6/09/2020

Mt. Joy Share “Exultant, Ambitious” (AllMusic) New Album Rearrange Us

Mt. Joy Share “Exultant, Ambitious” (AllMusic) New Album Rearrange Us



Performed On CBS This Morning Over The Weekend, Watch Here: https://cbsn.ws/2Ujl7Ak
Mt. Joy’s new album Rearrange Us is out now. Produced by Tucker Martine (My Morning Jacket, Modest Mouse, Neko Case) and written during a period of personal struggle and romantic failures, the new album is a triumph of spirit and self-knowledge. Packed with new musical ideas — three part psych-folk suites, gospel singalongs, grooving road trip rock — and Matt Quinn’s philosophical musings about mental health struggles, loneliness, and the need to consciously fight for one’s own happiness, Rearrange Us is a highly personal and ambitious success for the young band.
Watch their socially-distanced performances of tracks from Rearrange Us on CBS This Morning from this past Saturday: https://www.cbsnews.com/video/saturday-sessions-mt-joy-performs-strangers/
Mt. Joy’s single “Strangers” just broke into the Top 10 on the Triple A Radio charts and has accumulated over 5M streams worldwide. Watch the band’s performance for Full Frontal with Samantha Bee: https://youtu.be/lqFZLk6dnOU
Get Rearrange Us — available on vinyl, CD, and with virtual concert “meet & greet” experiences — here: https://www.dualtonestore.com/collections/mt-joy
Rearrange Us Track List:
Bug Eyes
Rearrange Us
Have Faith
My Vibe
Let Loose
Every Holiday
Come With Me
Death
Acrobats
Witness
Us
Become
Strangers

Stay Connected with Mt. Joy

6/08/2020

Rufus Wainwright shares video for "You Ain't Big." New song from upcoming album, 'Unfollow The Rules'

RUFUS WAINWRIGHT SHARES VIDEO FOR "YOU AIN'T BIG"

NEW SONG FROM UPCOMING ALBUM UNFOLLOW THE RULES

 
UNFOLLOW THE RULES TO BE RELEASED JULY 10

SINGER ALSO SHARES BEHIND-THE-SCENES DOCUMENTARY
RUFUS WAINWRIGHT: UNMAKINGUNFOLLOW THE RULES ON YOUTUBE
 
WILL BE A GUEST ON PUBLIC RADIO'S LIVE FROM HEREWITH CHRIS THILE ON JUNE 13

PRE-ORDERS AVAILABLE HERE:
 


GRAMMY® Award-nominated singer-songwriter Rufus Wainwright has shared a video for "You Ain't Big" a song off his highly anticipated upcoming album Unfollow The Rules, out July 10 through BMG.
 
WATCH "YOU AIN'T BIG" HERE
 
Wainwright says of the song and video:
"I originally wrote the song "You Ain't Big" about the strange fact that in the music business worldwide until recently (our estimation has fallen considerably) no matter how well you've done anywhere else, if you couldn't make it in the heartland of the US you weren't really considered a true star. Think Little Richard, Elvis, the Beatles and Julio Iglesias. However, in releasing this song now which references states such as Alabama, North Carolina, Kansas (where I have had the pleasure of playing shows) and even New York and California, all troubled places during this tremendously turbulent time nationwide, the term "You Ain't Big" has taken on additional meanings. The song at heart is apolitical. Its vintage sound harkens back to the classical American country music sound of the 40s and 50s and with the help of opposing images in the video of how different life was for white people compared to black people in the 1950's, as it has sadly remained, I think it rings appropriate for this time and professes a certain truth."

In addition to the video Rufus has made available on his YouTube channel RUFUS WAINWRIGHT: UNMAKING UNFOLLOW THE RULES, a behind-the-scenes documentary chronicling the extraordinary creation of his eagerly anticipated new album. The short film, directed by Jeff Richter of Earthquake Productions (Guns N Roses, Lenny Kravitz, De La Soul) features intimate interviews and discussions with Mitchell Froom, David Boucher, Petra Haden, Jim Keltner, Blake Mills, Rob Moose, David Piltch, and Rufus Wainwright.
 
