LOGIC1000 ft CHRISTINE AND THE QUEENS RELEASES NEW COLLABORATION & VIDEO "THE ONLY ONE"

LOGIC1000 ft CHRISTINE AND THE QUEENS  RELEASES NEW COLLABORATION & VIDEO "THE ONLY ONE" HERE SECOND STUDIO ALBUM CONFIRMATION! OUT OCTOBER 2 VIA THERAPY/BECAUSE MUSIC

Watch the official video for "The Only One" here Following the announcement of Logic1000’s forthcoming second studio album Confirmation!, she shares her new single "The Only One," a luminous collaboration with Christine and the Queens, accompanied by an extraordinary dance film starring Rahim and a young dance troupe from the seaside town of Worthing. The track is pulled from her forthcoming album Confirmation!, due October 2 via Therapy/Because Music. Listen to "The Only One" here and preorder Confirmation! here. Directed by young filmmaker Dora Paphides and choreographed by Lucy Brooks, with Sky Cook as assistant choreographer, the film marks the first fully realized music video Logic1000 has ever released. Shot with intimacy and movement, it brings together Rahim and a group of young dancers in a celebration of connection and the generations shaping the future. The video also represents a particularly special full-circle moment for Logic1000 and Rahim. The pair first connected when Poulter remixed Christine and the Queens' "La vita nuova" in 2020, before reconnecting years later for Confirmation!. Despite building their creative relationship remotely, the two had never met in person until the filming of "The Only One." For Rahim, the song became an opportunity to speak directly to the younger generation. Written over a production Poulter describes as ethereal, deep and open, his contribution transforms the track into something deeply personal and quietly hopeful, a message of trust in the young people who will inherit the world and, ultimately, have the power to reshape it. Speaking on the collaboration, Christine and the Queens explains, "It was a true honor and inspiration for me to work with Logic1000. I immediately jumped on my mic and felt this urge to sing to the younger generations, the one who will have to take over the sorry burning world our elders legated them. This song is dedicated to them, the young who will change this world. Music has to be a vessel for hope, and it's with pride I give my entire trust to the new dreamers, the new builders of humanity. You are the only ones. Your power is respected and revered by all the artists and thinkers of this world. We trust you to make that change. With love." For Logic1000, the collaboration feels like the closing of a creative loop and one that took an unexpected and particularly joyful turn when Rahim first heard the track, as she explains: “From the early sketches of The Only One, we knew Rahim would be the perfect voice for this song. He embraced the track and put so much love into it. The turn around was extraordinarily quick too. We didn’t know which direction he would take with the lyrics but once we got the draft it confirmed our suspicions that he was the perfect man for the song. Honestly, he is a generational talent, which you can also see in the music video for the track.” "The Only One" arrives as the latest glimpse into Confirmation!, Logic1000's second studio album, due October 2nd via Therapy/Because Music. The album follows her acclaimed 2024 debut Mother and celebrated contribution to the DJ-Kicks series, and finds Poulter stepping onto steadier emotional ground, exploring acceptance, growth, self-belief and the freedom that comes from no longer trying to become a fixed version of yourself. Across Confirmation!, Poulter's warm, club-rooted production expands into house, pop, downtempo, trip-hop and leftfield electronica, with collaborations including Kučka, Jam City, FAUZIA, yunè pinku, Tiffi M and Christine and the Queens. Over the past five years, Logic1000 has become one of electronic music's most distinctive voices, celebrated for productions that balance emotional intimacy with undeniable dancefloor instinct. Championed by Four Tet, Floating Points and Caribou, and following performances everywhere from Glastonbury and Coachella to Primavera and a sold-out four-night residency at London's Phonox, Samantha Poulter has quietly built a catalogue that feels entirely her own, while lending her singular touch to remixes for Dua Lipa, Shygirl and Don Toliver. ABOUT CHRISTINE AND THE QUEENS:  Christine and the Queens is a boundary-pushing French artist whose genre-defying work fuses music, theater, and dance with radical honesty and constant reinvention. A shape-shifting performer, each release is a manifesto, from the acclaimed Catching Feelings EP with Cerrone to Hopecore (2024), a ferocious, self-produced exploration of desire, and 2023’s operatic PARANOÏA, ANGELS, TRUE LOVE, co-produced with Mike Dean and featuring Madonna and 070 Shake. From Redcar les adorables étoiles to Chaleur Humaine - which sold over 1.4 million copies worldwide. His visionary catalog, striking live shows, and ever-evolving personas have earned major honors and enduring influence. "The Only One" is out now; listen here. Confirmation! is out October 2; preorder/presave it here. Stay connected with Logic1000: https://www.instagram.com/logic1000____/ https://twitter.com/literallylogic Stay connected with Christine and the Queens: https://christineandthequeens.com/ https://www.instagram.com/christineandthequeens

