2/20/2014

HTRK Share New Single "Blue Sunshine"


HTRK share new single off Psychic 9-5 Club LP

HTRK "Blue Sunshine"
[STREAM]
Release date: April 1, 2014
Psychic 9-5 Club marks the beginning of a new chapter for HTRK. It's an album that looks back on a time of sadness and struggle, and within that struggle they find hope and humour and love. It's Jonnine Standish and Nigel Yang's first album recorded entirely as a duo—former band member Sean Stewart died halfway through the recording of their last LP, 2011's Work (Work Work).

Though the record is instantly recognisable as HTRK—Standish's vocal delivery remains central to the band's sound, while the productions are typically lean and dubby—they've found ample room for exploration within this framework. Gone are the reverb-soaked guitar explorations of 2009's Marry Me Tonight and the fuzzy growls that ran through Work (Work Work). They've been replaced with something tender, velvety and polished. This is HTRK, but the flesh has been stripped from their sound, throwing the focus on naked arrangements and minimalist sound design.
The album was recorded at Blazer Sound Studios in New Mexico with Excepter's Nathan Corbin, who had previously directed the video clip for Work (Work Work) cut "Bendin." Inviting a third party into their world was no easy decision, but in Corbin they found a kindred spirit. The LP was then refined and reworked in Australia at the turn of 2013, before the finishing touches were applied in New York during the summer.

Of all the themes that run through Psychic 9-5 Club, love is the most central. The word is laced throughout the album in lyrics and titles—love as a distraction, loving yourself, loving others. Standish's lyrics explore the complexities of sexuality and the body's reaction to personal loss, though there's room for wry humour—a constant through much of the best experimental Australian music of the past few decades.
Standish explores her vocal range fully—her husky spoken-word drawl remains, but we also hear her laugh and sing. Equally, Yang's exploratory production techniques—particularly his well-documented love of dub—are given room to shine. They dip headlong into some of the things that make humans tick—love, loss and desire—with the kind of integrity that has marked the band out from day one. Psychic 9-5 Club is truly an album for the body and for the soul.


Tracklist
01. Give it Up
02. Blue Sunshine
03. Feels like Love
04. Soul Sleep
05. Wet Dream
06. Love is Distraction
07. Chinatown Style
08. The Body You Deserve
Pre-order Psychic 9-5 Club here.

Nothing shares new songs via Rolling Stone, NPR


NOTHING SHARES "ENDLESSLY" VIA ROLLING STONE

SHARES "GET WELL" VIA NPR

GUILTY OF EVERYTHING LP DUE MARCH 4TH VIA RELAPSE RECORDS

Credit: Shawn Brackbill

 
Philadelphia-based Nothing are proud to share not one but two new songs. Rolling Stone premiered "Endlessly" and NPR debuted "Get Well" on Tuesday's 'All Songs Considered' show. Both songs are available to stream via the links above. The band's debut LP, Guilty of Everything, will be released on March 4th via Relapse Records.
 
Rolling Stone also tipped Nothing in their 'Artists You Need To Know' feature and had previously tipped Nothing as one 'CMJ 2013's 10 Best Discoveries' after seeing them perform live; since then the band has toured with Whirr, opened for Cold Cave for Red Bull Music Academy Sound Select, and opened for DIIV on New Years Eve. Nothing will be embarking on new tour dates including a run down to SXSW with Weekend and spot dates with Ty Segall, Pup, and Solids.
 
Additionally, Relapse Records is launching an Instagram contest for fans of Nothing. It works like this: fans will create their own album cover for Guilty of Everything via a photo, artwork, sculpture, photoshop, etc. and submit them on Instagram with the #guiltyofeverything hashtag. The best entries will be reposted and have the chance to win the new album on vinyl. 