Also Rufus Wainwright will be a guest on public radio's Live From Here With Chris Thile on June 13 at 6 PM. For further information go here
 
Wainwright's ninth studio LP and first new pop album since 2012, UNFOLLOW THE RULES finds the artist at the peak of his powers, entering artistic maturity with passion, honesty, and a new-found fearlessness while remaining as creative, bold, and mischievous as ever. Produced by Mitchell Froom (Crowded House, Paul McCartney, Richard Thompson, Suzanne Vega, Randy Newman) at a variety of legendary Los Angeles studios - including Sound City Studios, United Recording, and EastWest Studios - the album serves as both bookend to Act I of an extraordinary career which, like UNFOLLOW THE RULES, began in the studios of Los Angeles, but also now as the first lines of a remarkable new chapter. Inspired by middle age, married life, fatherhood, friends, loss, London, and Laurel Canyon, songs like the acclaimed single, "Damsel In Distress" and the powerful, album-closing "Alone Time" find the gifted singer-songwriter ready to tackle new challenges, yet compelled to confront his past by making sense of how he has grown both as a musician and the contended family man he has become.

UNFOLLOW THE RULES has already been met already remarkable praise from the critics, Mojo raving in a 4-star review, "it is a relief to see Wainwright honouring his formidable songwriting talents with songs as luscious as those on Poses or Want One."  And some of his recording brethren weighing in as well. "This is pop music on a grand scale; sweeping, symphonic, unabashedly emotional and fearlessly agnostic in style and delivery," says Sting, while Cyndi Lauper described the album as "Rufus' PET SOUNDS. It sounds like a culmination of everything he has done. It's a great album, catchy and intelligent."

 
# # #
 
CONNECT WITH RUFUS WAINWRIGHT

Bell Witch and Aerial Ruin release new single "The Bastard Wind" - Collaborative album 'Stygian Bough Volume I'

BELL WITCH AND AERIAL RUIN

RELEASE NEW SINGLE “THE BASTARD WIND”  

FORTHCOMING COLLABORATIVE RECORD STYGIAN BOUGH VOLUME I 
OUT JUNE 26 ON PROFOUND LORE
Photo By: Lauren Lamp | Hi Res Version Here

Renowned doom duo Bell Witch (Dylan Desmond and Jesse Shreibman) fully integrate themselves with dark folk elegist, Aerial Ruin (Erik Moggridge) on their collaborative new album, Stygian Bough Volume I. Genuine collaborations are rare yet these two found a way to become one, resulting in a hauntingly beautiful collection of five transcendent songs that defy categorization. Today they’ve revealed the album’s emotional opener “The Bastard Wind”. The single debuted via Revolver who call it, “mournful and majestic, a master class in slow-burning buildup, ebb-and-flow dynamics and cataclysmic catharsis.” 

Of "The Bastard WindMoggridge explains, “I originally thought that these parts might make up an entire song but Dylan wanted to break up the more melodic ear candy material with tension building parts and came up with all the riffs in the songs middle with this in mind. The idea being the listener would be expecting the melodic stuff to continue but instead have to wade through all these edgy riffs first making the payoff bigger at the end. We ended up with a 10 minute journey into heavier and heavier material. Jesse did a great job building up the tempos that give that part this dynamic arch and gets almost mid-tempo before crashing down again. His death metal vocals in that section really bring that part home too.”

Read more at Revolver.
BELL WITCH and AERIAL RUIN (STYGIAN BOUGH) - The Bastard Wind (official audio)
Listen + Share “The Bastard Wind” Official Audio via YouTube
Available Now on All Streaming Platforms: Bandcamp | Spotify | Apple

While Moggridge has been a part of Bell Witch’s sonic fingerprint on all their prior records, perhaps most notably for his vocals on their previous acclaimed full-length, Mirror Reaper, he’s now part of the very fabric that make up the striking and visceral songs that comprise Stygian Bough Volume I.

The addition of guitar to the bass and drum-only dynamic came naturally as the threesome discussed potential models for their joint effort. Ulver’s unorthodox folk album Kveldssanger came up as did Candlemass' mile marker Nightfall. But the real fuel to Stygian Bough Volume I was the Bell Witch track, “Rows (of Endless Waves)", which was not only Moggridge’s first appearance with Bell Witch but also a track that has deeply resonated with Desmond over the years. With the approach in place, Bell Witch and Aerial Ruin collectively wrote desolate yet mystical songs, making up an album of deep, dark undertows and careful respite.

