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"“This song is about just being a guy about town and saying ‘hey’ to the people you know, the people you don't know, the people who like you, and the people who don't want to like you."
– Oberhofer |
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Memories can be inspiring or stifling, alluring or ugly, wistful, joyous or flat. But what if they all come rushing back in a moment of quiet? You're in headphones, zoned out, and your entire life flashes before your eyes, floods your ears, sounds like a screaming orchestra, feels like a bounding sack of lead, and looks like an unholy filmic mashup of David Cronenberg and Ken Burns. This is "chronovision," a high-concentration dose of pure memory. And on the album of the same newly minted name, Brad Oberhofer distills his own total recall into beautiful, bittersweet song.
When it came time to make his second proper album under the Oberhofer name, the Tacoma-raised, New York-based artist had a great deal to draw from. His almost idyllic youth — mom sang opera; dad sailed boats; family lived on a gulch; deer and fox munched blueberries outside — had recently smashed up against harsh reality. One day while home for a brief respite from touring his 2012 debut Time Capsules II, Oberhofer woke to find his roommate dead, in the bathroom, of a heroin overdose. He had to call his friend's boyfriend and break the news. Then, a mere three days later, he had to clear out all of his belongings and drive his band to Lollapalooza.
Such events seem to cast all else in a severe light, so while you'll hear Oberhofer's familiar sound — amped psych-pop with orchestral flourish, New Wave flare, and grungy fuzz — the intensity has been ratcheted up. The brighter moments are more brilliant, almost manically so, and the darker hues have deepened in kind. Certain samples, keyboard runs, and piano figures evoke calliope — circus music, conjuring innocence and madness in turn. And our host is as apt to channel the bliss of Brian Wilson's SMiLE ("Sun Halo") as he is the blooming melancholia of early Grandaddy ("What You Know"). The ghosts of Lou Reed and Del Shannon lurk these halls, too.
Much of this is also to do with Oberhofer's resolve to produce the LP himself. The road toChronovision was winding. He first rented a spot in the Catskills, set up all of his instruments (piano, keyboards, guitars, drums, clarinet, violin, Theramin), and made a song a day for two weeks. But that version of the record would be scrapped, as would the next, recorded in Seattle with Phil Ek (the Shins, Modest Mouse) on the boards. Two more album's worth of songs were recorded in a pair of overnight solo jags, but those only exist today in the annals of SoundCloud. A final spurt took him to a Tacoma studio, two NYC facilities (Strange Weather, Electric Lady), and the former Sound City in Los Angeles. Lastly: Atlanta to mix with Ben Allen (Animal Collective, Washed Out). Exactly 106 demos later, Oberhofer emerged with these 12 songs.
That process isn't altogether surprising. When he's not playing or recording with Oberhofer the band — Oberhofer the man is constantly creating. His Instagram feed is full of bite-sized video loops. His Bandcamp offers a free collection of "daily meditations." Via a second SoundCloud account, he's recording 1,000-plus custom piano pieces for fans and friends (each composition bearing the person's name). It's possible he developed the practice while studying music at NYU (before he dropped out), after touring with the likes of Sleigh Bells, Neon Indian, or Matt & Kim, or in recording his last album with Grammy-stacking producer Steve Lillywhite. But one gets the feeling Oberhofer's been this way.
Chronovision bears the mark of that dedication, even if the perspective is often far more cloistered. "I spent my life inside a hole/I don't have any place to go," he coos through a forced grin on "Nevena," while on "Someone Take Me Home," he imagines a future in which his muse has left him for dead — set to cheery fuzz-pop, naturally. And sweet though they may be, "Sea of Dreams" and "White Horse, Black River" are respective dedications to Oberhofer's two grandmothers, who passed recently. Still, the LP's coda finds him looking outward, with optimism: "Listen to everyone/They too have songs in their eyes." The line implies that "chronovision" — the heady sum of one's memory — can be shared, and why not? That's what Oberhofer's just done.
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03.11 - Deloitte Interactive Event
12:00pm @ The Palm Door on Sixth (508 E 6th St) 03.12 - Deloitte Interactive8:00pm @ Palm Door on Sixth (508 E 6th St) 03.13 - Barbarian Group Party 9:20pm @ Mohawk (912 Red River, Austin, TX) 03.15 - SXSW Showcase11:00pm @ Nomad Bar (1213 Corona Dr) 03.16 - Wild Honey Pie5:30pm @ Swan Dive (615 Red River St) 03.16 - Speakeasy Kabaret presented by We Found New Music10:30pm @ Speakeasy (412 Congress Ave) 03.17 - Bahiadora Showcase 10:00pm @ Lucille (77 Rainey St) LINKSWebsiteFacebookTwitterInstagramGlassnote |
Chronovision Deluxe LP TRACKLISTING
01.Chronovision
02. Nevena
03. Together Never
04. Memory Remains
05. Someone Take Me Home
06. Sea of Dreams
07. Ballroom Floor
08. White Horse Black River
09. Me 4 Me
10. Sun Halo
11. What You Know
12. Listen To Everyone
Bonus Tracks:
13. Chronoluxe Intro
14. Alone Man
15. Someone Take Me Home
16. Hey Man
17. White Horse, Black River
18. Lost Your Love
19. Winter Has Come and Gone Again
20. Organist
21. Alone After Life
22. Best Friends for Life
23. Walked To Your Grave
24. Flowers, Sunlight, Aurora Florealis
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