The Notwist‘s Close To The Glass
Out Tomorrow in North America Via Sub Pop
Plus- ‘Close To The Glass’ No. 1 Most Added Album at CMJ;
Magnet Magazine’s Guest Editor Feb. 24-Mar. 2
The Notwist’s Close To The Glass,
featuring the singles “Kong” and the title cut, will be out tomorrow,
Tuesday February 25th in North America on CD / LP / DL via Sub Pop.
NPR Music says of the album, “If the new Close to the Glass is
any indication, The Notwist sounds fully refreshed: From its corker of a
single ("Kong") on, the album showcases a light touch in a frequently
collage-based sound that brims over with buzzing, springy, playful
urgency. Throughout Close to the Glass, The Notwist lets many
sides of its sound peek out, as straightforward pop-rock melts together
with the pulse of Krautrock until they become indistinguishable. But,
like its most recent predecessors, the album never feels chilly, even
when the band wanders through a nine-minute instrumental ("Lineri") late
in the proceedings. Even then, no matter how many machines manipulate
The Notwist's sound, they never drown out the human heartbeats at its
center (see “First Listen” February 17th).
The Notwist recently premiered the official video for “Kong,” the lead single from Close To The Glass, an animated visual directed by Yu Sato and featuring illustrations from Tim Divall.
The video for “Kong” is based on a true story that involved Marcus
Acher and his family being trapped in their home during an Ammer River
flood in Weilheim, Germany. During the experience, the young Acher
resorted to fantasy, secretly hoping a superhero would save his family
as the waters rose around them. Watch the video here.
The
Notwist’s previously announced 2014 tour is underway now, beginning
tonight February 24th in Wiesbaden, DE at Schlachthof, with a series of
tour dates that currently end July 19th in Gräfenhainichen, DE at the
Melt! Festival. Please find a complete list of tour dates below.
What People Are Saying About The Notwist:
“Close to the Glass is a record
bookended with perfectly executed experiments, so gentle on the ears.
Beautiful and perfect, they make the whole record seem round, and
right.” [8.5/10] - The Line Of Best Fit
“Judging by "Close to the Glass," …they have toughened up their sound considerably since 2008's The Devil, You + Me,
diving into the rubbery abstraction that's afforded by modular
synthesis and adopting the percussive, post-rave sensibilities of Mouse
on Mars and Simian Mobile Disco.” [50 Albums You Gotta Hear in 2014] - SPIN
“It's sensitively poised and technically perfect.” [8/10] - Uncut
“Here, they've abandoned any evidence of
their glitchy history, mostly eschewing electronics in favour of warm,
organic instrumentation like acoustic guitars and real-life drums. With a
gentle melody and frontman Markus Acher's inimitable vocals, however,
it's still the Notwist we know and love.” [Kong”] - Exclaim
“Their eighth LP brilliantly snaps together everything.”[8/10] - Q Magazine
“Every element of Close to the Glass
feels like it has been minutely polished; like the workings of a
miniature pocket watch, it all feels succinct, gleaming and fresh.”
[8/10] - The 405
“A very pretty, very hooky piece of Krautrock tunecraft, shot through with a deep sense of longing.” [“Kong”] - Stereogum
“Close To The Glass is a forum
in which ramshackle indie-pop, acoustic balladry, and expansive
electronic sonic explorations happily coexists, and it's all the better
for it.” - Under The Radar
“Propulsive, driving...a surprisingly sparkling uptempo cut” [“Kong”] - Pitchfork
“Marked with fuzzy synths, a driving
bassline, and abounding vocal hooks, “Kong” even has a trippy outro,
adding an extra layer of interesting.” [“Kong”] - Consequence of Sound
“An excellent piece of krauty, rhythmic
guitar pop in which melancholy lyrics about unceasing rain get
juxtaposed with bubbly instrumentals. Our favorite moment, though, would
have to be when the whole thing devolves into a film-noir groove and
the strings and acoustic riffs kick in.” [“Kong”] - Pretty Much Amazing
Tour Dates:
North America
Jun. 09 - New York, NY - Webster Hall
Jun. 10 - Philadelphia, PA - Theatre Of Living Arts
Jun. 11 - Montreal, QE - Société Des Arts Technologiques
Jun. 12 - Toronto, ON - Lee’s Palace
Jun. 13 - Chicago, IL - Bottom Lounge @ House of Blues
Jun. 14 - San Francsico, CA - The Regency Ballroom
Jun. 15 - Los Angeles, CA - The Fonda Theatre
Jul. 04-06 - George, WA - Sasquatch Festival
Europe
Feb. 24 - Wiesbaden, DE - Schlachthof
Feb. 25 - Bielefeld, DE - Forum
Feb. 26 - Berlin, DE - Heimathafen (SOLD OUT)
Mar. 10 - Stuttgart, DE - Wagenhallen
Mar. 11 - Lyon, FR - Epicerie Moderne
Mar. 12 - Nantes, FR - Stereolux
Mar. 13 - Paris, FR - La Maroquinerie (SOLD OUT)
Mar. 14 - Lille, FR - Le Grand Mix
Mar. 15 - Manchester, UK - The Deaf Institute
Mar. 16 - Glasgow, UK - Mono
Mar. 17 - Bristol, UK - The Fleece
Mar. 18 - London, UK - Village Underground
Mar. 19 - Brussels, BE - Botanique
Mar. 20 - Cologne, DE - E-Werk
Apr. 05 - Milano,
IT - Magnolia
Apr. 06 - Foligno, IT
- Serendipity
Apr. 07 - Roma,
IT
- Auditorium Parco della Musica
Apr. 08 - Bologna, IT
- Estragon
Apr. 09 - Padova, DE
-
Mame
Apr. 10 - Ljubijana, SK - TBA
Apr. 11 - Zagreb, HR - Mochvara
Apr. 12 - Linz, AT - Posthof
Apr. 13 - Munich, DE - Circus Krone
May 26 - Berlin, DE - C-Club
May 27 - Hamburg, DE -
Laeiszhalle
May 28 - Amsterdam, NL - Melkweg
Jun. 28 -
St.Gallen, CH - Open Air St. Gallen
(SOLD OUT)
July 19 -
Gräfenhainichen, DE - Melt! Festival
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