Guided By Voices Share "The Race Is On, The King Is Dead" Single via FLOOD | 'Nowhere To Go But Up' LP Due 11/24 via GBV Inc.

Guided By Voices Share "The Race Is On, The King Is Dead" Single via FLOOD Magazine Nowhere To Go But Up LP Due November 24 via GBV Inc., Pre-Order via Rockathon Records

Photo by Trevor Naud PRE-ORDER & SHARE: Guided By Voices - Nowhere To Go But Up LP Rockathon Records LISTEN & SHARE: Guided By Voices - "The Race Is On, The King Is Dead" Stream LISTEN & SHARE: Guided By Voices - "For The Home" Stream LISTEN/PURCHASE & SHARE: Circus Devils - Squeeze The Needle Stream / Rockathon Records LISTEN & SHARE: Guided By Voices - Forever Since Breakfast EP Stream LISTEN/PURCHASE & SHARE: Guided By Voices - Welshpool Frillies LP Spotify / Apple Music / Rockathon Records / Bandcamp Guided By Voices (the ever-evolving act led by Robert Pollard) recently announced details on their third album of 2023 (and 39th overall), Nowhere To Go But Up (due November 24 via GBV Inc). One of the most fully realized works that GBV has created, the forthcoming LP showcases an expert rock band at the top of their game. It's a sprawling, wild adventure exhibiting GBV in audacious and unafraid form. Alongside the album announcement, the band shared the record's first single, "For The Home," and today, they return with a second cut entitled "The Race Is On, The King Is Dead." Following their monumental 40th Anniversary Celebration in Dayton earlier this year, GBV is beginning their fifth decade with a bang! Stay tuned for the full-length Nowhere To Go But Up LP, out November 24 in stores and on streaming platforms. Nowhere To Go But Up - TRACKLISTING 01. The Race Is On, The King Is Dead 02. Puncher's Parade 03. Local Master Airplane 04. How Did He Get Up There 05. Stabbing at Fractions 06. Love Set 07. We're Going The Wrong Way In 08. Jack of Legs 09. For The Home 10. Cruel For Rats 11. Song And Dance CREDITS All songs written by Robert Pollard, Needmore Songs (BMI) Produced by Travis Harrison GBV is Robert Pollard, Doug Gillard, Bobby Bare Jr., Mark Shue, and Kevin March Guided By Voices - "The Race Is On, The King Is Dead" [OFFICIAL AUDIO] PRAISE FOR GUIDED BY VOICES "Hooky opening track 'The Race Is on, the King Is Dead' is a rousing and triumphant declaration embellished by bells and strings" - FLOOD Magazine “Welshpool Frillies maintains the high standard of GBV since [Pollard] reunited them six years ago.”  **** 4 Stars - MOJO "A display of undoubted brilliance.” - Far Out Magazine "Pollard is still an earworm factory: see 'Why Won’t You Kiss Me,' 'Cruisers’ Cross,' 'Don’t Blow Your Dream Job,' and sure to be chart smash 'Radioactive Pigeons.'"  - Brooklyn Vegan "Guided by Voices has never had so long a streak of consistently fine albums as they've had since this edition came to be, and Welshpool Frillies shows this band (and their indefatigable leader) aren't about to let us down now."  **** 4 Stars - AllMusic "Another impressive batch of new songs.” **** 4 Stars - Shindig! Magazine "The stakhanovite productivity of Robert Pollard shows few signs of letting up. Long may it continue." - The Quietus "John Peel once famously described The Fall as 'always different, always the same,' and this surely applies to GBV; their relentless search for the perfect pop tune now a given, their sense of absurdity and wicked charm making another trip around their sun a joyful, vital adventure." - Under the Radar "A collection of 15 tracks, the record is yet another robust offering of the fuzzy indie rock that the band are masters at producing. Touching on psychedelia and punk, with their experimental edge still present, Welshpool Frillies grows on you with every listen." - Far Out Magazine "This one is down and dirty, recorded primarily live-to-tape in producer Travis Harrison’s Brooklyn basement. While it’s a little scuzzier, Pollard is still an earworm factory: see 'Why Won’t You Kiss Me,' 'Cruisers’ Cross,' 'Don’t Blow Your Dream Job,' and sure to be chart smash 'Radioactive Pigeons.'" - Brooklyn Vegan "Crystal Nuns Cathedral and Tremblers And Goggles By Rank feel like a de facto double album that together culminate GBV’s current golden era. They stand as the best and most accessible music that Pollard has made since GBV’s last stab at 'a tight rock record with no filler,' 2001’s Isolation Drills. I can’t stop playing them." - UPROXX "The rules don’t apply to a man whose prodigious songwriting output is as remarkable as any the rock world has seen since The Stones’ Beggars Banquet and Let It Bleed went head to head with The Beatles’ White Album and Abbey Road." - The AV Club "Crystal Nuns and Tremblers are much more natural realizations of Pollard's big rock Who's Next dreams. Just listen to opening cut 'Lizard on a Red Brick Wall': the bass is distorted to bulldozer levels, the drums are almost '80s-sized and the guitars roar with the might of 1000 Marshal stacks, while Bob cries 'The lizard is on a reign!' At the right volume this could demolish buildings." - Brooklyn Vegan "Earth Man Blues squarely hits all the marks that make Guided By Voices great — again and again and again.Could be the GBV’s best album since 1995’s Alien Lanes." **** 4 stars - Rolling Stone "'Lizard on the Red Brick Wall' doubles down on the sharp post-punk sounds of preceding pre-album cuts and adds elements of heavy-psych to the record’s already-unique flavors among the band’s incredibly dense catalog." - FLOOD Magazine "Fist-pumping, Quadrophenia-esque" - Gothamist "'Sunshine Girl Hello' has a glowing ’60s guitar lick that animates its darkly intimate lyrics about unrequited love, while album closer 'Child’s Play' elevates the simplicity of its doubled guitar noodling with a buzzing harmony that mirrors the boundless energy of its lyrics." - Pitchfork GUIDED BY VOICES LINKS Website | Facebook | Instagram | Twitter | Spotify | Apple Music

