Born in Nairobi, Kenya, Elsy migrated with her family to Adelaide, South Australia at a young age. Experiencing displacement and unease as a young person, neither identifying as a “Kenyan” or “Australian”, the anchors for Elsy as she navigated the world during this time came in the form of her devout faith, and in music.
“Home is a place you retreat to for safety, love and comfort. A place that your being recognises and your spirit connects to,” Elsy explains. “My accent allows me to assimilate and my ways of thinking embed me seamlessly within the community, but my spirit will forever remain unsettled.”
Describing her “safe place” as the music room at her school, Elsy developed a love for the craft as a way to express herself, but connect with a sense of identity that would flourish into her artistry in later years. Identifying a natural talent for singing early on, Elsy’s father took her to a local music studio in Adelaide’s northern suburbs, NSS (Northern Sound System), where the teenage Elsy became a go-to singer for the community of musicians and rappers there.
Still, her spirit remained restless, and the hunger to do more became central to Elsy’s journey. As she remembers, “Though I felt very welcomed during this time, I was always determined to break from the shadow of others’ artistry and become my own.”
Early mentorship from fellow artist, and founder of independent music label/collective Playback808, DyspOra, further incensed Elsy’s drive to create art that represented the unwavering desire within to find belonging. Becoming the first female artist to be signed to the label, Elsy began professionally releasing music in 2018, with the arrival of debut single “Intuition”. Following soon after were impactful singles delving into the experience of growing up in Australia as an African person; exploring themes of ‘home’, and presenting commentary on racism’s impact on her community.
2022 saw the release of her long-awaited debut EP, Nilotic, a self-produced six-track fusion of hip hop, alt-R&B and soul-infused music that represented a kaleidoscope of emotions: pride, fury, sadness, understanding, and acceptance. The EP was a moment of arrival: acknowledging Elsy’s heritage – ‘NILOTIC’ referring to the Nilotic peoples indigenous to the Nile Valley – the powerful collection of music put Elsy on a national radar.
“It was off the back of the Nilotic tour, the Hilltop Hoods tour, and the Deep North theatre tour. All the tours, back to back, being so exhausted and over it all. Not wanting to sing, be on stage or show my face.” Elsy remembers, revisiting memories of being in London, needing to write new material, yet feeling like she was in a state of limbo.
A powerful collection of music that journeys themes of identity and spirituality, Saint Sinner documents a potent and poignant chapter of Elsy’s personal and artistic evolution. Through the turmoil and tumult of young adulthood, navigating the modern world as a Black woman has been a process not without its constant struggles – struggles to find a sense of purpose, clear identity and belonging. |
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