LEVITATION 2024 just one month away! Set times, lineup additions & more announced. Oct. 31 - Nov. 3 in Austin, TX

LEVITATION 2024 JUST ONE MONTH AWAY!

SET TIMES & LINEUP ADDITIONS ANNOUNCED

As the festival approaches later this month, set times have been released, local support and final additions added across the weekend, and founders The Black Angels to perform their 2010 album 'Phosphene Dream' in full.

SLOWDIVE, THE JESUS LIZARD, GANG OF FOUR, SOCCER MOMMY, MDOU MOCTAR, OSEES, DRY CLEANING, TYCHO, PANCHIKO, WASHED OUT, THE BLACK ANGELS: PHOSPHENE DREAM, THE DRUMS, WISP, THE SWORD, CORTEX, PENTAGRAM, JULIE, DROP NINETEENS, NITZER EBB, MILDLIFE, HANIA RANI, AGRICULTURE, FUGITIVE, DESTROY BOYS, SLIFT, BORIS: AMPLIFIER WORSHIP, SPECIAL INTEREST, INTEGRITY, NILÜFER YANYA, GLARE, DIE SPITZ, RENDEZ VOUS, RINGO DEATHSTARR & MANY MORE

HALLOWEEN WEEKEND, OCT 31 - NOV 3 IN AUSTIN, TX

4 DAY PASSES & SINGLE SHOW TICKETS ON SALE NOW

Check out the 2024 Schedule & Set Times HERE

 

OSEES - PLAYING ALL FOUR NIGHTS
JAZZ IS DEAD: CORTEX • ADRIAN YOUNGE • KHUN NARIN

THU. OCT 31
THE BLACK ANGELS: PHOSPHENE DREAM / MDOU MOCTAR
BORIS / JULIE / A PLACE TO BURY STRANGERS / NITZER EBB
STARCRAWLER / BOOGARINS / ACID MOTHERS TEMPLE
FROST CHILDREN / AXEL BOMAN / MUSCLECARS
PATRICK HOLLAND  / AGRICULTURE / KAIROS CREATURE CLUB YHWH NAILGUN  / SPIRIT MOTHER / HER NEW KNIFE / SEMANTIX / PORCELAIN / MODEBIONICS / STRANGE LOT 
BRETT JOHNSON / THE POINT

FRI. NOV 1
THE JESUS LIZARD / GANG OF FOUR / DRY CLEANING 
THE DRUMS / MILDLIFE / SLIFT / SWIRLIES 
SPECIAL INTEREST / ARC DE SOLEIL / FAT DOG / DOSS
PISSED JEANS / THE CHAMELEONS / THE MARCH VIOLETS
MEATBODIES / GIRL ULTRA / MJ NEBREDA / THE VELDT / FCUKERS LOS ESPÍRITUS / TRAUMA RAY / YUNGATITA / WITCHES EXIST / EN ORBITO / SUXXY PUXXY / INDOOR CREATURE

SAT. NOV 2
TYCHO / WASHED OUT / PANCHIKO
HANIA RANI / WISP / DESTROY BOYS / INTEGRITY / FUGITIVE
WINE LIPS / DEATH VALLEY GIRLS / DIE SPITZ / WILLIAM BASINSKI
THE DARE / RENDEZ VOUS / ALISON'S HALO / ARUSHI JAIN / WU LU
DAMON R. / GRRL X MADE OF OAK / TEEN MORTGAGE / NIGHT DRIVE CHOKECHERRY / IGUANA DEATH CULT / GUS BALDWIN & THE SKETCH  IAN ORTH / GROCERY BAG / PARADISE / DREGS / BANGED OUT

SUN. NOV 3
SLOWDIVE / THE SWORD / PENTAGRAM
DROP NINETEENS / NILÜFER YANYA / ILLUMINATI HOTTIES
AIRIEL / GLARE / RINGO DEATHSTARR
RICKSHAW BILLIE'S BURGER PATROL / THE WELL
HELLO MARY / COLOR GREEN / SAILOR POON / FARMER’S WIFE / QUIET LIGHT / ANABELLE CHAIRLEGS / BLEARY EYED / SAD CELL / QUEEN SERENE

 

LEVITATION returns this Halloween weekend, taking over Austin, Texas music venues with an eclectic and expanded menu of music and art October 31 - November 3, 2024! 

