson, Laura Misch, Naima Bock, and Jake Xerxes Fussell, and toured with Youth Lagoon.

In addition, Mann recorded a live session for Marc Riley and took part in the Independent Music Box session as well as contirbuting a track to the award-winning Strangers on a Bench podcast and selling out the first pressing of her record.

Mann will be embarking on a European tour, starting next week, with shows in Leeds, Glasgow, Dublin, Cardiff and more.

Tour dates:
07.10 - Leeds, England, The Attic 
08.10 - Glasgow, Scotland - Hug and Pint 
12.10 - Dublin, Eire - Bellobar 
17.10 - Cardiff, Cymru - Sŵn Festival
21.10 - Paris, France - Chair De Poule
22.10 - Brussels, Belgique - Botanique 
24.10 - Rotterdam, Nederland - Left of the Dial Festival
25.10 - Rotterdam, Nederland - Left of the Dial Festival

Guided By Voices Share "Phantasmagoric Upstarts" Single via FLOOD, 'Thick Rich And Delicious' LP Out Oct. 31st via GBV Inc Records

Guided By Voices Share "Phantasmagoric Upstarts" Single 
via FLOOD

Thick Rich And Delicious LP Out Oct. 31st via GBV Inc Records
Photo credit: Trevor Naud

LISTEN & SHARE: Guided By Voices - "Phantasmagoric Upstarts"
Stream | YouTube

LISTEN & SHARE: Guided By Voices - "(You Can't Go Back To) Oxford Talawanda"

Stream | YouTube

Guided By Voices today have shared their new single "Phantasmagoric Upstarts," the latest preview of their new album Thick Rich and Delicious, out October 31st via GBV Inc Records. The dirging, moody track premiered via FLOOD Magazine and follows their last single "(You Can't Go Back To) Oxford Talawanda," earned praise and support from Rolling Stone, Brooklyn Vegan, Stereogum, and more. 

"This album was a blast to record," guitarist Doug Gillard explains. "It’s the sound of Kevin, Mark and me in a room, no overdubs until Bob and Bobby recorded the lead and backing vocals respectively. 'Phantasmagoric Upstarts' is a great example of this 3-piece approach, with Bob’s incredible lyrics and rangey melody woven throughout. "

Thick, Rich and Delicious, produced and engineered by Travis Harrison, overflows with hooks. It plays through front-to-back like a power pop classic, but don’t misconstrue pop for soft. The basic tracks were cut live and hot to tape and are presented with minimal overdubs. The band recorded in a Brooklyn studio at extreme volumes, conjuring the spontaneity and electric energy of their legendary live show. Complimenting Pollard's lead vocals, harmonies are sung by Grammy-nominated Bobby Bare Jr & Pollard (aka "The Self-Righteous Bros"). The sound delivers on the album's titular promise: Thick Rich and Delicious.

Guided By Voices is Robert Pollard, Doug Gillard, Bobby Bare Jr., Mark Shue, and Kevin March.

Thick Rich And Delicious by Guided Voices is out 10/31. Single "(You Can't Go Back To) Oxford Talawanda" is out today.

Guided By Voices - Phantasmagoric Upstarts
Guided By Voices - "Phantasmagoric Upstarts"
Thick Rich and Delicious - TRACK LISTING
  1. Babies And Gentlemen
  2. (You Can't Go Back To) Oxford Talawanda
  3. Phantasmagoric Upstarts
  4. Lucy's World
  5. Our Man Syracuse
  6. Mother John
  7. Dance of the Picnic Ants
  8. Xeno Urban
  9. A Tribute to Beatle Bob
  10. Replay
  11. Siren
  12. The Lighthouse Resurrection
  13. A Glum Swoboda
  14. Ozark Ivanho
  15. Captain Kangaroo Won The War
GUIDED BY VOICES LINKS
Website | Facebook | Instagram | Twitter | Spotify | Apple Music 

Agriculture’s ecstatic new LP ‘The Spiritual Sound’ out Friday, new visualizer “My Garden” out today...

