Matthew Bourne has been a busy man of late, but now he’s back at the piano and the world can start healing. Possibly.
Over the last twenty or so years, you’re as likely to find Bourne piloting Moogs, bothering cellos and harmoniums, covering Kraftwerk, Charlie Chaplin and Phil Collins, collaborating with the weather or unearthing rare Victorian keyboard instruments as you are “playing” the piano. His fingerprints are all over a huge number of diverse projects.
For such a restless and forward-thinking artist, perhaps we shouldn’t be surprised that Bourne can be a little reluctant to return to the instrument on which he made his name. At least in public. That would be too easy..
This Is Not For You. is the first full-length Matthew Bourne album for solo piano since Isotach in 2017. These days Bourne tends to find himself seated at his first instrument when working on collaborations or commissions for film and television projects. It’s often in these moments that inspiration strikes and the pieces are committed to tape. With outside deadlines, those sparks can often be left. Forgotten about. Recorded over.
This Is Not For You. was born from an off-hand comment by one of Matthew Bourne’s confidants. His instruction, “Do not delete,” provided Bourne with a commission of sorts, an ideal restriction to work within. Everything on the album was given a chance to shine in the studio, to be worked on amongst the freedom of that no deletion diktat - new inspirations now lie beside deep-mined remembrances. Cello and Dulcitone have been added sparingly for colour, but this is Bourne playing for his own enjoyment. Intimate. Reserved even. The real Matthew Bourne?
The second 'Précipice / Précis' is out today, with the album following on 12 July.
0 comments:
Post a Comment