4 Day Passes and Single Show Tickets are available now, here. 

For over a decade, LEVITATION has delivered lineups that span psych, dream pop, punk, indie, metal, darkwave and electronic music. It’s a beloved record collection manifested into a 4 day weekend, with lineups that span continents and generations: a heady amalgamation of vintage gear, immersive light shows and visuals, buzzing amps, moody synths, and good times in Austin, Texas.

This year’s festival brings a full platter of psychedelia, shoegaze, punk, metal, and electronica - a collection of underground legends, music vanguards and pillars of modern music and indie music culture. 

The multi-venue format encourages fans to choose their own adventure through the weekend - you can buy single show tickets for over 30 different shows, or go all in with a 4 Day Pass and indulge in the entire 4 day Halloween weekend. 

Austin’s largest independent music festival is made possible in 2024 with the support of sponsors Montucky Cold Snacks, Guayaki, 400 Conejos, Tin Cup, Rambler, New Brew, Official League, Liquid Death, Posh Altar, Ray RayDecker, KUTX, Senza Maeso, Dirge Electronics KUTX and Austin’s Resound Presents.

To keep up with updates and for additional information, keep up with LEVITATION on Instagram here. 

 

LEWISSPYBEY: Edvard Graham Lewis & Mark Spybey announce debut album 'LEWISPYBEY' due Nov 8th via UPP Records & share first single "Castle Neptune".

LEWISSPYBEY - Edvard Graham Lewis & Mark Spybey announce debut album 'LEWISPYBEY' due Nov 8th via UPP Records - Share new single "Castle Neptune"

LewisSpybey is the unique collaborative album from Edvard Graham Lewis (Wire, He Said, Hox, Dome etc) & Mark Spybey (Dead Voices On Air, Beehatch, Altered Statesmen, Zoviet France etc) who will release their debut album 'LEWISPYBEY' on November 8th via UPP Records.  Mixing lush electronic rhythms, sonic collage, ambient soundscapes and manipulated field recordings, these six compositions form a record with a strong identity and today they are sharing their first single "Castle Neptune". Listen to "Castle Neptune" on YouTube here: https://youtu.be/vRey6jY9ayk Pre-order album: https://lewisspybey.bandcamp.com/album/lewispybey   That this is such a vital and fertile partnership should come as no surprise. After all, both men have made careers out of creating confidently questing musics. Lewis with Wire, He Said, Hox, Dome etc. and Spybey with Dead Voices on Air, Beehatch, Altered Statesmen, Zoviet France and so on. This new album however, is something different again: experimental, yet tightly focussed, and not averse to the groove or the sly hook.    The pair met via an appearance on a podcast in November 2022, hosted by cEvin Key of Skinny Puppy. They hit it off immediately. “We did a live chat with Graham - which I think, went on for about three days” jokes Spybey.    It was Spybey who first broached the idea of a collaboration. “It was a bit like shy bairns get nowt: I just said ‘maybe we should make something together.’” And so, with no plan other than to see what might develop, the duo began to assemble the compositions at long distance. Indeed, Lewis and Spybey only met in the real world after the album had been completed.   “Mark sent half a dozen tracks in a stereo mix,” says Lewis. “And I looked at the ’topography’, to see where the spaces might be. So then I’d add to those areas. But then, when do you take it away? Sometimes you let it drop off a cliff, land in the shingle, and it gets washed out to sea again.”    The process moved at a pace. “Almost everything each of us brought, ending up being incorporated in some way.” Says Spybey. “We didn’t really go down any cul-de-sacs.” As Lewis observes “We have such a sympathetic tone.”  "Castle Neptune" opens up with a bright-eyed urgency, as a fat bass line bounces like a basket ball and Spybey’s keening wordless vocal add a sense of wonder. Then the piece suddenly drops away into an expansive bay of humming sound, pierced by intermittent blares of horn. However, as Lewis points out, this isn’t brass. “It was the sound of a train horn on the streets of Oakland.”  Nevertheless it gives the album’s entry point a sense of the supernatural.     "Boot Island Twin" sets gentle pulses gliding through a shimmering heat haze of synth tones. This blissful ambient environment births a chittering rhythm, serving to pull us deeper into the composition’s warm heart. Something here suggests the opiated dancehall depths of Bandulu - perhaps the sense of the drum track cradling the musical colouring. With the album about to turn a shade darker, this 8 minute + track is an extended moment of beauteous balm.    "Antler Velvet" is formed of several strata of sound, and consequently makes perfect headphone listening. Although, as Lewis observes. ‘It’s quite often difficult to remember who did exactly what.” Spybey agrees: “That’s one of the ideas behind collaboration - you make yourself vulnerable. You can’t be too protective of ‘your’ stuff.”  A virtual suite of dramatic ‘movements’, this feels like the soundtrack to a short psychological thriller.  "Trophy Hunters" is perhaps the album’s most intense piece. “I’ve always been attracted to the darker elements of musical compositions,” says Spybey. “And I know Graham doesn’t shy away from that either.” With its thunderous beats, pounding rhythms and sparking electrics, this is an unstoppable juggernaut of sound: bold, purposeful and thick with unease. Or, to quote Spybey “It’s quite a headbanger.”   "Keep The Way" is a track which appears to be constantly switching identities. To start, it pitches a Teutonic percussive pattern against shafts of stentorian noise, but this is soon subsumed by an undulating wave of glowing electronics. Although the piece resolves in a near celestial state (recalling Eno and Lanois’s work on Apollo: Atmospheres & Soundtracks), the final note is one of dissonance.    "Gray Bay Play Watch" begins with a warm enveloping bass tone - almost like we’re inside the belly of a B52. Yet, as it evolves through a series of rhythmic and abstracted sections, it reveals itself to be the most intricately layered piece on the album. “There’s lots of playful noises in there,” says Spybey. “There’s even a fairground playing somewhere in the background. It’s ominous and joyful!” Lewis laughs, then elaborates. “It’s like Sam Beckett in Get Carter!”   Full of inventive sonics that draw on both men’s previous work, ‘LEWISPYBEY’ offers up a richly detailed soundworld.  LEWISPYBEY album artwork: LEWISPYBEY album tracklist: 1. Castle Neptune (YouTube) 2. Boot Island Twin 3. Antler Velvet 4. Trophy Hunters 5. Keep The Way 6. Gray Bay Play Watch

