“Maybe it’s genetic memory, but I feel very at home when I go to Mexico,” says Ronstadt in the film. “When I’m in Mexico, I have a better understanding of who I am, and who my family is, you know? I feel great pride in it, and I always have. I hope it makes the kids feel like that, that they have more of an understanding of where they came from, the culture they came from, who they are, why they’re important, why they should never be rendered invisible or without their dignity.”
Ronstadt’s passion for her Mexican heritage is evident, and there is sheer joy and appreciation in her face as she watches the concert, praising the young talent. The performances are riveting, with children and young adults singing and dancing in traditional costumes, musicians performing on guitars, violin, and traditional instruments, the explosive rhythm of the zapateado dancers’ shoes striking the ground. A young performer dedicates a sorrowful song about lonely orphan in a palm grove to Ronstadt, which she explains to Browne is a song she learned from her grandfather when she was a child.
The film also takes on the subject of immigration. Through the personal stories of the Los
Cenzontles instructors and students, the heartbreak of family separations, racism, and border politics are illustrated in emotional interviews.
Sitting next to a border wall covered in barbed wire, Los Cenzontles member Lucina Rodriguez tells the story of how she immigrated to the US illegally as a 10 year old child with her mother and brothers in order to be reunited with her father, later becoming a US citizen. Her family’s treacherous crossing inspired Browne and Eugene Rodriguez to write "The Dreamer," a song that asks: "A dónde van los sueños?" — "Where do the dreams go?"
Reflecting on the bus trip back to the Arizona border, Ronstadt reflects on the families that have been recently separated there. Thinking of her 2 year old grandniece who was on the bus with her, she muses, “What if we got to the border, and they took Annabelle away and put her in a cage? If they took her away from her mother who loves her, and her father who loves her and wants to protect her, and just lost her in the system? We’d just be beside ourselves.”
Linda and the Mockingbirds artfully blends the narratives of celebrating the music and culture of Mexico and the powerful subject of immigration.
“The reason we play music is to celebrate our sorrows and our joys,” says Ronstadt. “To try and help make sense of something that oppresses you, or celebrate something that lifts you up.”
A treasured musical icon, Ronstadt is the recipient of multiple GRAMMY® Awards, American Music Awards, and Academy of Country Music awards, as well an ALMA Award and an Emmy. In her prolific recording career she released three hit Spanish-language albums, including Canciones De Mi Padre ("Songs of My Father”), introducing the music of her childhood to new generations and fans worldwide.
“For nearly 30 years, Linda Ronstadt has opened doors for our music and youth arts program,” says Rodriguez. “To us she is a mentor, teacher, inspiration — and family. In Linda and the Mockingbirds, James Keach tells our story with depth and dignity. We hope it builds bridges across cultural divides. We hope it makes people sing, smile, reflect, and want to dance.”
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