Bruce Springsteen and The E Street Band Add 22 European Stadium Shows to 2024 World Tour

Bruce Springsteen and The E Street Band Add 22 European Stadium Shows to 2024 World Tour

Bruce Springsteen and The E Street Band delivered "the greatest show on earth" (Billboard) across Europe this past summer, and they'll make a triumphant return to the continent in 2024 with a just-announced 22-show stadium run. Kicking off on May 5 in Cardiff, Wales, Springsteen and The E Street Band will bring their "rapturous and cathartic" (USA Today)" 2024 world tour to Northern Ireland, Ireland, England, France, Czech Republic, Italy, Spain, Netherlands, Belgium, Germany, Denmark, Finland, Sweden, and Norway — before bookending in the UK with a date at London's Wembley Stadium on July 25. Tickets will go on sale starting with Odense, Denmark  on November 2. Full list of performance dates and on-sale times below.

Springsteen and The E Street Band’s 2023 European tour sold over 1.6 million tickets, and earned widespread praise as some of the best shows of the band’s career. The 2023 European run received praise as "one of the greatest shows ever" (Daily Telegraph) as well as five-star reviews from The Times, The Independent, NME and many others across its 14 countries. Highlights included a two-night kick-off in Barcelona which "unleashed euphoria" (El Correo) as well as performances to over 130,000 fans across two dates in London's Hyde Park and a final night to over 70,000 in Monza, Italy.

Returning to North America at the tail end of summer, Springsteen and The E Street Band's first U.S. stadium show in seven years — at Chicago's Wrigley Field — was lauded as "something without equal" (Chicago Tribune) and one of "Wrigley Field's brightest moments'' (Chicago Sun-Times). A three-night New Jersey homecoming at MetLife Stadium over Labor Day weekend was praised as "blistering and time-eclipsing" (Salon) and "a joyous affair where nobody felt like saying goodbye" (Rolling Stone).

Please visit https://brucespringsteen.net/ for more information.

Please visit https://shorefire.com/roster/bruce-springsteen for new photos.

