Today, Alabaster DePlume — the acclaimed London-based saxophonist, singer, songwriter, activist, orator, and poet-philosopher — shares "Invincibility," the latest single from A Blade Because A Blade Is Whole, his daring new album out March 7 on International Anthem.
On “Invincibility,” DePlume’s poetic harmonies and lush instrumentation echoes the playful and idiosyncratic 1960s British Folk scene. Propelled by Alabaster's lilting yet melancholic melody, the song is a reflection on emotional presence and the affirming power of letting one's self experience their feelings.
As Alabaster writes: "When I feel my feelings (instead of escaping them) I can discover that I survive them, and that I was not destroyed by them. I can experience this as a sense of invincibility. Where I find that I am able independently to live through what I feel, I am empowered and I generate my own agency." Listen to "Invincibility" and pre-order / pre-save A Blade Because A Blade Is Whole here. In the video for the track, filmmaker Niall Trask creates a surreal world in which DePlume is a family’s beloved dog who accidentally meets his maker.
Of the video, Niall Trask said: “Alabaster was one of the first people I met when I moved down to London; a collaboration has been a long time coming. He gave me total freedom to write on one of three tracks, and I returned his trust by choosing to euthanise him to the score of ‘Invincibility.’ On a personal level, there has been a fair share of tragedy in recent years, and finding the absurdity/humour in it all is always my go-to remedy. The treatment was ambitious, and I’m grateful to everyone who helped bring this to life (whilst putting a dog to sleep). I really tried my best to visually punctuate the sounds of a special soul!”
Watch the music video for "Invincibility" here.
Throughout the eleven songs on A Blade Because A Blade Is Whole, DePlume’s reflections on healing, dignity, and struggle are communicated through a stirring assemblage of disparate musics: ghostly and ancient folk melodies, groove-anchored maelstroms of swirling folk-jazz, elegant string arrangements that strike a midpoint between Ravel and Gainsbourg (courtesy of Macie Stewart), disembodied voices reconfiguring into the shape of a post-modern Greek chorus, noir atmosphere, and allegoric, troubadouric song.
Throughout, Alabaster’s intimate, confessional croon (a la Donovan or Devendra Banhart) and vibrato-laced tenor saxophone playing (a la Getatchew Mekurya) convey, with a startling humanistic touch, everything from dejected fragility to resolute strength.
As with all of DePlume’s work, A Blade Because A Blade Is Whole is driven by intention. In this case, a desire to interrogate the concept of healing. As DePlume shared with music writer Liz Pelly, who wrote an essay to accompany the album as digital liner notes: “When I meet people who love my work I ask them, ‘what do people need?’ Many of them were answering ‘healing’, so I worked on that, first of all by healing myself. I found that it was an activity I could choose, and that it had a lot to do with my ownership of myself, dignity and independence. Instead of waiting for healing to ‘happen to me’ I could heal myself and own myself. That is what this album is.”
Read Liz Pelly’s essay on the album here. This self-reflection and personal evaluation led DePlume to author his poetry book, Looking for my value: prologue to a blade. The seventy pages of verse (much of which were repurposed as lyrics throughout A Blade Because A Blade Is Whole) ponder the pursuit for strength of self within a community, alongside meditations on the paradox of the blade.
DePlume will be touring the United States, the UK, and Europe in support of A Blade Because A Blade Is Whole throughout the spring — see full dates below, more information here. US dates will feature multi-instrumentalist Shazad Ismaily (“one of music’s most coveted collaborators,” according to The New York Times) plus more musicians TBA, with saxophonist/composer Patrick Shiroishi doing supporting opening sets at every show. DePlume’s band for the UK/EU tour will feature percussionist Julian Sartorius, drummer Seb Rochford, bassist Ruth Goller, and Mikey Kenney on strings. More guests to be announced.
Full album credits here. "Invincibility" is out now, buy/stream it here.
A Blade Because A Blade Is Whole is out March 7, pre-order/save it here.
TRACKLIST
Oh My Actual Days
Thank You My Pain
Invincibility
Form a V
A Paper Man
Who Are You Telling, Gus
Prayer For My Sovereign Dignity
Kuzushi
Salty Road Dogs Victory Anthem
Too True
That Was My Garden
TOUR DATES
March 14 - Philadelphia, PA @ Underground Arts
March 15 - Kingston, NY @ Tubby’s
March 16 - New York, NY @ Le Poisson Rouge
March 18 - Washington, DC @ Black Cat
March 19 - Chicago, IL @ Thalia Hall
March 21 - Seattle, WA @ Tractor Tavern
March 22 - Portland, OR @ Polaris Hall
March 23 - San Francisco, CA @ Great American Music Hall
March 25 - Los Angeles, CA @ The Regent
March 28 - Knoxville, TN @ Big Ears Festival
April 29 - Norwich, UK @ Norwich Arts Centre
April 30 - Leeds, UK @ Brudenell Social Club
May 1 - Newcastle, UK @ Gosforth Civic Hall
May 2 - Glasgow, UK @ Mono
May 3 - Manchester, UK @ Gorilla
May 6 - Bristol, UK @ Trinity Centre
May 7 - Exeter, UK @ Phoenix
May 8 - Southampton, UK @ Papillon
May 9 - London, UK @ Hackney Church
May 10 - Brighton, UK @ Concorde 2
May 15 - Istanbul, TK @ Salon IKSV
May 16 - Warsaw, PL @ Niebo
May 17 - Berlin, DE @ XJAZZ!
May 21 - Paris, FR @ Le Petit Bain
May 22 - Lille, FR @ L'Aéronef
May 23 - Brussels, BE @ La Botanique
May 24 - Amsterdam, NL @ Zonnehuis
May 25 - Nijmegen, NL @ Doornroosje
May 26 - Rotterdam, NL @ Bird
June 1 - Torino, Italy @ Bunker (Jazz Is Dead)
June 7 - Cluj-Napoca, RO @ Jazz In The Park
July 2/5 - Roskilde, DK @ Roskilde Festival
July 4 - Sete, FR @ Worldwide
July 17 - Molde NO, @ Moldejazz
Stay connected with Alabaster DePlume:
Website | Instagram | Bandcamp | Facebook | Twitter
Stay connected with International Anthem:
23 Profile | Website | Facebook | Instagram | YouTube
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