YOASOBI unveil new song "Monotone" + celebrate 5th anniversary as a duo, largest Asia arena tour to date this winter

YOASOBI CELEBRATE 5TH ANNIVERSARY WITH NEW SONG “MONOTONE” LANDMARK THEME FOR FULL LENGTH ANIME FILM LARGEST ARENA TOUR BY JAPANESE  ARTIST EVER ACROSS ASIA THIS WINTER photo credit: Kato Shumpei READ HERE   READ COVER STORY   WATCH HERE READ FEATURE HERE READ COVER STORY HERE WATCH HERE READ HERE READ HERE READ HERE   READ HERE   October 1, 2024—J-pop sensations YOASOBI unveil a new song, “Monotone” —their first ever theme for a full-length anime movie, Fureru—listen/share HERE. The duo, known for turning novels into music, took inspiration from the novel Fureru no Zenya. It was written by Mari Okada, who also wrote the screenplay for the film. The release of “Monotone” also celebrates YOASOBI’s 5th anniversary. The duo will embark on their largest Asia arena tour to date this winter—also the largest arena tour by a Japanese artist ever. They will play fourteen shows across seven cities, including Hong Kong, Bangkok, Taipei, Shanghai, Singapore, and Jakarta, in addition to previously announced shows at Kyosera Dome in Osaka, and Tokyo Dome. YOASOBI made a successful journey back to the states this summer, with a landmark performance at New York City’s Radio City Music Hall, followed by Boston’s MGM Music Hall at Fenway. They also played Chicago’s beloved Lollapalooza music festival. These performances followed their Coachella debut and sold-out in Los Angeles and San Francisco earlier in the year. Global smash hit song “Idol” was named the #1 Song of the Year in 2023 on the Billboard Japan Hot 100 chart. It smashed a multitude of records, amassing 22 consecutive weeks in the #1 spot. The song also broke the record for the fastest single to reach 100 million streams on the Billboard Japan chart and surged to #1 on the Billboard Global Excl. U.S. chart. The duo also recently released their third English language EP E-SIDE 3 which includes eight newly recorded songs; listen/share HERE. Comprised of composer Ayase and vocalist ikura, YOASOBI are record-breaking international superstars in the making. Their first song, “Into The Night (Yoru ni Kakeru),” was released in November 2019, immediately attracting attention by achieving #1 on numerous streaming charts in Japan and appearing on viral charts in several countries. It was #1 on the 2020 Billboard JAPAN Combined Song Chart and Streaming Song Chart, and in January 2023 the total plays surpassed 900 million streams marking a first in Japan. YOASOBI gained international attention and reached #1 on the Spotify charts for the Japanese Artist Most Played Internationally in 2021. Their song “Monster (Kaibutsu)” was named one of the 10 Best Songs of 2021 by TIME. YOASOBI’s TikTok LIVE performance achieved the highest ever viewership for a Japanese artist on the platform when it was streamed by more than 630k fans with simultaneous viewers surpassing 120k. Their first arena tour “YOASOBI ARENA TOUR 2023 ‘Denkosekka’” consisted of fourteen shows in seven cities with a total of 130k attendees as the duo continues to attract attention in all directions of their career.