 

Bruce Springsteen and The E Street Band's 2024 World Tour:

New European Dates Announced:

May 5 - Cardiff, Wales @ Principality Stadium (On-sale: Friday, Nov. 3 at 10am*)

May 9 - Belfast, Northern Ireland @ Boucher Road (On-sale: Monday, Nov. 6 at 8am*) 

May 12 - Kilkenny, Ireland @ Nowlan Park (On-sale: Monday, Nov. 6 at 8am*) 

May 16 - Cork, Ireland @ Páirc Uí Chaoimh (On-sale: Monday, Nov. 6 at 8am*) 

May 19 - Dublin, Ireland @ Croke Park (On-sale: Monday, Nov. 6 at 8am*) 

May 22 - Sunderland, England @ Stadium of Light (On-sale Friday, Nov. 3 at 10am*)

May 25 - Marseille, France @ Orange Vélodrome (On-sale Tuesday, Nov. 7 at 10am*) 

May 28 - Prague, Czech Republic @ Airport Letnany (On-sale Friday, Nov. 3 at 10am*)

June 1 - Milan, Italy @ San Siro Stadium (On-sale Monday, Nov. 6 at 12pm*) 

June 3 - Milan, Italy @ San Siro Stadium (On-sale Monday, Nov. 6 at 12pm*) 

June 12 - Madrid, Spain @ Cívitas Metropolitano (On-sale Tuesday, Nov. 7 at 10am*)

June 14 - Madrid, Spain @ Cívitas Metropolitano (On-sale Tuesday, Nov. 7 at 10am*)

June 20 - Barcelona, Spain @ Estadi Olímpic (On-sale Tuesday, Nov. 14 at 10am*)

June 27 - Nijmegen, Netherlands @ Goffertpark (On-sale Friday, Nov. 3 at 9am*)

July 2 - Werchter, Belgium @ Werchter Park (On-sale Friday, Nov. 3 at 10am*)

July 5 - Hannover, Germany @ Heinz von Heiden Arena (On-sale Wednesday, Nov. 8 at 10am*)

July 9 - Odense, Denmark @ Dyrskuepladsen (On-sale Thursday, Nov. 2 at 10am*)

July 12 - Helsinki, Finland @ Olympic Stadium (On-sale Monday, Nov. 6 at 11am*)

July 15 - Stockholm, Sweden @ Friends Arena (On-sale Friday, Nov. 3 at 10am*)

July 18 - Stockholm, Sweden @ Friends Arena (On-sale Friday, Nov. 3 at 10am*)

July 21 - Bergen, Norway @ Dokken (On-sale Monday, Nov. 6 at 10am*)

July 25 - London, England @ Wembley Stadium connected by EE (On-sale Friday, Nov. 3 at 10am*)

*All on-sale times are local time

 

Previously Announced North American Dates:

Limited tickets available for these shows.

March 19 – Phoenix, AZ @ Footprint Center 

March 25 – San Diego, CA @ Pechanga Arena 

March 28 – San Francisco, CA @ Chase Center 

March 31 – San Francisco, CA @ Chase Center 

April 4 – Inglewood, CA @ Kia Forum 

April 7 – Inglewood, CA @ Kia Forum 

April 12 – Uncasville, CT @ Mohegan Sun Arena 

April 15 – Albany, NY @ MVP Arena

April 18 – Syracuse, NY @ JMA Wireless Dome 

April 21 – Columbus, OH @ Nationwide Arena 

Aug. 15 – Pittsburgh, PA @ PPG Paints Arena 

Aug. 18 – Pittsburgh, PA @ PPG Paints Arena 

Aug. 21 – Philadelphia, PA @ Citizens Bank Park 

Aug. 23 – Philadelphia, PA @ Citizens Bank Park 

Sept. 7 – Washington, DC @ Nationals Park 

Sept. 13 – Baltimore, MD @ Oriole Park at Camden Yards 

Oct. 31 – Montreal, Quebec @ Centre Bell 

Nov. 3 – Toronto, Ontario @ Scotiabank Arena 

Nov. 6 – Toronto, Ontario @ Scotiabank Arena 

Nov. 9 – Ottawa, Ontario @ Canadian Tire Centre 

Nov. 13 – Winnipeg, Manitoba @ Canada Life Centre 

Nov. 16 – Calgary, Alberta @ Scotiabank Saddledome 

Nov. 19 – Edmonton, Alberta @ Rogers Place 

Nov. 22 – Vancouver, British Columbia @ Rogers Arena 

Jane Remover announces co-headline tour with quannnic + 'Census Designated' out now via deadAir