The themes explored by Bell Witch and Aerial Ruin were independently tackled from different angles but were mainly from similar spaces. Whereas Bell Witch plumbed the depths of purgatory—a place of atonement between life and death—across three full-lengths, Moggridge’s Aerial Ruin have centered on the loss of the self and the spiritual places the vacancy ultimately leads to. For Stygian Bough Volume IBell Witch and Aerial Ruin topics of choice intersect and complement, continuing in spirit but with a broader vantage point where "Rows (of Endless Waves)” left off.

Stygian Bough Volume I sees its release June 26 via Profound Lore Records. For pre-orders and additional information on limited pressings and exclusive variants, visit hereStygian Bough Volume I was recorded and mixed by Randall Dunn at Avast Recording Co. in Seattle. Bell Witch and Aerial Ruin then took the full-length to mastering ace Bob Weston at Chicago Mastering Service in Chicago. The result is a full-length of profound lows and delicate highs -- fitting for Bell Witch and Aerial Ruin's quiet/introspective and heavy/loud dynamic. As for the triumvirate's next steps, they plan on touring in support of Stygian Bough Volume I when it’s safe to do so. Stay tuned for tour updates.
Album Artwork By Adam Burke | Hi Res Version Here
Stygian Bough Volume I Track Listing:

2 - Heaven Torn Low I (the passage)
4 - Prelude
5 - The Unbodied Air


Bell Witch Online: Web | Facebook | Twitter | Instagram
Aerial Ruin Online: Web | Facebook | Instagram

Delicate Steve Shares New Single "Some Hope", Listen Now


DELICATE STEVE SHARES NEW SINGLE “SOME HOPE



Photo Credit: Damara Pratt


LIVE EP ‘THREE LIVE ONES’ OUT NOW


"There are few electric guitar masterminds putting their expertise to such unique ends as Steve Marion does under the project heading Delicate Steve." – Consequence of Sound


Today Delicate Steve has shared the first of three new upcoming singles titled “Some Hope”. “My new song is an ode to melody, saxophones, King Curtis and Sam Cooke, unqualified joy, positivity, singing a simple song and being a fool,” Steve Marion aka Delicate Steve explained. “It’s about an optimism and about our place within the human pageant.”

Steve collaborated with Argentinian animator Dante Zaballa on the song’s cover art, seen below. His work features bright colors, messy hand drawn lines and bright shapes.

Last year, following the early March release of his latest full-length album Till I Burn Up, Marion was tapped to join arena rockers The Black Keys for their worldwide ‘Let's Rock’ tour, performing on any given night for 10,000 fans.

In between legs of the Keys tour, Marion played and recorded a Delicate Steve show on one sweat-filled summer night at Brooklyn's Alphaville. From that recording came Three Live Ones, a three-song EP features signature guitar work from Marion paired with the intricate drum stylings of Rosie Slater.

“To be able to see everyone's face and feel the body heat in the room and to watch the crowd get rowdy, scream for more, and be moved in the mellower moments. It felt soulful and real. This is where I got the idea for Three Live Ones,” Marion said.



DELICATE STEVE
http://delicatesteve.com/
Facebook | Twitter | Instagram

Anthrax + Persistence of Time Deluxe Edition Announced

ANTHRAX TO CELEBRATE THE 30TH ANNIVERSARY OF 
PERSISTENCE OF TIME
 WITH DELUXE CD and VINYL EDITIONS
Album is Fully Re-Mastered with Refashioned Cover Art

"We put a lot of work into 'Persistence of Time.'  We pushed ourselves harder, self-analyzed, criticized,
and agonized more than any of the previous records, and we were really proud of it."  
  - Scott Ian, from the PoT Liner Notes
LOS ANGELES, CA  (MONDAY, June 8, 2020) - On August 21, 2020, 30 years to the day after its initial launch, thrash/metal-masters Anthrax will celebrate with the release of the deluxe anniversary edition of their fifth studio album, the Gold-certified Persistence of Time, produced by Anthrax and Mark Dodson  (Megaforce).  Available exclusively on disc and vinyl, the CD package will include two CDs and one DVD, the vinyl edition offers four LPs, as well as revised cover art that reflects what had been the  album's original visual concept.  Pre-orders can be placed HERE.