Agriculture’s ecstatic new LP The Spiritual Sound out this Friday, new visualizer “My Garden” out now

See Agriculture on tour Oct-Decrecord release show 10/8 in NYC, + AUS, ATL, PHL, PHX, SEA, PDX, SF, LA + more

"...an ever-shifting exploration of spirituality that's as informed by Zen Buddhism and familial love as it is queer art, history, rage and resilience." - Decibel Magazine

"a thrilling shot across the bow from one of heavy music’s most fearless acts" - Premier Guitar

"one of the year’s best albums" - Stereogum

Photo by Milan Aguire 

The forthcoming full-length from Los Angeles–based band AgricultureThe Spiritual Sound, traces a narrative arc through extremes.  Ahead of its release this Friday on The Flenser, the band shares a final preview in the form of album opener, "My Garden." 

The band comments on The Spiritual Sound as a whole: "This is an album about the really fundamental human experiences of suffering, joy, and love. We find a lot of the profound in these basic experiences. To us they are by definition spiritual and worth singing and screaming about. With this record, we wanted to make music that connects the intensity of daily life with the intensity of an encounter with Spirit."

The Spiritual Sound is largely a fusing of the visions of its two principal songwriters: Dan Meyer and Leah Levinson.  Though distinct, their voices converge in a singular spiritual grammar—one that defines the totality of The Spiritual Sound, not as separate parts, but as one unified expression.

Dan writes like someone clawing toward the divine through noise, channeling Zen Buddhism, historical collapse, ecstatic grief. Leah’s songs move differently: grounded in queer history and AIDS-era literature, amid the suffocating fog of the present, they carry the weight of survival as daily ritual. 

Agriculture’s formation mirrors their duality. What began as a loose collaboration between Kern Haug and Dan Meyer in the Los Angeles noise scene evolved into a shared pursuit of the sublime through heavy music. With the additions of Richard Chowenhill and Leah Levinson, the project solidified into the band’s current form. The ecstatic black metal foundation that was laid on 2022’s The Circle Chant expanded into something more precise and far-reaching on their 2023 self-titled full-length, and deepened further with 2024’s Living Is Easy: a record that embraced devotional intensity and radiant heaviness in equal measure.

Agriculture’s writing process is built on dismantling and revision of self. Dan and Leah bring songs to the band and then allow them to be pulled apart and rebuilt communally: reshaped through conflict, repetition, and deep trust. Richard adds guitar melodies and solos, and Kern constructs rhythms which are sometimes familiar but often unconventional. Finally, with Richard producing, the final form of each song is realised through intense collaborative work in the studio. Although a time consuming and ego-frustrating process, this allows the band to find the spirit of the songs not through inspiration, but through persistence.

Yet, even in its most ambitious moments, The Spiritual Sound remains rooted in the ordinary and in the day-to-day relationships between the people who made it. Gas station snacks. Inside jokes. Sleeping on floors. Playing shows in rooms that smell like mildew. The spirit here isn’t abstract, it’s live. This is spiritual music that starts with imperfect gear and a long-in-the-tooth tour van.

Agriculture doesn’t offer salvation. The Spiritual Sound isn’t a map out of the fire. What it offers instead is presence: a confrontation with the moment, however unbearable, however divine. It insists that meaning is still possible, even in a world hell-bent on reducing everything to content, and where suffering itself can be conducive to recovery. As the Buddhist saying goes: “the only way out is in.”

Agriculture, on tour:

Oct 8  Brooklyn, NY — Union Pool (Record Release Show) 

Oct 27  San Antonio, TX — Paper Tiger $
Oct 28  Austin, TX — Mohawk $
Oct 30  Atlanta, GA — Masquerade $
Oct 31  Saxapahaw, NC — Haw River Ballroom $
Nov 01  Silver Spring, MD — The Fillmore $
Nov 02  Philadelphia, PA — Union Transfer $

