The LA shows were the kind of nights fans talk about for years: two sets in an intimate space packed with diehards, friends, and an enviable guest list of fellow musicians, filmmakers, and comedians. The band tore through a set that spanned their Dischord and Epic Records catalog, and debuted a new song, “Playback,” to an ecstatic crowd. From the stage, Wedren promised, “We are Shudder to Think and we intend to do this more!” - and the upcoming tour now delivers on that vow.
SHUDDER TO THINK TOUR DATES Sep 19 Chicago, IL - Riot Fest Sep 19 Chicago, IL - Cobra Lounge Oct 23 Boston, MA - Sonia Oct 24 Washington, DC - Black Cat Oct 25 New York, NY - Mercury Lounge Nov 07 Portland, OR - Star Theater Nov 08 Seattle, WA - Barboza Nov 10 San Francisco, CA - Brick & Mortar Music Hall Nov 11 Los Angeles, CA - Lodge Room Highland Park
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Last year, the band celebrated the 30th anniversary of their groundbreaking 1994 album Pony Express Record – their first album on Epic Records, following several releases on Dischord Records. Pitchfork called the album “a nugget of operatic, sinister, and gleefully self-aware art punk” and “an album that pushed the boundaries of mid-1990s indie rock in new and exhilarating directions,” and Stereogum noted it as “a masterwork of alternate dimension progressive pop.”
By the late-90’s, Shudder to Think dove into the world of scoring films and creating music for soundtracks with the 1998 releases of Jesse Peretz’s First Love, Last Rites; Lisa Cholodenko’s High Art and the Todd Haynes epic, Velvet Goldmine. Wedren and Larson have gone on to be prolific film and television composers with Wedren working on YELLOWJACKETS, Wet Hot American Summer, The School Of Rock, Laurel Canyon and more; and Larson working on Our Idiot Brother, The Skeleton Twins, Juliet, Naked and High Fidelity (TV series), among others. |
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