As with Anthrax's previous anniversary deluxe editions, the band's Charlie Benante shepherded the one for Persistence of Time.  Disc One is comprised of the 11-track album, fully-remastered by Paul Logus (who mastered Anthrax's Worship Music and For All Kings. the Anthems EP, and the DVDs "Kings Among Scotland" and "Chile on Hell").  Disc One also features a special "bonus B-side" version of "I'm The Man" from 1990 that leans more hip-hop than rock, and a live version of "Time" that was recorded at Michigan's Palace of Auburn Hills in 1991.  The final two songs on Disc One, as well as all nine tracks on Disc Two, are special recordings from "Charlie's Stash," an incomparable wealth of Anthrax music from the band's rehearsals, writing sessions, preproduction, and live performances that Benante has recorded over the past 40 years and has been kept safely filed away.  These recordings will put listeners "in the room" with the band, privy to the evolution of the songs on Persistence of Time starting with Benante's original riffs and demos for the songs, moving on to Frank Bello, Scott Ian, Joey Belladonna, Dan Spitz, and Benante shaping the songs in rehearsal, then into preproduction, and finally into the recording studio.  Said Benante, "you'll hear parts of songs that never made it to the final recording or songs with an arrangement different from the finished song."  

The 40-minute "guerilla-style" DVD was shot when Anthrax was on tour with Iron Maiden in 1991 and features live footage of Benante taking over the drums for Iron Maiden's Nick McBrain, as well as backstage and dressing room footage with members of both bands.  The piece wraps with Benante, Bello, and Ian joining Iron Maiden on stage for the final song of the night, "Sanctuary."

Check out the first single/music video from album's 1990 release, "Got The Time."

With revealing liner notes written by Scott Ian that pull back the curtain on some of the incidents that fueled the album's lyrical content, the artwork showcases a selection of mementos from the Persistence of Time cycle:  script pages from the band's 1992 "My Dinner with Anthrax" episode of the TV sitcom "Married With Children," band photos and magazine covers, backstage passes, and an assortment of vintage promo items.  Also, the deluxe package's cover art has been revised.  Explained Benante, who also oversees all of Anthrax's artwork, "We had been a band for only about five years, but so much had been and continued to be crammed into those few years, and we realized we couldn't stop time, it was just persistent.  Simultaneously, I was at the height of my Salvador Dali phase, I was just absorbed in his art, and I wanted to tie the two together - Salvador Dali and time.  I loved what [artist] Don Brautigam did with the original cover, but for this deluxe edition, I wanted it the way I had originally seen the cover in my head - with the clock melting, so that's what we did."

"Recording the vocals for this album was a great experience," said vocalist Joey Belladonna.  " I really liked working with Steve Thompson and Mark Barbiero, everything came together nicely, we all became good friends.  And it was great to work in Manhattan again, especially at Electric Lady Studios.  That place has such an aura, recording in the same place where Jimi Hendrix, The Rolling Stones, David Bowie, and Led Zeppelin did, it was a really cool experience."

"One of the things I'll never forget from the 'Persistence of Time' tours," added Frank Bello, "was when we played the songs 'Time' and 'Got The Time' live.  We had this big clock on our stage, the 'Persistence of Time' clock, and the hands on this clock went around and around while we played the songs 'Time" and "Got The Time."  Today, something like that would be motorized, but back in 1990, it had to be done manually using a hand crank on the back of the clock.   My bass tech from that time, Troy, it was his job to keep those hands turning during those two songs, throughout the entire songs.  I mean, what a workout that guy got from turning that crank."

"It was a weird time for us for a number of reasons," added Benante, "but at the same time, a lot of great things happened.  We did 'Married with Children,' we toured with Slayer and Megadeth on the 'Clash of the Titans Tour," and we recorded 'Bring The Noise' with Public Enemy, and that turned everything around."

#     #     #


Persistence of Time/Deluxe 30th Anniversary Edition Vinyl Track Listing:

Side A
Time  (Remastered)
Blood  (Remastered)
Keep It In The Family  (Remastered)

Side B
In My World  (Remastered)
Gridlock  (Remastered)
Intro to Reality  (Remastered
Belly of the Beast  (Remastered)

Side C
Got The Time  (Remastered)
H8 Red  (Remastered)
One Man Stands  (Remastered)
Discharge  (Remastered)

Side D
I'm The Man  (The Illest Version Ever)
Time  (Live at The Palace of Auburn Hills)
Got The Time  (Pre Production)

Side E
In My World  (Pre Production - Scott Guide Vocal)
H8 Red  (Rehearsal Room/Charlie's, Riff Tape/Pre-Production)
Discharge  (Charlie's Riff Tape/Rehearsal Room/Pre-Production)

