DRILL : LA
March 30 - April 2 at the Echo & Echoplex, Los Angeles, CA
WIRE
Bob Mould * Julia Holter * Mikal Cronin + String & Horn Ensemble
* Mild High Club, * Laetitia Sadier * WAND
FITTED (Bob Lee, Graham Lewis, Matthew Simms, Mike Watt)
Part Time Punks * HowardAmb, * Once and Future Band
* Chasms * Noveller * Immersion * SLOWS
+ the pinkflag guitar orchestra
More Special Guests To Be Announced Soon
Since 2013, WIRE have been curating a series of international city festivals with the name DRILL. The idea being to bring together the best overview of both classic left field artists and new and emerging cutting edge talent.
There will be several more DRILL : FESTIVALS taking place this spring, each featuring unique line ups. Details of the festivals will be announced shortly.
On Silver/Lead, Colin Newman and Matt Simms’ guitar work is alternately jagged and luminous, while bassist Graham Lewis’s ear-catching lyrics are vivid yet oblique. Meanwhile, drummer Robert Grey provides a virtual masterclass in percussive minimalism. But it’s how the various instruments mesh together that really counts. And Newman’s production creates a sonic space in which even the smallest gesture is accorded some recognition.
Highlights include the optimistic dazzle of “Diamonds In Cups,” with its almost T. Rex-style buzz and chug, and the moody swing of “This Time.” Elsewhere on the musical spectrum, there’s the menacing widescreen grandeur of "Playing Harp For The Fishes" and breakneck-paced guitar pop of "Short Elevated Period."
Wire are one of the world’s most ground-breaking bands, their influence acknowledged by bands as diverse as Blur, Sonic Youth, R.E.M. and Savages. But they have never been interested in exploiting past glories. For Wire, there is only ever one possible direction: forwards. So it’s perhaps not surprising that over recent years, they’ve played strings of sold-out shows, achieved career-best record sales, and been cited as a strong influence by yet another generation of bands.
Wire’s last three albums garnered nothing but rave reviews. From 2013’s strangely beautifulChange Becomes Us (“It’s fantastic.” – Pitchfork) to the crackling motorik of 2015’s Wire (“It’s all really well turned, potent and crisp.” – The Guardian), and last year’s punchy mini-album Nocturnal Koreans (“It's a cracker and sounds defiantly modern.” – The Quietus). Consequently, although it may be being released on the band’s 40th anniversary, Silver/Lead is an album which has nothing to do with the past and everything to do with the future.
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