Tour Dates:

Mar 02 - Philadelphia, PA @ Kung Fu Necktie (Record Release Show) *
Mar 03 - Washington DC @ Black Cat *
Mar 04 - Richmond, VA @ The Camel *
Mar 05 - Asheville, NC @ Emerald Lounge *
Mar 06 - Savannah, GA @ Savannah Stopover Music Festival *
Mar 07 - Atlanta, GA @ The Masquerade (Purgatory Room) *
Mar 08 - Birmingham AL @ The Bottletree Cafe *
Mar 10 - New Orleans, LA @ Circle Bar *
Mar 11 - Baton Rouge, LA - Gas, Food & Lodging Fest @ Spanish Moon *
Mar 12 - Austin TX - SXSW Relapse Showcase @ Dirty Dog
Mar 16 - Dallas TX - Spillover Music Fest @ Club Dada & Three Links $
Mar 17 - Oxford MS @ Proud Larry's @
Mar 18 - Chicago IL @ Beat Kitchen
Mar 19 - Baltimore MD @ The Gold Bar
Mar 20 - Brooklyn NY @ St. Vitus

*With Weekend
$ With Ty Segall
@ With Pup, Solids

Pony Boy Shares NEW Track w/ VICE, EP Drops March 4!

Pony Boy
 
The Devil In Me EP Drops March 4th

Shares EP Track “One Man Show” w/ VICE’s Noisey

 
“She's as adept as Cat Power at sounding winningly intimate and just the right shade of downcast.” – VICE

“ …an all-original junkyard country meets southern gothic soul sound.” – Lucky

Those infatuated by Nancy Sinatra and Loretta Lynn's darker sides should fall in love with Pony Boy's brand of blues.” – Refinery 29

" ...something of a theme song for some unmade femme fatale grindhouse flick… preferably a Western." - WNYC

 


Pony Boy aka Marchelle Bradanini is a Nashville transplant and singer-songwriter extraordinaire who brings pop songwriting sensibility to the dark and ominous side of Americana. Having released several singles over the past few yearsPony Boy is excited to announce The Devil In Me EP on March 4th, recorded to tape in the Music City!
 
The Devil In Me represents a unique twist on old-school storytelling in Marchelle’s simmering voice accented by the sounds of vintage instrumentation. Single, “One Man Show” brings both vintage bass buzz and sultry yet effortless belting to the center stage. “One Man Show” premiered with VICE’s Noisey and is available HEREPony Boy has also revealed the “Easy Money” video today. Please post & share.
 
Inspired deeply by her move from the West Coast to “Music City” in Nashville, to write Marchelle calls, “the simple songs about those feelings of longing for someone you can’t hold onto or seem to let go of against one’s better judgment,” The Devil In Me is filled with stark and lonely moments that in turn let the listener feel a little less alone. Having recorded with producers Adam Landry & Justin Collins (Deer Tick, Middle Brother, Diamond Rugs, T. Hardy Morris) as well as Robbie Crowell (Deer Tick) and won over audiences and critics alike with her beautifully eerie sound, Pony Boy releases her southern gothic soul to the world.

2/19/2014

My first ten years of Noise Pop 2001-2011



NOISE POP CELEBRATES ITS TWENTIETH YEAR. 2012 will be my 11th year in a row.

I only got to see a few shows at Noise Pop in 2012. I was at Grimes when she played the Rickshaw. Last year in 2013, I was in the Midwest somewhere on tour with The Deer Tracks. This year I am coming back to Noise Pop after a two year absence. I wrote about and interviewed a ton of bands at Noise over the years. Let's relive the journey:

Noise Pop started in 1993. I lived in San Francisco back in those days. Maybe I attended some of those shows in the mid-1990s. Sometimes you go to a gig and you don't know about the festival surrounding it. I came back to SF at the end of 2000, around the time Kid A came out. I became aware of the festival early in 2001, when I decided to interview the band Call and Response. In those days, it seemed like Noise Pop was a festival featuring shows by John Vanderslice, Creeper Lagoon, and Mark Eitzel, plus a lot of local talent. Over the years I discovered it was more.

Noise Pop SF 2001
 could best be remembered by performances by The White Stripes, Blonde Redhead, Bright Eyes, and maybe forgotten bands like Beulah, Pedro The Lion, Girls Against Boys, and Oranger.

