FIONA APPLE RELEASES “PRETRIAL (LET HER GO HOME)” IN SUPPORT OF MOTHERS AFFECTED BY THE BROKEN CASH-BAIL SYSTEM

FIONA APPLE RELEASES “PRETRIAL (LET HER GO HOME)” SONG AND VIDEO IN SUPPORT OF MOTHERS AFFECTED BY THE BROKEN CASH-BAIL SYSTEM
LISTEN HERE AND WATCH HERE

 

VISIT LETHERGOHOME.ORG

 

 

(Los Angeles, CA — May 7, 2025) Today, Fiona Apple releases “Pretrial (Let Her Go Home),” an intensely moving new song that plainly and powerfully illustrates the horrifying effects of our cash-bail system on women, girls, and — especially — Black mothers. Created in support of the Free Black Mamas DMV initiative, the release comes with a video incorporating photos and footage shared by women who have survived pretrial detention. Listen HERE and watch HERE.

 

You can also visit the Let Her Go Home website HERE, donate directly to the cause HERE, learn more about Free Black Mamas DMV HERE, and volunteer to “court watch” HERE — court-watching entails regular civilians observing and assessing court proceedings for fairness and efficacy, a movement energized by the idea that “injustice happens in empty courtrooms.”

 

“Pretrial (Let Her Go Home)” grew out of Apple’s recent years court-watching for CourtWatch PG. Through that work, she witnessed the all-too-common practice of mothers being separated from those who need them — thrown in jail despite a presumption of innocence simply because they couldn’t afford bail. Verse by verse, the song lays out a deepening devastation summed up by the heartbreaking lyric, “They wouldn’t let her go home and now there’s no more home.”

 

The “Pretrial (Let Her Go Home)” video, produced by Zealous and Special Operations Studios, underscores the cold realities of the song, while showing thousands of images of everyday hope and freedom – warm photos and videos provided by women who’ve lived through pretrial detention, capturing family moments, personal accomplishments, and community bonding. But as Apple sings on — detailing a downward spiral of lost wages, unpaid rent, custody loss, and crushing shame — people and places begin glitching out and disappearing from the frame. The loss is visceral.

 

Apple shared her thoughts around the creation and release of “Pretrial (Let Her Go Home)”:

 

"I was a court watcher for over two years. In that time, I took notes on thousands of bond hearings. Time and time again, I listened as people were taken away and put in jail, for no other reason than that they couldn’t afford to buy their way free. It was particularly hard to hear mothers and caretakers get taken away from the people who depend on them. For the past five years, I have been volunteering with the Free Black Mamas DMV bailout, and I have been lucky to be able to witness the stories of women who fought for and won their freedom with the tireless and loving support of the leadership. I hope that this song, and the images shared with me, can help to show what is at stake when someone is kept in pretrial detention. I give this song in friendship and respect to all who have experienced the pain of pretrial detention and to the women of the group’s leadership who have taught me so much and whom I truly love."

 

For more information on the anti-bail movement, additional stories and images from survivors, and a direct video message from Apple about the cause, visit LetHerGoHome.org.

 

 

About Fiona Apple

Uncompromising, unrepentant, and unrestrained, Fiona Apple first asserted herself as an iconoclastic voice for popular music and culture at just 17 years old with the release of her triple-platinum debut, Tidal. That monumental album included the platinum-selling single “Criminal,” which received a 1996 GRAMMY® Award in the category of Best Female Vocal Rock Performance — an auspicious and well-earned beginning. Since then, the eleven-time GRAMMY nominee has sold over 15 million records worldwide and built a critically acclaimed catalog, spanning the platinum-selling When the Pawn… (1999), the gold-certified Extraordinary Machine (2005), and The Idler Wheel… (2012), which debuted at #3 on the Billboard 200 — her highest placement on the chart. Then came her celebrated 2020 return, Fetch the Bolt Cutters, which won two more GRAMMYs (Best Alternative Music Album, and Best Rock Performance for “Shameika”) and received universal critical praise including a perfect Pitchfork score and #1 slots on year-end lists spanning The New York Times to EW to Consequence. Affirming her status as a cross-generational cultural force, she has logged headline-making collaborations with Johnny Cash, Bob Dylan, Phoebe Bridgers, and Sharon Van Etten, plus lent her talent to “Sally’s Song” for Tim Burton’s The Nightmare Before Christmas, and additional films and shows including Showtime’s The Affair, Judd Apatow’s This Is 40, and The Lord of the Rings: The Rings of Power. She recently was invited to cover Neil Young’s “Heart of Gold” for a star-studded tribute LP, and counts everyone from President Barack Obama to Academy® Award-winning filmmaker Quentin Tarantino among her outspoken fan base.

 

 

#       #       #