The track is Birch’s first release since her long-awaited debut solo album I Play My Bass Loud in 2023. The record drew significant praise, including lengthy features in The Quietus and the New York Times, which stated that “Birch sings, writes and plays bass like someone who cannot help but be herself, and her distinct, sometimes contradictory personality oozes out of every track.” The adulation hardly stopped there – MOJO called the album “a shining example of the music geek’s revenge” in their review.
“Birch doesn’t just belong in music, she helped build the foundations for the riot grrrl and grunge generation that followed her own, inspiring many young women to make music along the way.” – The Quietus
“Take cover! Raincoats bassist on gale-force form.” – Record Collector 5/5
“Birch might just be entering her next great creative phase.” – Uncut 8/10
"The debut solo album from the Raincoats bassist is adventurous and collaborative and vibrant and furious." – Pitchfork
Beyond a UK headlining tour, the release saw Birch support Yo La Tengo, Sleater Kinney and This is The Kit, and play festivals including Green Man. In addition, she was a part of Tate Britain’s much-publicized exhibition Women in Revolt - celebrating 20 years of feminist art and activism – for which her piece 3 Minute Scream (1977) was also used as the poster image.
Birch is currently in the studio working on her second solo album, which will be released on Third Man Records in 2025 (watch this space for further details).
Instagram links @gina.birch @iko_cherie @jennifer_misanthropez |
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