Motown Sound Collection Vinyl Reissues: Jackson 5, The Supremes, and Temptations arrive on Oct. 18 via Elemental Music

THE MOTOWN SOUND COLLECTION: OCTOBER 18 MARKS THE RELEASE OF THE JACKSON 5'S THIRD ALBUM, THE SUPREMES' A BIT OF LIVERPOOL,  AND THE TEMPTATIONS' SKY'S THE LIMIT

Elemental Music’s Vinyl Reissue Series of Classic and Collectible Albums from the Legendary Detroit Soul Label Continues with Monthly Releases Into 2025

THE JACKSON FIVE THIRD ALBUM  (hi-res) THE SUPREMES A BIT OF LIVERPOOL (high-res) THE TEMPTATIONS SKY'S THE LIMIT  (hi-res)

SEPTEMBER 30, 2024 (New York, NY) — Elemental Music’s ongoing LP reissue series, the Motown Sound Collection, presents another trio of majestic titles from the Detroit label’s archives: The Jackson 5’s Third Album (on red vinyl), The Supremes’ A Bit Of Liverpool (in its original mono format) and The Temptations’ Sky’s The Limit on October 18, 2024.    THE JACKSON 5’s Third Album To be released on special red vinyl, The Third Album captures the Jackson Five at the pinnacle of their supersonic rise to stardom. Initially released in September 1970, it was the Jackson brothers’ third studio effort in less than a year. The album delivered the group’s fourth straight number #1 single with “I’ll Be There” while the record’s other single, “Mama’s Pearl” also cracked Billboard’s Top 5. The Third Album reached #4 on Billboard’s LP chart while topping the R&B Album Chart on Billboard and Cashbox. Among its 11 tracks are Smokey Robinson’s “The Love I Saw In You Was Just A Mirage,” a cover of the Delfonics’ hit “Ready Or Not, Here I Come,” a rendition of Simon & Garfunkel’s “Bridge Over Troubled Water,” and the semi-autobiographical “Goin’ Back To Indiana,” which was later the title of the Jackson 5’s 1971 ABC TV special. Leah Greenblatt gave the Third Album an A in Entertainment Weekly, while All Music Guide praised the album for reflecting “the unmistakable Motown sound.”

The Jackson 5 - "I'll Be There" Link/Embed: https://youtu.be/kBhSh7y_IkM?si=d2Hj37OHVTjkXkce

THE SUPREMES’ A Bit Of Liverpool Released 60 years in October 1964, A Bit Of Liverpool finds the Supremes celebrating the worldwide phenomena of Beatlemania with Diana Ross, Mary Wilson, and Florence Ballard impressively reinterpreting a handful of Lennon-McCartney originals: “Can’t Buy Me Love,” “I Want To Hold Your Hand,” “You Can’t Do That,” “A Hard Day’s Night,” and “A World Without Love," which was a hit for Peter & Gordon. The 11-track record also features Merseybeat-related tunes like “Because,” “House of the Rising Sun," and “Bits and Pieces”. The British Invasion bands were heavily influenced by American soul music so it’s fitting that this salute contains two tunes from the Motown world: the Berry Gordy Jr.-penned “Do You Love Me” (a hit for Brian Poole and the Tremeloes and the Dave Clark Five) and Smokey Robinson’s “You Really Got A Hold On Me” (covered on The Beatles’ Second Album). A top 10 success on Billboard’s R&B Chart, A Bit of Liverpool, which is being reissued in its original mono mix, was the sublime vocal group’s third studio album - and second one in 1964!