I did an interview with:
Call and Response (2001)

And later with:
Stratford 4 (2002)
Blonde Redhead (2004)

Noise Pop SF 2002 was the ten year anniversary. It marked the return of The Fastbacks. It was also the year of Death Cab For Cutie, Modest Mouse, Big Star, Daniel Johnston, The New Pornographers, and Guided By Voices. I was unaware of many of these indie bands who would go on to bigger successes. Internet buzz was a thing of the future. I do remember the "hot" must-see band of this festival was The Faint. I was at this show and was unimpressed. I did catch an early version of the Detroit band Adult. who I interviewed later. I saw The Faint many times later, I became a fan years later. Also this festival featured the final show of The Moldy Peaches.

I did an interview with:
Gorky's Zygotic Mynci (2002)
Azure Ray (2002)

Later:
Adult. (2003)

Noise Pop SF 2003 I would describe as "very mellow." At least the shows that I went to were that way. Although it started off with a pre-party with Har Mar Superstar. It was the first time I saw him, and would lead to many interviews later. I saw Stephen Malkmus, Cat Power, The Dirtbombs, The Von Bondies, The Pleased, Smog, Calexico, and more. It was probably memorable for being one of the first shows by Joanna Newsom. I ended up doing the very first interview with her, a few months afterwards, a year before her album came out.

I did an interview with:
Joanna Newsom (2003)
The Von Bondies (2003)

And later with:
The Pleased (2004)
Har Mar Superstar (2004)
The Dirtbombs (2004)

Noise Pop SF 2004 I barely remember. There were a load of hot bands but I can hardly remember any of these shows. I look at the list and see Dillinger Escape Plan, Low, Jolie Holland, Trachtenburg Family, British Sea Power, Ted Leo, Dead Meadow, Super Furry Animals, The Stills, Rilo Kiley, Court and Spark, The Wrens, The Tyde, Devendra Banhart, and Joanna Newsom. On paper that looks like a cool festival, but some reason I was not feeling it. I did a few interviews during this festival.

I did an interview with:
Low (2004)
British Sea Power (2004)

I also interviewed:
Devendra Banhart (2002)
The Stills (2004)
The Unicorns (2004)

Noise Pop SF 2005 I had parted ways with Free Williamsburg. I had moved to LA in November 2004 and wouldn't come back to NYC for five years. I was more organized in 2005 and more into the shows. One of the hot tickets was with Hot Hot Heat and Louis XIV. Other bands featured were Ted Leo, Mates of State, Smoosh, The Polyphonic Spree, Tussle, Joanna Newsom (she was peaking out in 2005), Bettie Serveert, Two Gallants, Giant Drag, Rogue Wave, Keren Ann, A Girl Called Eddy, and The Walkmen. I went to the wrong venue and discovered Inara George. This was the first year I was working with Keith Martin of SF Burning. It was like another Free Williamsburg hipster site, but located in San Francisco.

I did an interview with:
A Girl Called Eddy (2005)
Louis XIV (2005)

Also interviews with:
Smoosh (2005)
Giant Drag (2006)
The Walkmen (2002)
The Polyphonic Spree (2003)
Keren Ann (2008)

Noise Pop SF 2006 was a very diverse event. It opened with a show with Flaming Lips. Unfortunately I wasn't in town for it. There were also some great acts like Isis, The Dirtbombs, The Black Lips, Britt Daniel, Rogue Wave, Octopus Project, Nous Non Plus, Kieran Hebden and Steve Reid, The National, Silversun Pickups, Cold War Kids, We Are Scientists, The Grates, Xiu Xiu, Feist, Vetiver, and the first tour by Wolfmother. I did an interview with Isis but the tape didn't work properly. My only documented memory is the interview I did with We Are Scientists. I sure can pick them. I ended up seeing We Are Scientists many times during 2006.