Nov 04  Louisville, KY — Zanzabar
Nov 06  Oklahoma City, OK — 89th Street
Nov 08  Albuquerque, NM — Launchpad
Nov 09  Phoenix, AZ — Valley Bar
Nov 11  Denver, CO — Hi-Dive
Nov 13  Salt Lake City, UT — The State Room
Nov 14  Boise, ID — Neurolux
Nov 16  Seattle, WA — Madame Lou’s
Nov 18  Vancouver, BC — Fox Cabaret
Nov 19  Portland, OR — Mississippi Studios
Nov 21  Sacramento, CA — Cafe Colonial
Nov 22  San Francisco, CA — The Chapel
Dec 04  San Diego, CA — Soda Bar
Dec 05  Los Angeles, CA — Lodge Room

$ with Boris

Swank Mami announces EP + shares new single "PLZ"

SWANK MAMI ANNOUNCES NEW EP


SHARES NEW SINGLE “PLZ”


WORLDSTAR EP OUT OCTOBER 29

Swank Mami by Binta Kopp


“PLZ”

LISTEN: ffm.to/plz


(October 1, 2025) - Swank Mami announces her forthcoming EP Worldstar, due October 29. Alongside the announcement, she shares her new single “PLZ” today. Inspired by the Euro dance music she grew up on, “PLZ” sees Swank Mami blending infectious club rhythms with her signature silky R&B vocals. The EP was mixed by Nathan Boddy (Mura Masa, PinkPantheress).


Speaking of the new single, Swank Mami shares – “PLZ is a really adventurous song for me. This song is the most pop song in the project I would say. It’s a mix of inspirations from kompa music and hard EDM synths which I really love. Music for me is experimental and I am very proud of this song – it’s shy, catchy and cunt.


Born in Oslo with Somali roots, Swank Mami made her debut in 2023 with Eurostar, quickly earning praise from The FADER ("the antidote for boring raves"), DAZED (“Norwegian pop star tearing through the fast lane”), and The FACE. Her momentum even earned her a guest appearance in Travis Scott’s film Circus Maximus, directed by Nicolas Winding Refn (Drive).


Swank Mami has since collaborated with Oscar Scheller (Shygirl, NewJeans, PinkPantheress), and gained the support of artists like ArcaCrystallmessZara Larsson, and Jim Legxacy, as well as fashion tastemaker brands Sandy Liang, GANNI and Poster Girl. She recently opened for Azealia Banks in Belgium and will be making her Pitchfork Paris debut on November 5th.


Listen to “PLZ” and stay tuned for more from Swank Mami coming soon. 

“PLZ” single art by Kim Coussée


Swan Mami

Worldstar

October 29, 2025


1. MC69

2. Juicy

3. PLZ

4. Angel

5. Cruel

6. Baddiez




Connect with Swank Mami

Instagram | TikTok | YouTube

HAAi Shares Unique Live Performance Film || New Album 'HUMANiSE' Out 10/10 On Mute

HAAI SHARES UNIQUE LIVE PERFORMANCE FILM, FROM DRUMSHEDS

NEW ALBUM HUMANiSE OUT 10/10 ON MUTE

LIVE DATES CONTINUE

 

 Photo credit: New Vision Originals

 

“… her solo work — which includes psychedelic electronica, massive breakbeat sounds, anthemic synth-kissed songs and remarkably fun D.J. sets — continues to cement her reputation as a stand-alone talent.” - The New York Times, May 2025

 

London-based, Australian-born producer, songwriter and DJ, HAAi (aka Teneil Throssell) has today shared a unique film by New Vision Originals. The filmed performance unfolds inside a meticulously crafted installation of a ‘90s office: a time capsule lined with ring binders, Rolodexes, fax machines, reams of A4 paper, and landline telephones - reimagined within the cavernous shell of London’s Drumsheds. HAAi and her collaborators, Jon Hopkins, Alexis Taylor (Hot Chip), Obi Franky, KAM-BU, TRANS VOICES, and poet Kaiden Ford, inhabit this surreal workspace, weaving in and out of filing cabinets as the conceptual world of the album unfolds in real time.

Watch the film HERE.