HAAi Shares Brand New Single “I Wanna Feel Like Someone” From Forthcoming DIGITiSE LP via MUTE this October

HAAi

HAAi SHARES BRAND NEW SINGLE
‘I WANNA FEEL LIKE SOMEONE’
FEAT. JAMES MASSIAH

 

LATEST FROM FORTHCOMING ALBUM
DIGITiSE — OUT OCTOBER 9 VIA MUTE
 

HAAi CELEBRATES DIGITiSE IN NYC WITH 10-HOUR MARATHON SET AT REFUGE OCTOBER 18, FOLLOWING iii POINTS MIAMI +

A VERY SPECIAL SAN FRANCISCO SHOW TBA

 

"I WANNA FEEL LIKE SOMEONE" IS AVAILABLE ON ALL STREAMING PLATFORMS HERE 

 

REFUGE TICKETS ON SALE NOW   TICKETS HERE 
 

[HAAi credit Lamia Karic]

 

Listen to DIGITiSE's previously released singles & videos:

Listen / Watch “Ignition”HERE

Listen / Watch “DIGITiSE” HERE

 

For Immediate Release: September 2, 2026  —  Fresh from a busy summer across Europe, London-based, Australian-born producer, songwriter and DJ HAAi returns with the brand new single “I Wanna Feel Like Someone” feat. James Massiah, the latest preview of her forthcoming album DIGITiSE, out October 9 via Mute.

The release arrives as HAAi prepares to bring DIGITiSE stateside this October, with iii Points Miami on October 17, before continuing into the night at the festival’s official Satellite afterparty at The Ground at Club Space, followed by a 10-hour marathon album celebration at Refuge in New York City on October 18, where she’ll play from 4 PM straight through to 2 AM. Details of a very special San Francisco appearance will also be revealed soon.

More than simply an album release party, the Refuge marathon gets directly to the DNA of DIGITiSE. Written between HAAi’s marathon DJ sets, road-tested in clubs and shaped by the response of people in the room, the album was built ON the dancefloor rather than simply made for it.

 

“I’m so excited to return to North America this October for a run of super fun dates. I’m preparing for my 10-hour set at Refuge in support of my new album DIGITiSE. Following my last NYC set at Public Records, which was eight hours, I decided to switch into another gear and give myself an extra two hours to really explore my collection. Playing long sets is how I came up as a DJ, so 10 hours really feels like my comfort zone. I can’t wait to get stuck in.” — HAAi  

 

“I Wanna Feel Like Someone” shifts the focus squarely back to those peak-time moments that helped inspire the album. HAAi explains, “‘I Wanna Feel Like Someone’ is a track that is purely made from memories of my sets over the years. It’s a nod to so much of the music I play and have played, and was a really fun track to make for the dancefloor.”

 

LISTEN TO “I WANNA FEEL LIKE SOMEONE” FEAT. JAMES MASSIAH HERE

 

James Massiah, talking about the collaboration, said, “Love working with HAAi, always grateful when an artist I respect finds a new way to present my voice.” Massiah, who also collaborated on HAAi’s previous album HUMANiSE, is one of several artists who expand the community at the heart of DIGITiSE. HAAi adds, “James Massiah’s vocals are an important anchor in the song and give it a moment to breathe in amongst the textural heaviness.”