I did an interview with:
We Are Scientists (2006)
Also to be noted:
The Flaming Lips (2000)
The Black Lips (2007)
Xiu Xiu (2005)
Vetiver (2008)

Noise Pop SF 2007 I almost didn't go to. I was broke and I had parted ways with SF Burning. They wrote to me that I was fired. I wrote back to them: "SF Burning without me is like Kiss without the makeup." I put a curse on them. Months later the main writer of SF Burning, Tuula Ala, was in a severe bike accident and broke some bones. SF Burning has done about five interviews in the past four years. Good luck with the regime change and the influx of the new San Francisco centric point of view. My friend Brooke really wanted to go this year because it was the first Roky Erickson show in many years. I had barely any money, but we drove up anyways. Besides Roky Erickson and The Explosives, there was Willy Mason, Sebadoh, No Age, French Kicks, The Donnas, Jolie Holland, St. Vincent, Autolux, The Dandy Warhols, Dead Meadow, Brightblack Morning Light, Clinic, Midlake, Cake, and The Dwarves. I did no interviews at Noise Pop this year, due to bad planning. But Brooke did take some photos, and I met Johnny of Crystal Antlers. I remember that this was the first year with a lot of great day parties.

Pictures:
Roky Erickson (2007)

Related interview:
The Dandy Warhols (2003)

Noise Pop SF 2008 was one of those gap years with a few surprises. I remember going to some of the art shows and the parties at the Diesel Store were great. It was here where I first saw The Morning Benders. Some of the stand out acts were Entrance, The Walkmen, Fleet Foxes, The Dodos, Stellastarr*, The Magnetic Fields, The Mountain Goats, Holy Fuck, A Place To Bury Strangers, White Denim, Helio Sequence, Cursive, Darker My Love, The Gutter Twins, British Sea Power, The Virgins, and She & Him. Again I did no interviews during the festival this year but many of the acts were repeats.

Related interviews:
Stellastarr* (2002)
A Place To Bury Strangers (2009)

Noise Pop SF 2009 was yet another year with no interviews and plenty of parties. Many stand out gigs include Antony and The Johnsons, William Basinski, Sleepy Sun, Kings and Queens, Martha Wainwright, The Fresh and The Onlys, Kool Keith, Maus Haus, St. Vincent, The Morning Benders, Bob Mould, Deerhunter, Girls, No Age, Les Savy Fav, and The Drums. When I see these names I recognize a bunch of now hip indie bands. I remember running up a hill to go see Antony and the Johnsons at Masonic Temple. Afterwards I met a friend at Mezzanine where I caught a little of Deerhunter. We ended up getting a drink with Mark Eitzel. Eitzel was his crazy brilliant self. I ended up catching Mountain Goats, Martha Wainwright, but my favorite show was probably St. Vincent, who I have seen a few times now.

Noise Pop SF 2010 was slightly different. I was working with the band Magic Wands. They had been living in Oakland for a few months. On the first night I ran into Har Mar Superstar. Then I went back over to Oakland to see Plastic Ono Band and Deerhoof at the Fox Oakland, my first Noise Pop gig outside SF. The next night I saw Ghost of the Saber Tooth Tiger at the Independent. The next night I was supposed to see Citay and Scout Nibblet, but I ended up watching Magic Wands practice in Downtown SF. The next night Magic Wands played with Atlas Sound at the Great American Music Hall. A great show. The next night I saw Soundtrack of our Lives and Nico Vega. This was the first year I went with photographer Angel Ceballos, and I interviewed both bands. There were plenty of good bands playing last year: Harlem, Best Coast, Young Prisms, Free Energy, Weekend, The Mummlers, The Growlers, Four Tet, Mark Kozelek, Magnetic Fields, Edward Sharpe and the Magnetic Zeros, and The Watson Twins, but I was too busy to check out many of the bands. But I had a fun time.

Interviews:
The Soundtrack of our Lives
Nico Vega
The Watson Twins

NOISE POP SF 2011 I spent a lot of time with Tamaryn and Nick Zinner. I kept running into the same crowd at every twist and turn. I saw some interesting films about Feist and Devendra Banhart. The best shows were The Black Ryder + The Soft Moon at Cafe du Nord. Best Coast and Wavves was very packed at the Regency Ballroom.

