4/02/2020

ADULT. release new single + video filmed in quarantine: "Total Total Damage" from forthcoming album out next Friday on Dais

ADULT.

RELEASE NEW SINGLE "TOTAL TOTAL DAMAGE"
ALONGSIDE VIDEO CREATED IN QUARANTINE

PERCEPTION IS/AS/OF DECEPTION OUT NEXT FRIDAY ON DAIS RECORDS

SPRING NORTH AMERICAN TOUR POSTPONED



Prolific electronic duo ADULT. continue to mine their own unique sound on their triumphant and chilling new album, Perception is/as/of Deception which sees its release next Friday on Dais

Conceived and recorded in a temporary blackhole they created by painting their windowless basement entirely black, the duo's sole intention was to deprive their senses, question their perceptions, and witness the resulting ramifications. Dance songs for a cultural breakdown... the album successfully maintains the duo's classic EBM signatures and synthesized aggression, while cradled by repetitive mantras that question the fragility and frustration of life.


With over 23 years and a sprawling discography, (including releases on MUTE, Ghostly Intl, Thrill Jockey, Third Man and more) ADULT.'s Nicola Kuperus and Adam Lee Miller have spent their entire career obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that make up Perception is/as/of Deception might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more head-on approach.

ADULT.'s Perception is/as/of Deception Spring Tour with Body of Light has been postponed due to COVID-19 preventative measures; new dates and news to be announced. To pre-order the album and further release info go here.


PERCEPTION IS/AS/OF DECEPTION TRACK LISTING:

1 - We Look Between Each Other
2 - Second Nature
3 - Don't Reduce Me
7 - Controlled By
8 - Reconstruct the Construct
9 - Untroubled Mind

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RIDE @ Fonda Theatre // 12.19.24 // THE PORTABLE INFINITE

All photos taken by Martin Worster