Recorded in Los Angeles in October 2019 with producer Lars Stalfors (St. Vincent, Soccer Mommy, Cold War Kids), Middle Kids (Hannah Joy, Tim Fitz and Harry Day) relished in exploring the space between smoldering intensity and an explosive vivacity that never burns out of control; from the brassy climax of “Questions” to the starkly confessional quality of “Some People Stay in Our Hearts Forever” and the insistent gallop of “R U 4 Me?.” They heard potential in unlikely places, as Fitz used a pair of scissors as a percussion instrument on “Summer Hill” and repurposed a recording of birds chirping in a rain shower that he captured at their old home in Sydney for “Golden Star.”
Album opener “Bad Neighbours,” a plaintive slow-burner, represents this shift in their sound, and one in their working dynamic as well: Joy has always been Middle Kids’ primary wordsmith, but Fitz wrote most of the lyrics for the melancholy tune, which was informed by a traumatic event from Joy’s childhood. “It was like he was giving me permission to go there, and he also [gave] actual speech to feeling, which I think was very profound for me,” she recalls.
“In Hannah’s songs there’s a real vulnerability and at times a volatility that came through in [Lost Friends],” says Day. “But I feel like it came through even more in this album.”
Given the massive changes Joy went through as she was working on Today We’re The Greatest, it’s easy to see -- and hear -- why. Beyond her baby’s heartbeat cameo on “Run With You,” Joy’s journey to motherhood and her marriage with Fitz has imbued her love songs with a vibrancy that’s unabashedly romantic yet free of clichés. “Stacking Chairs,” with its unique allegories and Joy’s sunny vocals, strikes this delicate balance beautifully: it’s a testament to her deep connection with Fitz and the new, “infinitesimal” love that transformed their lives with their son’s arrival.
“A few years ago, I would’ve been like, ‘I can’t write a love song!’ I think it’s because love was still too tinny, too shallow for me to actually understand where I was at personally,” she says. “‘Stacking Chairs’ is a great example of that: I’m understanding love more, and I’m still a tiny, stupid idiot. But I’m going, ‘That’s something worth fighting for, and something worth celebrating, too!’”.
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