9/23/2022

The Comet Is Coming 💥 new album "Hyper-Dimensional Expansion Beam" out today + new visualizer for "PYRAMIDS"

THE COMET IS COMING NEW ALBUM
HYPER-DIMENSIONAL EXPANSION BEAM
OUT TODAY VIA IMPULSE! RECORDS

NEW VISUALIZER FOR SINGLE “PYRAMIDS” HERE
US FALL TOUR KICKS OFF AT FORMAT FESTIVAL AND CONTINUES TO NASHVILLE, DC, NYC, CHICAGO, LA AND MORE – FULL DATES BELOW
 
Photo Credit: Fabrice Bourgelle 
 
“fit for the intergalactic mosh pit”
The Fader
 
"this trio seems intent on humanizing the EDM beat while actually upping its power not diluting it"
The New York Times
 
“a futuristic transmission that’ll expand your mind and get your body moving”
AV Club
 
“fresh, hybridized modes with which to express a transcendent spirituality”
The Stranger
 
“perfectly, exquisitely, meticulously locked-in… Hyper-Dimensional Expansion Beam will be an absolute monster”
Stereogum
 
“psychedelic and exploratory”
Brooklyn Vegan
September 23, 2022 – Today, “ever-adventurous” (NPR Music) experimental trio The Comet Is Coming release their anticipated fourth studio album Hyper-Dimensional Expansion Beam via Impulse! Records with a stunning new visualizer for the single “PYRAMIDS” – watch here and listen to the album here.
 
The trio will also embark on their North American fall tour, starting at the Format Festival in Arkansas, continuing to Los Angeles, Chicago, DC, Philadelphia, NYC and many more major cities. For more information: https://www.thecometiscoming.co.uk/
 
Hyper-Dimensional Expansion Beam has already gained steady critical acclaim from the likes of New York Times, NPR Music, The Fader, Stereogum and more, for its adventurous and experimental sounds concocted at Peter Gabriel’s studio.
 
On their fourth album, The Comet Is Coming – synth magician/producer Danalogue, drummer-producer Betamax, and saxophonist/spiritual riffologist Shabaka– burn brightly, soundtracking our epoch of change in ways their contemporaries simply aren’t trying to.
 
The process: emerging straight from lockdown, the trio went to Peter Gabriel’s Real World decked out studio tucked away in the English countryside. With the help of the band’s longtime engineer Kristian Craig Robinson, the trio embarked on a four-day long recording process guided by collective intuition, sheer skill, and transcendent improvisation. Next, Danalogue and Betamax fastidiously sampled the band’s own creations, alchemically weaving the out-of-body musical collisions with microscopic attention to detail in the production room. This distillation process yields a profound coherent musical message about the future of technology, humankind, spirituality, and the connectivity of the universe. Which just so happens to rock.
 
Tracks like “PYRAMIDS” drenched in layers of controlled synth-syncopation and Shabaka’s iconic minimalism pulsing forward and “ATOMIC WAVE DANCE” are stone-cold bangers, made for a nightclub on a space station. “LUCID DREAMER,” on the other hand is a vulnerable and emotional guided meditation led by Danalogue’s Ensoniq synth, which eerily evokes humanoid choir voicings through technology. This album has the unrelenting, driving and fiery muscle that Comet is known for, but creates a space where ideas about the future – dystopian or hopeful – technology, artificial intelligence, hidden meanings and transcendental transformations can exist.
 
The Comet Is Coming formed when Soccer96 – Danalogue and Betamax’s synth-drum tron-like duo – were playing and captured jazz saxophonist Shabaka Hutchings attention. After some tentative conversations between the duo and Shabaka, he hopped on stage at a show on a trial run and the energy coarsed between the trio and Comet was born. This union was a result of, as Danalogue describes it,  “the algorithm of fate.” See, they all attended Guildhall School of Music where Dan and Max met - but Dan and Shabaka were a tale of missed connections as they shared the same saxophone teacher. Thankfully, fate’s algorithm guided the trio together. Hyper-Dimensional Expansion Beam follows their 2019 Trust In The Life Force of the Deep Mystery, which garnered praise from NPR, Rolling Stone, Pitchfork, The New Yorker, Washington Post, and their follow-up EP The Afterlife. This is their fourth full-length studio album.
 
The Comet Is Coming
Website - https://www.thecometiscoming.co.uk/
IG - https://www.instagram.com/cometcoming/?hl=en
Facebook - https://www.facebook.com/thecometiscoming
 
FALL 2022 U.S. TOUR DATES
September 24 – Bentonville, AR, USA – Format Festival
September 25 – Nashville, TN, USA – Basement East
September 29 – Vancouver, BC, Canada – Rickshaw Theatre
September 30 – Seattle, WA, USA – Crocodile Showroom
October 01 – Portland, OR, USA – Revolution Hall
October 03 – San Francisco, CA, USA – The Independent
October 04 – San Francisco, CA, USA – The Independent
October 05 – Los Angeles, CA, USA – El Rey Theater
October 13 – Chicago, IL, USA – Thalia Hall
October 14 – Toronto, ON, Canada – Axis Club
October 15 – Montreal, QC, Canada – Fairmount Theater
October 18 – Boston, MA, USA – Crystal Ballroom
October 19 – Philadelphia, PA, USA – Underground Arts
October 20 – Washington, DC, USA – Union Stage
October 22 – New York, NY, USA – Bowery Ballroom

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