Beirut’s Zach Condon discovered Balkan brass music whilst travelling Europe in his youth, it became a sound he embraced when making his accomplished debut album, Gulag Orkestar, a record that belied his years and quickly put him on the map. Marking a fervently creative period for Zach, both an EP, Lon Gisland, and celebrated second album, The Flying Club Cup, followed just a year later. His double EP, March of the Zapotec and Real People Holland (one recorded with a 19-piece Mexican group, the other six electronic tracks made under the pseudonym Realpeople), offered a slight departure in sound before third full-length, Rip Tide, came five years after his debut and was noted by critics for showing a new maturity in his songcraft. Zach worked with producer Gabe Wax for both his fourth album, No No No, and his 2019 release, Gallipoli, which is named after the town in Puglia, Italy near where the record was made and “a distillation of the best of the Beirut sound and by far their best record yet”(The Line of Best Fit).
Artifacts tracklisting:
SIDE A - Lon Gisland, Transatlantique, O Leãozinho
01 - Elephant Gun
02 - My Family's Role In The World Revolution
03 - Scenic World
04 - The Long Island Sound
05 - Carousels
06 - Transatantique
07 - O Leãozinho
SIDE B – The Misfits
08 - Autumn Tall Tales
09 - Fyodor Dormant
10 - Poisoning Claude
11 - Bercy
12 - Your Sails
13 - Irrlichter
SIDE C - New Directions and Early Works
14 - Sicily
15 - Now I'm Gone
16 - Napoleon On The Bellerophon
17 - Interior of a Dutch House
18 - Fountains and Tramways
19 - Hot Air Balloon
SIDE D – The B-Sides
20 - Fisher Island Sound
21 - So Slowly
22 - Die Treue zum Ursprung
23 - The Crossing
24 - Zagora
25 - Le Phare Du Cap Bon
26 - Babylon
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