--Alexander Laurence

2/18/2014

These New Puritans Announce US Tour Dates

THESE NEW PURITANS
ANNOUNCE   SPITTING STARS USA TOUR AND USA RELEASE FOR CRITICALLY ACCLAIMED NEW ALBUM FIELD OF REEDS ON MARCH 4TH
Description: Macintosh HD:Users:samhill:Documents:Work - Infectious:These New Puritans:Press Shots and artwork:TNP STARK WHITE_COLOURjpeg.jpg

These New Puritans today announce a USA release for their latest album Field of Reeds on 2x12" vinyl, CD and digital supplemented by their first US dates since the band shared a bill with Björk at The Hollywood Bowl last year.


These New Puritans are a band from Essex, England, comprising of twin brothers Jack and George Barnett, their friend Thomas Hein and the many different collaborators who are drawn into their orbit. Their music is widely lauded as amongst the most original and progressive in the world, having released three unique and critically acclaimed albums that highlight their uncompromising musical vision. The band is anchored by the opposing characters of the Barnett twins: George, extroverted, a violently virtuosic drummer who directs the band's visuals; Jack, obsessively perfectionist, occupying an unusual role somewhere between producer, composer and bandleader. Hein brings equilibrium, multi-instrumentalism, and a certain wryly-amused take on the back and forth between the brothers.]

2010's Hidden was hailed as "the first masterpiece of the twenty-first century" and named NME's album of the year. It is a modern, expansive record that takes in disparate influences to create something rare in music today, something unique. The band recreated the album live with a series of ĦĐĐŅ LIVE shows, notably at the Barbican and Paris' Pompidou Centre, featuring the Britten Sinfonia, a children's choir, 10ft taiko drums, multiple vibraphonists and live Foley techniques.

New album Field of Reeds brings you closer to These New Puritans, with its highly dynamic, intense and emotive sound that bypasses any fads or fashions in today's music, with Portuguese singer Elisa Rodrigues joining the band as a guest member. "with this album the biggest change has been that i've tried to move away from abstraction... It's like when I was younger. I'd get home from school and write songs on the guitar about how I felt,this album is kind of like that". The album was critically acclaimed across Europe. TNP debuted the album with a series of concerts in Tokyo, Paris, Los Angeles (supporting Björk at Hollywood Bowl) and London, with a new live septet (drums / bass / live electronics / trumpet / french horn / piano / female vocals).

The band will be playing the following dates which will go on sale from Friday 21st February 
April 30th – New York, NY @ Bowery Ballroom
May 2nd – Evanston, IL @ SPACE
May 3rd – Chicago, IL @ Empty Bottle
May 5th – Los Angeles, CA @ The Roxy

Glasvegas On Tour Now! - Late Late Show With Craig Ferguson

Glasvegas Logo 
February 18, 2013 - Glasvegas have returned for their eighth North American tour with stops in Washington DC at Rock & Roll Hotel and Philadelphia at North Star Bar over the long weekend. This run of intimate gigs continues tonight in Boston and is followed by sold-out New York shows at Mercury Lounge and Knitting Factory. The band then head north to Canada, then across to the Mid-West before ending the tour on the West Coast. The Ceremonies are supporting them on all shows.

On Tuesday March 4th, they will be welcomed back to The Late Late Show With Craig Ferguson to perform a track from their critically acclaimed new studio albumLater...When The TV Turns To Static. Lead vocalist and songwriter, James Allan says of the album..."think about night time; the TV has turned to static, I think of somebody alone...who's got no company because if they had, the TV wouldn't be at static, someone would change the channel. So something is not quite right; out of balance, basically. There's a lot of those sentiments running through this album."

Released in September 2013, Later...When The TV Turns To Static is Glasvegas' third studio album. Written and produced by James Allan, this ten track 45 minute sojourn of heartfelt melancholia and broken relationships is set against a backdrop of scorching soundscapes that lift the soul into heights of abandoned euphoria.

The album is available in multiple formats including standard CD, Gatefold 180 gram white LP and a Deluxe Almanac Edition with bonus DVD featuring a semi-acoustic performance at Glasgow's 19th Century Adelaide Baptist Church.