JANE REMOVER ANNOUNCES CO-HEADLINE TOUR WITH QUANNNIC THE DESIGNATED DREAMS TOUR KICKS OFF IN FEBRUARY 2024 JANE REMOVER'S SOPHOMORE LP CENSUS DESIGNATED OUT NOW VIA deadAir

Jane Remover by Brendon Burton Census Designated stem.ffm.to/censusdesignated  TICKETS: deadairrecords.com What the press is saying about Census Designated: “you won’t hear another album like 'Census Designated'” Billboard "completely astonishing" The Guardian “‘Census Designated’ hits like a flash flood, following moments of dreamy calm with clattering downpours” Pitchfork "one of the most vibrant and engaging voices in modern rock music" The FADER “extremely pretty and awfully ugly all at once” Stereogum “here is an artist who we’ll be hearing about for a long time to come” them. (October 31, 2023) - On the heels of the release of her highly-praised sophomore album Census Designated, Jane Remover announces her co-headline tour with deadAir label-mate quannnic. Beginning on February 8th, 2024, the Designated Dreams tour will see the two artists perform 13 shows across the country, kicking off in Santa Ana and wrapping up in Boston. Tickets go on sale this Friday, November 3rd. 20-year-old songwriter and genre pioneer Jane Remover recently released her sophomore full-length album Census Designated, which has been celebrated by Billboard, Pitchfork, Stereogum, CONSEQUENCE, UPROXX, them., and more upon its release. Jane was recently profiled by Paste Magazine, who stated, "'Census Designated' is an album of destruction. It exists only in the wake of who Jane Remover used to be." Across the dynamically produced tracks of Census Designated, Jane sheds linear songwriting and leans into the conceptual, taking the listener on a journey through the darkest night up until the following morning's earliest break of dawn. Census Designated is the follow up to Jane's lauded debut album Fraility released in 2021. As long as she can remember, Jane Remover has strived for autonomy as much as possible. The twenty-year-old songwriter is an omnivorous listener that produces everything herself. Her debut album Frailty was written amidst the purgatorial summer after graduating high school. The lyrics on Frailty are a wayward coming-of-age diary of a queer teenager stuck in the suburbs of a confusing, socio-politically turbulent America. Her words sting, but are shrouded in meticulous production; a sui generis vein of DIY rock. Simultaneously, it’s steeped in the lo-bit, nostalgic synths that soundtrack a final glimpse of younger memories. The LP was warmly received not only by widespread young audience but also with Album of the Year list placements from Pitchfork and TheNeedleDrop, as well as a glowing reception from The FADER, who called the album “elegant and panoramic." Listen to Census Designated above and see full tour routing and Census Designated details below. Stay tuned for more from Jane Remover coming soon. Designated Dreams tour flyer Upcoming Live Dates 2/08 - Santa Ana, CA @ Constellation Room 2/09 - Los Angeles, CA @ The Roxy 2/10 - San Francisco, CA @ Brick and Mortar 2/12 - Portland, OR @ Holocene 2/13 - Seattle, WA @ Madame Lou's 2/16 - St. Paul, MN @ Turf Club 2/17 - Chicago, IL @ Subterranean 2/19 - Atlanta, GA @ The Masquerade (Purgatory) 2/20 - Chapel Hill, NC @ Local 506 2/21 - Washington, DC @ DC9 2/23 - Philadephia, PA @ Ukie Club 2/24 - Brooklyn, NY @ Market Hotel 2/25 - Boston, MA @ Brighton Music Hall