THE SUPREMES  "You Can't Do That" Link/Embed: https://www.youtube.com/watch?v=cGhN_QwIQnM

THE TEMPTATIONS’ Sky’s The Limit This 1971 release marks a high point for the Hall of Fame group and a significant turning point. The album features one of their signature songs, “Just My Imagination (Running Away With Me),” the Temptations’ third number-one hit. It also represents the final album featuring founding members Eddie Kendricks and Paul Williams. While Kendricks handled lead vocals on most of the songs, the other Temptations (Dennis Edwards, Melvin Franklin, Otis Williams, and Paul Williams) all have their time to shine. Sky’s The Limit, the band’s 14th studio effort, also showcases the marvelous talents of producer/songwriter Norman Whitfield, who expertly crafted a sound that incorporated psychedelic soul and sweet R&B balladry. Notable tracks include the ambitious anthem “Ungena Za Ulimwengu (Unite the World)" and the mind-blowing,12+ minute production of “Smiling Face Sometimes,” which the Undisputed Truth subsequently had a hit within a more condensed version.

THE TEMPTATIONS "Gonna Keep on Tryin' Till I Win Your Love" Link/Embed: https://www.youtube.com/watch?v=P-DFanKpUrs

These unforgettable Hitsville titles are part of a continuing series of long-playing vinyl reissues of crate digger favorites from the Motown Records catalog. All releases will replicate the ‘60s and ‘70s LPs’ bold sound and 12-by-12 full-color packaging. The Motown Sound Collection will continue with titles scheduled for release through early 2025. Forthcoming titles include the mono versions of Four Tops, Marvin Gaye’s When I’m Alone I Cry, and Eddie Kendricks’ People…Hold On on November 15. December 13’s offerings are Gladys Knight & the Pips’ Neither One of Us (Wants to Be the One to Say Goodbye), The Temptations’ Solid Rock, and the Undisputed Truth’s album.    Founded in 2012, Elemental Music specializes in releasing newly discovered and out-of-print recordings, primarily jazz, blues, and soul. These recordings are meticulously curated and reissued with love.    For more information about Elemental Music's Motown Sound Collection: https://www.elemental-music.com/72-motown

The complete 2024 release schedule for the Motown Sound Collection (LINK):  May 10: The Temptations: I Wish It Would Rain The Supremes: We Remember Sam Cooke June 7: Smokey Robinson: Smokey (Blue Vinyl/Gatefold edition)  The Four Tops’ Still Waters Run Deep July 12: Marvin Gaye and Mary Wells’ Together (Mono edition) The Supremes’ I Hear a Symphony (Green vinyl) The Temptations’ Cloud Nine Aug. 16: The Jackson Five: Get It Together (Red Vinyl/Die-Cut Cover) Smokey Robinson & The Miracles’ Make It Happen (Mono edition)  More Hits By The Supremes (Mono edition) Sept. 13: Meet the Temptations (Mono edition)  Marvin Gaye’s In the Groove Diana Ross And The Supremes’ Love Child Oct. 18: The Jackson 5: Third Album (Red Vinyl)  The Supremes: A Bit of Liverpool (Mono edition) The Temptations’ Sky’s the Limit Nov. 15: Four Tops (Mono edition) Marvin Gaye: When I’m Alone I Cry (Mono edition)  Eddie Kendricks’ People…Hold On Dec. 13: Gladys Knight & the Pips’ Neither One of Us (Wants to Be the One to Say Goodbye) The Temptations’ Solid Rock The Undisputed Truth: The Undisputed Truth

The Cowsills Announce New Album 'Global' out 11/8 via Omnivore Recordings

The Cowsills Announce Global To Be Released on November 8 via Omnivore Recordings

The Elusive 1998 Release Restored and Remastered on LP For 1st Time and on CD/Digital with Three Bonus Tracks

Featuring guest appearances from Vicki Peterson (The Bangles, Continental Drifters), Berton Averre (The Knack), Peter Holsapple (The dB’s, Continental Drifters), John Stamos, and more

Watch The Lyric Video For Lead Single “What I Believe”

October 1, 2024: The Cowsills have announced the release of Global, a recovered album from the chart-topping family band whose story was the inspiration for television’s The Partridge Family. A piece on Global for NBC’s Dateline would not be out of place. The story includes not only the musical siblings, but also Dick Clark, Daryl Dragon (“The Captain” of Captain & Tennille), the Federal Bureau of Investigation, a world-famous TV actor, power-pop superstars, and renowned industry figures. Global first appeared in 1998, but was difficult to find; for the few who did, it was a revelation of pure pop greatness. For the many who missed it, it will be a new revelation now. Global will come out on November 8 via Omnivore Recordings on vinyl for the first time ever, and on CD/Digital with three previously unreleased bonus tracks. Along with the announcement, The Cowsills have also shared the album’s lead single “What I Believe."