Watch their performance of the title track Later... When The TV Turns To Static from Adelaide Baptist Church here:

GV Stripped ~ Live in Glasgow -
GV Stripped ~ Live in Glasgow - "Later...When The TV Turns To Static"


Check Glasvegas.net for the latest on sale info.

Glasvegas 2014 North American Tour Dates:
February 16 Washington, DC         Rock & Roll Hotel
February 17 Philadelphia, PA         North Star Bar
February 18 Boston, MA                 Great Scott
February 19 New York, NY             Mercury Lounge
February 20 Brooklyn, NY               Knitting Factory
February 22 Toronto, ON                 Mod Club
February 24 Chicago, IL                   Schubas
February 25 Minneapolis, MN         7th Street Entry
February 28 Seattle, WA                 Columbia City Theater
March 1       Vancouver, BC             The Venue
March 2       Portland, OR                 Doug Fir Lounge
March 4       Los Angeles, CA           The Echo
March 6       San Francisco, CA       Popscene / Rickshaw Stop
Glasvegas is: James Allan (Vocals, Guitar), Rab Allan (Guitar), Paul Donoghue (Bass), Jonna Löfgren (Drums) 

2/17/2014

Punk In Africa traces multi-racial punk movement

Punk In Africa
 Available on DVD on March 11th

Three chords, three countries, one revolution... 
 
"An interesting companion piece to Searching for Sugar Man

 
PUNK IN AFRICA is the story of the multi-racial punk movement within the recent political and social upheavals experienced in three Southern African countries: South Africa, Mozambique and Zimbabwe.

In these societies, the punk subculture represented a genuinely radical political impulse, playing out against a backdrop of intense political struggle, economic hardship and even civil war.

PUNK IN AFRICA traces this until-now untold story from its roots in the underground rock music of early 1970s Johannesburg, the first multi-racial punk bands formed in the wake of the Soweto Uprising and the militant anti-apartheid hardcore and post-punk bands of the 1980s to the rise of celebratory African-inspired ska bands which sprang up from Cape Town to Maputo in the democratic era of the 1990s. Today, an emerging generation of bands continue to draw on this legacy to confront the political challenges of contemporary Zimbabwe and the uncertain identity issues of the Afrikaans minority in South Africa.

Featuring music, interviews and rare and unseen archive footage of Suck, Wild Youth, Safari Suits, Power Age, National Wake, KOOS, Kalahari Surfers, The Genuines, Hog Hoggidy Hog, Fuzigish, Sibling Rivalry, 340ml, Panzer, The Rudimentals, Evicted, Sticky Antlers, Freak, LYT, Jagwa Music, Fruits and Veggies, Swivel Foot and more...  
 
 
  

Select Press Quotes

"Interesting companion piece to doc hit Searching for Sugar Man...this aptly raw, energetic survey of a very DIY scene should appeal to programmers looking for an arresting intersection of music, politics and underground culture." 

"...bursting with the heyday of the multiracial punk scene...with a loving emphasis on the surprising - and often overlooked - role that punk music played in Africa." 

"An eye-opening documentary...a labour of love full of rare archive footage and wry testimonies." 
THE WIRE (UK)

Product Details:
Format: DVD
SKU: MVD6189D
UPC: 760137618997
Street Date: 03/11/14
PreBook Date: 02/04/14
Genre: Alternative/Punk
Run Time: 82 mins
Number of Discs: 1
Audio: STEREO
Year of Production: 2012
Director: Keith Jones, 
Deon Maas
Producers: Jeffrey Brown
 
 










JAH WOBBLE and THE INVADERS OF THE HEART - 'The Usual Suspects' : reissue of 2xCD collection out 13th November 2026 (Dimple Discs) | ON TOUR IN OCTOBER / NOVEMBER

      JAH WOBBLE & THE INVADERS OF THE HEART | The Usual Suspects album cover artwork JAH WOBBLE & THE INVADERS OF THE HEART THE US...