PETER JACKSON AND THE BEATLES’ “NOW AND THEN” MUSIC VIDEO

The Last Beatles Song.   THE BEATLES’ “NOW AND THEN” MUSIC VIDEO DETAILS AND GLOBAL PREMIERE PLANS UNVEILED   PETER JACKSON’S MUSIC VIDEO DIRECTORIAL DEBUT PREMIERES WORLDWIDE THIS FRIDAY, NOVEMBER 3 AT 2PM GMT / 10AM EDT / 7AM PDT   THE LAST BEATLES SONG, “NOW AND THEN,” TO BE RELEASED THURSDAY, NOVEMBER 2 AT 2PM GMT / 10AM EDT / 7AM PDT   THE BEATLES’ 1962-1966 (‘THE RED ALBUM’) AND 1967-1970 (‘THE BLUE ALBUM’) COLLECTIONS’ 2023 EDITION RELEASES OUT NOVEMBER 10     London – October 30, 2023 – As announced last Thursday, October 26, the last Beatles song, “Now And Then” will be released this Thursday, November 2. Today, Apple Corps Ltd./Capitol/UMe are pleased to share the details and premiere plans for the song’s evocative new music video, which Peter Jackson has directed in his first foray into music video production.   The “Now And Then” music video will premiere worldwide this Friday, November 3 at 2pm GMT / 10am EDT / 7am PDT on The Beatles’ YouTube channel. The poignant and humorous video invites viewers to celebrate The Beatles’ timeless and enduring love for one another with John, Paul, George and Ringo as they create the last Beatles song.   Tune in HERE this Friday, November 3 at 2pm GMT / 10am EDT / 7am PDT to join others from around the world to celebrate The Beatles’ “Now And Then” music video premiere.   Speaking about directing the music video, Peter Jackson says:    “When Apple asked me to make the music video, I was very reluctant - I thought my next few months would be a hell of a lot more fun if that tricky task was somebody else’s problem, and I could be like any other Beatles fan, enjoying the night-before-Christmas anticipation as the release of a new Beatles song and music video approached - in 1995, l loved the childlike excitement I felt as the release of Free As A Bird was inching closer.   I could have that experience once again - all I had to do was say no to The Beatles.   To be honest, just thinking about the responsibility of having to make a music video worthy of the last song The Beatles will ever release produced a collection of anxieties almost too overwhelming to deal with. My lifelong love of The Beatles collided into a wall of sheer terror at the thought of letting everyone down. This created intense insecurity in me because I’d never made a music video before, and was not able to imagine how I could even begin to create one for a band that broke up over 50 years ago, had never actually performed the song, and had half of its members no longer with us.   It was going to be far easier to do a runner.   I just needed a little time to figure out a good reason for turning The Beatles down - so I never actually agreed to make the music video for Now And Then (in fact I still haven’t to this day).    I told Apple how the lack of suitable footage worried me. We’d need to use a lot of rare and unseen film, but there’s very little … Nothing at all seemed to exist showing Paul, George and Ringo working on Now And Then in 1995 … There’s not much footage of John in the mid-seventies when he wrote the demo … I grizzled about the lack of unseen Beatles footage from the ’60s … And they didn’t even shoot any footage showing Paul and Ringo working on the song last year.   A Beatles music video must have great Beatles footage at its core. There’s no way actors or CGI Beatles should be used. Every shot of The Beatles needed to be genuine. By now I really had no idea how anyone could make a Now And Then music video if they didn’t have decent footage to work with, and this was far from being a lame excuse. My fear and insecurity now had solid reasons why they should prevail and allow me to say no without looking too much like a chicken.   I knew The Beatles don’t take no for an answer if their minds are set on something - but they didn’t even wait for me to say no. I found myself swept along as they quickly addressed my concerns. Paul and Ringo shot footage of themselves performing and sent that to me. Apple unearthed over 14 hours of long forgotten film shot during the 1995 recording sessions, including several hours of Paul, George and Ringo working on Now And Then, and gave all that to me. Sean and Olivia found some great unseen home movie footage and sent that. To cap things off, a few precious seconds of The Beatles performing in their leather suits, the earliest known film of The Beatles and never seen before, was kindly supplied by Pete Best.   Watching this footage completely changed the situation - I could see how a music video could be made. Actually, I found it far easier if I thought of it as making a short movie, so that’s what I did… My lack of confidence with music videos didn’t matter anymore if I wasn’t making one.   Even so, I still had no solid vision for what this short film should be - so I turned to the song for guidance.   After we had separated John’s voice on the demo tape over a year ago, Giles had produced an early mix of Now And Then. This had been sent to me back in 2022. I loved it. Since then I must have listened to Now And Then over 50 times, purely for pleasure.    Now I started listening to it intently for different reasons. I was hoping that ideas or inspiration for the short film would somehow float up from the music. And that began to happen. As I kept listening, it felt like the song was creating ideas and images that started forming in my head - without any conscious effort from me.   