Watch the “What I Believe” lyric video

A missing pen… That’s the secret reason why this wonderful album exists, and why The Cowsills are still going strong three decades later. In 1990, more than a decade since The Cowsills had worked together, singer/guitarist Bob Cowsill was working on new demos when they were offered a spot on one of Dick Clark’s package tours to strictly play their “oldies” hits. They agreed to forgo their new music for the tour but when they went to sign the contract, no writing implement could be found.   “The contract was in front of us, and we were ready to do it,” Bob Cowsill recalls. “Nutty as this sounds, they couldn’t locate a pen, then Dick had to go do something. It was decided we’d take a break and sign it after lunch. That’s when we started talking–Did we really want to do this? Should we take the oldies moniker on now? We felt young for an oldies tour, Susan [the youngest] was only 36. That’s when I said ‘Well, I got these songs.’ So, we walked out of that lunch, said no to Dick Clark and said ‘Okay, let’s do this.’"   The Cowsills quit their day jobs and were a full-time band again. Those new demos they were working on would ultimately become Global – a batch of 14 tracks written primarily by Bob and his wife Mary Jo, with contributions from Barry and Paul Cowsill. The album was recorded at Rumbo Recorders, owned by Daryl Dragon (“The Captain” of Captain & Tennille). The Cowsills began booking live shows, and anyone who came for nostalgia was in for a surprise.   Unfortunately the record didn’t get a major-label release, although it did come close. Atlantic Records A&R Marc Nathan fell in love with the Global track “Is It Any Wonder” and was sure he could get the band signed. Nathan’s boss Doug Morris loved what he was hearing but once Nathan revealed it was The Cowsills, he was immediately fired. The funding for the album also disappeared overnight when the band’s financier was arrested by the FBI for insurance fraud. The Cowsills were questioned by Federal authorities and identified as victims of this scam artist. The family scattered once again and since they couldn’t ransom the tapes, the tracks they had recorded sat at Rumbo for years.   Then the internet came along, and the band had a new way of distribution. Bob rescued the album and brought in mastering legend Doug Sax to work on the DAT rough mixes. The Cowsills created a label, Robin Records, and a website to sell the CD-only album, of which only very few were made. While preparing the release, Bob made the eleventh-hour decision to leave out three of the 14 songs. The missing three are finally reinstated on the new CD and streaming editions of Global.    With full cooperation from the band and Executive Producers Rock Positano and James Ferr, Global has been restored and remastered by multiple Grammy-winner Michael Graves and is definitively back. Bob, John, Paul, and Susan Cowsill, as well as veteran bassist Robby Scharf are joined by guests Vicki Peterson (The Bangles, Continental Drifters), Berton Averre (The Knack), Peter Holsapple (The dB’s, Continental Drifters), members of the extended Cowsills family, and even John Stamos, who was one of the biggest names in Hollywood at the time of recording. It’s a joyous noise spanning decades of pure pop and songcraft.   Featuring updated artwork, the packaging contains new liner notes from Brett Milano and Bob Cowsill outlining, explaining, and bringing this “lost” album’s story to life.   Watch the trailer: https://youtu.be/MVE4HxITdKY   Pre-order Global: www.omnivorerecordings.com/shop/global   About Rock Positano: Executive Producer Dr. Rock Positano has worked closely alongside Grammy-winning producers Phil Ramone and Jack Douglas, during his career. He's also worked with David Rosenthal, Billy Joel's musical director and Vincent Falcone, who served as Frank Sinatra's conductor.   Global tracklist: 1. What About Love 2. Under The Gun 3. She Said To Me 4. You’ve Got No Time 5. Cross That Line 6. What I Believe 7. I Be Low 8. Far Away 9. Rescue 10. Is It Any Wonder 11. Some Good Years 12. Free Fall* 13. Maybe It’s You* 14. Shine*   *bonus tracks for CD/digital version

(L-R: Robby Scharf, John Cowsill, Bob Cowsill, Susan Cowsill, Paul Cowsill) Courtesy of The Cowsills