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KÁRYYN announces a rare, stripped-back performance in Los Angeles on Friday 15 May, in what is her only US show announced so far. Following a powerful run of European dates with Apparat, the performance offers a singular opportunity to experience her work in a close, immersive setting.
Taking place at 2220 Arts + Archives, the evening is presented by Silk Road Secret Agents as a fully seated, intimate show centered on deep listening and presence. KÁRYYN will reinterpret material from across her catalogue in a fluid, improvisational format, breaking down and reshaping her compositions in real time. The performance will draw inspiration from the listening practices of Pauline Oliveros, prioritising intuition, awareness, and immediacy.
The night also features Los Angeles-based artist RIŽIK, who opens with a live set using ‘THE MACHINE’, a custom-built system of analogue synthesizers, drum machines, and signal processors designed for spontaneous creation. His work explores the tension between human expression and artificial systems, guided by the principle of “taming the machine”. Discotchari will contribute a selection of experimental sounds rooted in global folk traditions and electronic music.
The performance arrives just ahead of her forthcoming album, PHYSICS UNIVERSAL LOVE LANGUAGE (PULL),released 29 May via Mute. Introduced by the singles ‘COLLAPSE PHASE’ and ‘END TO KNOWING YOU’, the record explores themes of transformation, connection, and release, earning early support from Pitchfork, The Line of Best Fit, and MusicTech. Executive produced by KÁRYYN and James Ford, with contributions from Hudson Mohawke, Jacques Greene, Steve Nalepa, Luca Perry, and Duncan Fuller, the album brings together voice, strings, and modular synthesis, shaped by both experimental structures and traditional influences.
WATCH COLLAPSE PHASE | WATCH END TO KNOWING YOU
With limited capacity and a deliberately minimal format, the show places KÁRYYN’s voice and presence at its core. The show is a rare chance to experience her music up close and in its most direct form.
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