I teamed up with Jabez Olssen, my Get Back editor, to try and figure ways the new film footage could be used to support these wispy ideas. It was a very organic process, and we slowly started build little fragments, sliding pictures and music around in different ways until things began to click in.   We wanted the short film to bring a few tears to the eye, but generating emotion using only archive footage is a tricky thing. Fortunately, the simple power of this beautiful song did a lot of the work for us, and we finished the first 30 or 40 secs of the film fairly quickly.    Having done that, we jumped straight to the ending and tried to craft something that could adequately sum up the enormity of The Beatles’ legacy - in the last few seconds of their final recording. This proved to be impossible. Their contribution to the world is too immense, and their wondrous gift of music has become part of our DNA and now defies description.   I realised we needed the imagination of every viewer to do what we couldn’t, and have each viewer create their own personal moment of farewell to The Beatles - but we had to gently steer everyone to that place. I had some vague ideas, but didn’t really know how to achieve this.    Fortunately, Dhani Harrison happened to be visiting NZ at this time. I discussed the ending with him, and described one vague idea I’d been toying with. His eyes immediately filled with tears - so that is the way we went.   Jabez and I now began thinking about the middle section. We could actually watch the beginning and end now, and quickly realised our initial plan of having similar emotional power continue through this middle section would be completely wrong. That was not who The Beatles were. At their core they were irreverent and funny, and the middle section should capture that spirit. We needed to laugh at The Beatles, and laugh with them. They were always sending themselves up - and the more seriously other people took them, the more they would clown around.   Luckily we found a collection of unseen outtakes in the vault, where The Beatles are relaxed, funny and rather candid. These become the spine of our middle section, and we wove the humour into some footage shot in 2023. The result is pretty nutty and provided the video with much needed balance between the sad and the funny.   It was finally finished after WētāFX completed a few simple, but tricky VFX shots.   To be honest, while we hope we’ve given The Beatles a suitable final farewell, that’s something you’ll need to decide for yourselves when it’s finally released - only a few days from now.   Having got to the end, I’m very happy I’m not waiting for the release of somebody else’s Now And Then music video. I have genuine pride in what we made, and I’ll cherish that for years to come. A huge thanks to Apple Corps and the Fabs for giving me all the support I needed - and not allowing me to wriggle away.”   The music video’s global premiere will follow the worldwide release of The Beatles’ “Now And Then”/“Love Me Do” double A-side single this Thursday, November 2 at 2pm GMT / 10am EDT / 7am PDT. “Now And Then” was written and sung by John Lennon, developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now finally finished by Paul and Ringo over four decades later. The double A-side single pairs the last Beatles song with the first: the band’s 1962 debut UK single, “Love Me Do,” a truly fitting full-circle counterpart to “Now And Then.” Both songs are mixed in stereo and Dolby Atmos®, and the release features original cover art by renowned artist Ed Ruscha.   Premiering this Wednesday, November 1, ‘Now And Then – The Last Beatles Song’ is a 12-minute short film telling the story of how “Now And Then” was finally finished, almost five decades after it was originally written. This poignant short film, directed by Oliver Murray, tells the story behind the last Beatles song, with exclusive footage and commentary from Paul, Ringo, George, Sean Ono Lennon and Peter Jackson. The short film will debut online for global viewing on The Beatles’ YouTube channel (7:30pm GMT / 3:30pm EDT / 12:30pm PDT). The film’s trailer is available to watch HERE.   On November 10, The Beatles’ 1962-1966 (‘The Red Album’) and 1967-1970 (‘The Blue Album’) collections will be released in 2023 Edition packages by Apple Corps Ltd./Capitol/UMe. Since their first incarnations appeared 50 years ago, these albums have introduced successive generations to The Beatles’ music. Both collections’ track lists have been expanded for the new editions, with all the songs mixed in stereo and Dolby Atmos by Giles Martin and Sam Okell at Abbey Road Studios, aided by WingNut Films’ audio de-mixing technology. The UK single version of “Love Me Do” now kicks off 1962-1966 (2023 Edition) and “Now And Then” is featured on 1967-1970 (2023 Edition) to complete the career-spanning collections, which also include new essays written by journalist and author John Harris.   Preorder/pre-save The Beatles’ “Now And Then”/“Love Me Do” double A-side single HERE. Preorder/pre-save The Beatles’ 1962-1966 and 1967-1970 (2023 Editions) HERE.   TheBeatles.com #NowAndThen #RedAndBlue Facebook│X (Twitter)│Instagram│YouTube│TikTok