DIGITiSE follows HAAi’s acclaimed 2025 album HUMANiSE, a pivotal record that saw her step further beyond the DJ booth and into the foreground as a singer and songwriter, placing her own voice and vulnerability at the heart of the music. For HAAi, “using my own voice felt like the most human thing I could do for the story of the album.”

With DIGITiSE, HAAi takes that emotional core back to the club. Originally planned to extend the world of HUMANiSE, the new music quickly developed its own heartbeat and evolved into a standalone album. Describing it as HUMANiSE’s “bigger, ravey sibling,” HAAi explains that “DIGITiSE holds the hand of HUMANiSE and walks it to the club.”

Previous single “Ignition” feat. Echonomist brought HAAi’s personal story into that space, documenting her coming-of-age as a queer kid in a small town, desperate to leave and ultimately finding freedom and community on the dancefloor.  Now “I Wanna Feel Like Someone” turns toward the peak-time moments she remembers from years behind the decks. “It pushes the elements that I love most in dance music, bass and frequency, and ties it together with Motorik rhythms,” she explains.

 

At the center of both records is community. For HAAi, the dancefloor remains one of the increasingly rare places where people can come together in real life, across identities and backgrounds, to feel connection, freedom and belonging. As a queer artist, she has consistently championed inclusive spaces and diverse dancefloors, something that remains central to DIGITiSE.

The album continues to explore what it means to be human in an increasingly digital world. As the pace of AI and technology accelerates, one antidote for HAAi has always been to gather people in a room or on a dancefloor to feel community and unity. DIGITiSE opens itself fully to that spirit,  through its collaborators, who represent different voices in dance music, Echonomist, Skybreak and Cantoalegre, a children’s choir from Medellín, Colombia, alongside Pat Alvarez, ILA, James Massiah and Kaiden Ford — as well as its visual world led by Martin Falck (Fever Ray / The Knife / Icona Pop), a playful and camp counterbalance to the dystopia of HUMANiSE.

 

It’s that spirit that makes the 10-hour Refuge set such a natural album celebration: the time and space to move across genres and tempos, build a room over the course of a night, and create the kind of shared experience that sits at the very center of DIGITiSE.

HAAi heads into the October dates following a busy summer across Europe, including World Pride Amsterdam, Sziget and Maiden Voyage in London, where she opened the vault for her first-ever 100% HAAi production set, alongside Ibiza dates and B2Bs with the likes of DJ Tennis, DJ Seinfeld and Sally C.

DIGITiSE also includes “Talking Walls” feat. Skybreak and Cantoalegre, a sonic journey through sounds and influences HAAi has discovered through her DJ sets. The track creates another thread between the two records through its use of choir, with HAAi describing it simply as, “It’s one to hug your mates to at the festival.”

DIGITiSE picks up where HUMANiSE left off quite literally: the final track of HUMANiSE fades out with the choir, which picks up again on the opening of DIGITiSE before taking us back to the dancefloor.

“DIGITiSE was created with intention: I wanted to make music I could play when I DJ. I wanted it to sonically spread across multiple lanes in the way I would play an all night long set.” — HAAi

 

DIGITiSE is released by Mute on October 9, 2026 on vinyl, CD and digitally

 

Pre-order DIGITiSE HERE

 

[HAAi DIGITiSE album artwork]

 

DIGITiSE TRACKLISTING (CAT # STUMM529)

RE-HUMANiSE (feat. Kaiden Ford and ILA)

Printerlude

Ignition (feat. Echonomist)

Depth Perception

DIGITiSE (feat. Pat Alvarez)

Technology

HUMANiSE Radio

THANK U

I Wanna Feel Like Someone (feat. James Massiah)

Talking Walls (feat. Skybreak and Cantoalegre)

 

 

