Today,
Fever Ray (aka
Karin Dreijer) announces
Radical Romantics, their first new album in five-plus years,
out March 10th on Mute, and presents the single, “
Carbon Dioxide,” co-produced by
Vessel. In the world of
Radical Romantics, Fever Ray presents their struggle with love, or to be precise, the myth of love. Following 2017’s
Plunge,
Radical Romantics speaks to both the heart and the head, the dance floor and the bedroom. Dreijer is one of pop’s true visionaries, and in their hands, crude and familiar clay is twisted into endlessly beautiful and terrible forms that balance strength with vulnerability, anxiety with safety. Radical Romantics is available to pre-order digitally and on limited edition numbered red vinyl, numbered black vinyl and CD:
https://rabid.lnk.to/radical-romanticsEmDreijer first started on
Radical Romantics in fall 2019; working in the Stockholm studios built with brother and fellow
The Knife member
Olof Dreijer after the former completed the last Fever Ray tour in 2018 and the latter returned from living in Berlin. Sometime in mid-2020, Olof joined Dreijer in working on
Radical Romantics, co-producing and co-writing album opener
“What They Call Us,” released last month to a wealth of praise, plus three further songs. These tracks on
Radical Romantics are the first time the siblings have produced and written music together in eight years. Other co-producers and performers include the power duo of
Trent Reznor and Atticus Ross (Nine Inch Nails), Portuguese DJ and producer
Nídia,
Johannes Berglund,
Peder Mannerfelt and
Pär Grindvik’s technicolor dance project
Aasthma, and the aforementioned experimental artist and producer Vessel. Long-time collaborator,
Martin Falck, joins Dreijer in creating the all-encompassing visual world of
Radical Romantics-era Fever Ray.
On the bubbling, electro-pop lead single “Carbon Dioxide,” Dreijer wanted to describe the feeling of falling in love. Reference points span Henry Mancini’s ballpark standard “Baby Elephant Walk” (Dreijer finds it to be the “happiest melody”) to 1 Corinthians 13:1 to Anne Morrow Lindberg’s 1955 essay collection,
Gift from the Sea. “I just think that the direction could be nice, happy, full of everything, extra everything,” Dreijer expressed to Vessel during the song’s genesis. Vessel adds, “‘Carbon Dioxide,’ a compound which, being defined by its bond with oxygen, seems to me like a neat chemical expression of the essential compassion that the conditions for life on our planet depend. Compassion and joy; happiness guarded from sentimentality by the absurd and the grotesque; the extra-everything of unconstrained Nature.”
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