Still from the "Karma Comes" video
It wasn’t meant to be six years between albums for ORB. The Geelong-forged trio last graced us with a studio offering in the form of 2018’s characteristically heady The Space Between, before touring Europe and America back-to-back supporting King Gizzard & The Lizard Wizard in 2019. But time rarely passes as expected, whether slowed by pandemics, side pursuits or other vagaries of daily life. What’s important is that a fourth album is finally here, with enough byways and trapdoors to keep us well occupied indeed.
Saturated in vintage warmth and depth, Tailem Bend showcases ORB’s knack for achieving tuneful hypnosis amidst a dank roominess. It snakes through big, brash riffing as often as it does sun-dappled psych pop, with memorable rhythmic runs and funky wah licks along the way. As signalled by the cover artwork from Parsnip’s Paris Richens – which depicts either a swan or a fish, depending on how you look at it – ORB have returned with an album that rewards taking it in from multiple angles. There’s plenty of the band we know and love, but there’s also enough of the new to prompt a healthy succession of double takes.
There are still the inevitable avalanches of fuzz, but also present now are mellower passages and a renewed focus on rhythm and space. It’s not a wholesale departure, but it’s distinctive enough to be reflected in the album title itself. The source? Tailem Bend is a quiet town in South Australia whose name was evocative enough to catch the band’s collective eye on tour. Conjuring images for them of some lost prog act, the name reportedly derives from the Ngarrindjeri word “thelim," referring to a sharp bend in the nearby Murray River.
That made it especially suited to a record that packs many dramatic turns of its own – all without breaking its natural flow. It also helps that Zak Olsen (guitar/bass/vocals), David Gravolin (guitar/bass) and Jamie Harmer (drums) have now been playing together for a decade and a half, dating back to their long run in their teenage band The Frowning Clouds. That shared history absolutely informs Tailem Bend, which reunites the core trio with producer Tim Dunn (who helmed several Frowning Clouds albums) and a guest conga player in Frowning Clouds bandmate Nick vanBakel (now the leader of Bananagun). Half of the album also features The Murlocs’ Callum Shortal, who often augments ORB as a second guitarist live. And listen out for Jesse Williams (Leah Senior, Girlatones, Baby Blue) on piano and backing vocals from Emma
Bailey and Ashley Goodall.
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