HAAi DJ DATES

4 Sep - Sheffield (UK), b2b Sam Alfred, Electric Loves: Mall Grab at Electric Studios 

19 Sep - Ibiza (ES), Bugged Out
26 Sep - Brussels (BE), b2b DJ Tennis, Place Simon Bolivar
30 Sep - Ibiza (ES), b2b Sally C, Mau P at Pacha

9 Oct - Geneva (CH), Electron Festival
10 Oct- Manchester (UK), IPC curates b2b with DJ Seinfeld The Warehouse Project

16 Oct - San Francisco CA (US) TBA

17 Oct - Miami, Florida (US), iiiPoints Festival

18 Oct - New York (US), Open to Close, Refuge

22 Oct - Manchester (UK), 20 Years of the Warehouse Project
23 Oct - Amsterdam, (NL), b2b Adiel, Audio Obscura x Raw Factory

25 Oct - Athens (GR), b2b Romy, Eden

31 Oct - London (UK), HAAi All Night at EartH
18 Dec - Bristol (UK), b2b Special Request, Mastery x Glade at Prospect

Fine announces new album Jazz Dreams | "Everything in the Shade" single + music video out now

FINE ANNOUNCES NEW ALBUM JAZZ DREAMS OUT OCTOBER 23 VIA ESCHO Listen to “Everything in the Shade”

Fine by Betty Krag  Today, Danish producer, multi-instrumentalist, and songwriter Fine announces a new album, Jazz Dreams, out October 23rd via Escho. With the announcement of the record, she releases the new single and music video for "Everything in the Shade," a warm, piano-led song that channels the architecture of classic songwriting through Fine’s uniquely dreamlike lens, drawing together echoes of five decades of modern music: "you wanna think slow you wanna act fast, feel the rain and turn the stone" “Everything in the Shade” WATCH | LISTEN Following her acclaimed 2024 debut Rocky Top Ballads, Fine expands her world on Jazz Dreams, arriving in a fluid, surreal, and expansive place. Over the past sixteen months, the album has gradually taken shape in public. Early versions of songs appeared in live performances, while demos and alternate iterations surfaced through Fine's NTS residency, alongside the release of the singles "I Could," "Run," "Moment," and "Portal." Self-produced, recorded and mixed by Fine, the album’s thirteen songs unfold as a collage of scenes, stories, and musical ideas stitched together with a logic reminiscent of a dream. Among bright flashes of genre history, the listener may recall the cut-and-paste collage imagination of Paul’s Boutique, the melodic directness of Carole King, or both sides of Scott Walker. Familiar forms are processed through different lenses and perspectives, like beloved cultural artifacts viewed through a small JPEG, pixelating into plastic. The larger narrative of Jazz Dreams emerges in fragments. Like dreams themselves, the songs move through association rather than plot, feeling instead of fact, transforming emotional impressions into something intimate. "Making records, it is not linear, Something is thrown into a room, and the bizarre is simply accepted, without ever feeling strange, you a surrender to the dream's own logic. It's cruel, but it's also freeing," explains Fine. At the center of it all is melody. Fine's intricate vocal melodies act as the connective tissue between the album's shifting scenes and moods, guiding the listener through its emotional terrain. Throughout Jazz Dreams, Fine continues to make the mysterious feel intimate and human. The songs do not search for answers or destinations. They embrace intuition, allowing memory, longing, possibility, and imagination to stir together into something new. Like a jazz improvisation, the album follows instinct wherever it leads, transforming emotional fragments into a real dream. The album artwork itself reflects this spirit. The image was originally a drawing gifted to Fine by an unknown fan in exchange for entry to a show in Paris last year: a small act of generosity transformed into a central piece of the record's world. Much like Jazz Dreams, it turns a fleeting moment into something enduring, finding meaning in chance encounters, strange connections, and the stories we choose to carry forward. Fine Jazz Dreams Escho October 23, 2026 PRE-ORDER

Track list: The thing  If you wanna come down I Could Goodbye Brain Get In Any Minute Million years Sometimes I rush Run Moment  Everything in the Shade Portal Much to say Fine Instagram | Bandcamp | Assets