HUMANiSE (live album performance, from Drumsheds) is released on the eve of her eagerly anticipated second studio album, HUMANiSE, out on Mute on October 10, 2025. A series of in-store performances launch on the same day. Catch HAAi live at Brighton, Resident on October 10th, Rough Trade Bristol on October 11th and at Rough Trade East in London on October 12th. 

HUMANiSE includes the singles “Satellite” (feat. Jon Hopkins & Obi Franky & ILĀ & TRANS VOICES) and “Can’t Stand To Lose,” both A-listed by BBC Radio 6 Music, in addition to “Stitches,” “Hey!” and her collaboration with KAM-BU, “Shapeshift.”

The new album, an immense evolution from her acclaimed debut, reckons with what it is to be human in an increasingly digital world, as AI threatens to eclipse everything and our screens separate us from each other.

In all of her work, Teneil has always sought to conquer new frontiers in electronic music and on the new album she’s drilling deeper into the grid. HUMANiSE reckons with what it is to be human in an increasingly digital world, as AI threatens to eclipse everything and our screens separate us from each other. The result is an ambitious and thrilling epic: embodying a sonic step up, exploring the sweet spot between machine-led dystopia and emotion-filled utopia.

“Throughout the album, I kept thinking about a machine with a human heart,” she says. Vocals are front and center, stunningly delicate and giving a newfound dimension to her kinetic productions. “It took a long time to get there, it’s such a vulnerable thing to do,” she continues, “but for this album, it was important for me to allow this ‘human heart’ to be front and center.”

The human heart has another focus on the album: unity and community. HAAi explains, “Even though HUMANiSE is about how the world is starting to change beyond our control, it’s important to keep a sense of togetherness and hope.” These ideas of community and a sense of belonging is of utmost importance, and she has returned to work with friends including Jon Hopkins, Alexis Taylor from Hot Chip, singer Obi Franky, rapper KAM-BU, artist Kaiden Ford, poet James Massiah, who guests on “All That Falls Apart”, and two choirs: TRANS VOICES with choir leader ILĀ and a gospel choir led by Wendi Rose. But this is no clique, the community she surrounds herself with is inclusive, with ample space for the listener on a journey where you are suspended in dreamlike euphoria, drawing the most human part of you to the surface, the part where nothing matters more than family, friends and togetherness.

After a busy summer – recent DJ sets include Coachella, Movement, Glastonbury (her Glastonbury B2B with Romy that went out on BBC Radio 1 featured the premiere of Romy’s remix of ‘Stitches’), Making Time, Body Movements, helming UNiSON, her community-focused night in London, a drop in on Glamcult TV to record this intimate version of “Can’t Stand To Lose” plus a remix of Chloé Caillet & Luke Alessi’s “The One ft. Jocelyn Brown,” HAAi won’t be taking her foot off the pedal this autumn. As well as the in-store performances and a newly announced surprise set in Glasgow at the SECC with Fred Again.., HAAi’s DJ dates continue. Full dates are listed below.
 

 HAAi LIVE DATES:

10/3/2025 – Glasgow, UK - SECC – with Fred Again..
10/23/2025 - Amsterdam, NL -  !K740 & DJ-Kicks 30 at Het Sieraad
10/24/2025 - Amsterdam, NL -  Homeless Homies at Radion + Fabric x Loud Contact at Transformatorhuis
10/25/2025 - Leeds, UK - 10 Years of Headrow House: HAAi All Night at Headrow House
10/31/2025 - Manchester, UK -  WHP x Sports Banger (b2b The Blessed Madonna) at Depot Mayfield,
11/1/2025 - Bristol, UK - Halloween at The Underground
 

HAAi INSTORE PERFORMANCES:

10/10/2025 – Brighton,UK -  Resident – 6.30pm
10/11/2025 – Bristol, UK -  Rough Trade – 1pm
10/12/2025 – London, UK -  Rough Trade East – 6pm

 

Tom Waits Shares Comically Wry Spoken Word Track "The Fly", Listen Now

TOM WAITS SHARES NEW COMICALLY WRY SPOKEN WORD TRACK “THE FLY”, LISTEN HERE Artwork by Casey Waits “The Fly” , a new spoken-word track by T...