Side F
Keep In In The Family  (Rehearsal Room/Scott Guide Vocal)
Blood  (Rehearsal Room/Pre-Production)

Side G
Intro to Reality  (Pre-Production)
Belly Of The Beast  (Tracking)
Gridlock  (Tracking)

Side H
One Man Stands  (Pre-Production)
Time  (Pre-Production, Scott Guide Vocal)

 

Big Black Delta (M83/Mellowdrone) "Canary" Single For June 11

Big Black Delta Announces New LP

Shares "Lord Only Knows" Video Via BrooklynVegan

4 Out July 10th
Pre-Order Available Now
Photo Cred: Josh Giroux
 
"“Lord Only Knows” which thunders in like an ’80s hard rock / metal track — big riff, bigger drums — before blending in an ethereal, orchestral soft rock. Or, as Bates puts it, “it starts like Whitesnake and ends like Liberace.”
-BrooklynVegan

"The track is a deliriously catchy mass of electronic rhythms and pop hooks, developing into an inspired techno romp over the course of its 6-minute runtime. A song destined to whir around in your head for days, it has clearly left a sizable impression on some of his fellow musicians."
-Beats Per Minute

"The video is a haunting assemblage of vignettes that mimic found-footage or a homemade piece of film that documents a phantasmal journey to the desert before exploding into a occult ceremony replete with choreography, and giant laughing faces in the sky. The track itself fuses the buoyancy of techno-pop with blurry artifacts and plenty of grime, creating hooks from chaos."
-Under The Radar
Big Black Delta (Jonathan Bates) has announced the release of his newest LP, 4, out July 10th. With this announcement, Bates also shared the latest video-single off of the LP, "Lord Only Knows." Both the announcement and video were premiered with BrooklynVegan. "Lord Only Knows" further expresses Bates' enigmatic production. Through lush hooks, heavyweight guitars, spacious vocals, triumphant piano chords, BBD blends unlikely sounds into a captivating avant-pop track. "Lord Only Knows" further escalates the excitement ahead of the album. 

On the track Bates describes, "The first song written for '4' was quite fitting given that lofty goal. Getting things off to a glorious start with heavyweight guitars and lush hooks, "Lord Only Knows" is a mission statement set to major-keyed avant-pop music. According to Bates, "it starts like Whitesnake and ends like Liberace," reflecting a renewed interest in heavy-metal (see also: some breakthrough sessions with Dhani Harrison.)"

Director of the video, Adam Osgood says, "This is the third music video I’ve created for Big Black Delta over a period of 6 years, so working on “Lord Only Knows” was an opportunity for me to revisit characters and themes from “Huggin & Kissin” and “Bitten by the Apple.” What I love about the track for "Lord" is that it starts with a scream, and the first time I heard it, I immediately knew the story had to have a dramatic change in those first couple seconds.

Because I wanted to return to the father/daughter relationship that was explored in the earlier music videos, I had to come up with a way to link back up to the previous stories about being lost in space. The last time we saw the father character, he was a god-like being hurtling towards earth as an asteroid. I thought it would be an interesting twist if it turned out that he was the asteroid that killed the dinosaurs.

I’m (unfortunately) preoccupied with apocalyptic thoughts during most of my waking hours, and wanted to parallel that Mesozoic destruction with my real-life worries about nuclear warfare. Including the Liberace character was an idea from Jon that I thought was brilliant, and incorporating something zany into this tale was a great way to counter the darkness. Jon Bates is masterfully talented and I’m incredibly grateful to have collaborated with Big Black Delta for a third time."

4
 is available for pre-order here.

4 - TRACKLISTING

01. Lord Only Knows
02. Vessel
03. Politics Of Living
04. Summoner
05. Ballad Of The Co-Dependent
06. Sunday
07. Heaven Here I Come
08. Canary
09. White Lies
10. Killing Me
11. Air Conditioned Dork
12. Yes

COIL - Listen to 'Either His, or Yours', newly remastered - Gold is the Metal (With the Broadest Shoulders) out on 30 October 2026

COIL LISTEN TO THE NEWLY REMASTERED TRACK, ‘EITHER HIS, OR YOURS’ HERE   MUTE & THRESHOLD HOUSE ANNOUNCE A SERIES OF RELEASES, STARTING ...