11/28/2022

The Mortal Prophets Share Three New Singles, Listen to "Grinning In Your Face" via The Big Takeover | 'Me and the Devil' LP Out 12/9

The Mortal Prophets Share Three New Singles, Listen to "Grinning In Your Face" via The Big Takeover

Me and the Devil LP Out 12/9,
Produced by William Declan Lucey (Rubyhorse, Leftbank)

LISTEN & SHARE: The Mortal Prophets - "Soul Of A Man"
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Pretty Girl In The Pines"
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Grinning In Your Face"
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Crossroad Blues"
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Baby Please Don't Go" (ft. Dana Colley of Morphine)
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Me and the Devil"
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - Stomp the Devil EP
Spotify / Apple Music

LISTEN & SHARE: The Mortal Prophets - "Nobody Knows the Trouble I've Seen"
Spotify / Apple Music

LISTEN/WATCH & SHARE: The Mortal Prophets - "Stomp The Devil"
Spotify / Apple Music / YouTube
PRAISE FOR ME AND THE DEVIL

"Like a fire-breathing ensemble risen from the ether with a fearless blend of genre-fucking intelligence driving them toward a type and level of musical adventurism that’ll leave any music nerd worth their salt. [Beckmann] takes the raw dark spirits that illuminate them from within, that kind of anti-holy holy spirit that shudders and screams and twists itself into an inviolable truth no matter the listener, their location, their age, and raises it up to screech over the restless sepulchres of modern life, a Holy Ghost of Menace that springs eternal and we are thrilled to bring you this take on the old, deathless Joe Williams classic (or was it Bessie Smith? See the interview below). This being one of those instances where words will mostly fail to compare in eloquence what the music so effortlessly unfurls."
StereoEmbers

"Wrapped in a gritty, slow-built soundscape of guitars and crisp beats, 'Me and the Devil' is simplistic yet layered blending gruff, laid-back vocals with lacerating instrumentation [...]  A reflection of everything primitive blues to ethereal German electronica and swamp rock stylings, the album will a melting pot of music that touches our heart and gets our feet tapping along.”
EARMILK

"The title track howls with a Black Rebel Motorcycle Club meets Nick Cave distinguished dark palette that echoes of beat poets and hellraisers"
Glide Magazine

"Beckmann’s version of 'Baby, Please Don’t Go' is boldly synth-laced, with percussion and sax. Its bluesy roots are on display here, but with a no-wave interpretation of the song. If James Chance and latter-day Leonard Cohen had joined forces..."
Post-Punk


"A practice in masterclass musicianship"
SPILL Magazine


PRAISE FOR STOMP THE DEVIL

"'Nobody Knows' is a continuation of Beckmann’s eccentric storylines. A mad, musical scientist, Beckmann has a penchant for twisting genres, mixing gospel and Americana with more avant beats."
American Songwriter

"The grand musical experience that is Mortal Prophets and Stomp The Devil."
V13

"With elements of experimental German electronica, pre-war blues, classic rock, and even Americana, Stomp the Devil has a little something for everyone, and it sets the scene for the group’s forthcoming debut LP, due later this year."
SPILL Magazine

"A little bit blues, a little bit no-wave, quite a bit of Beckmann playing the character of a literal manic street preacher; it sounds bewildering on paper but the results are superb."
Backseat Mafia

"'Stomp the Devil' has a darkly haunting quality that seems to echo the buried stories and awaken ghosts from the American history."
Punk Head

"The skillful selection of sounds and the chord progression that is never predictable and banal make 'Stomp The Devil' a song that creates a musical genre. I would dare to call it Electro Gothic Rock. An ideal sound for the people of the night."
Edgar Allan Poets

NYC experimental rock outfit The Mortal Prophets (helmed by John Beckmann) recently announced the forthcoming release of their debut LP, Me and the Devil, due December 9. On the record, Beckmann joined forces with Irish musician and producer William Declan Lucey (Rubyhorse, Leftbank), with whom he developed the record’s atmospheric, noisy sound. Additionally, it features collaborations with Morphine’s Dana Colley, vocalist Aoibheann Carey-Philpott, and more.

Now, Beckmann and The Mortal Prophets have shared three more singles off their forthcoming record, "Soul Of A Man," "Pretty Girl In The Pines," and "Grinning In Your Face." Each track takes inspiration from classic tracks that helped mold America's musical landscape, described as "contemporary reinterpretations."

As Beckmann wrote on the record's newly released tracks and their original inspirations:

"'The Soul of a Man' is a gospel blues song recorded by Blind Willie Johnson in 1930. As with most of Johnson's songs, it deals with a spiritual theme within a blues musical framework. Accompanying Johnson (vocal and guitar) is Willie B. Harris, sometimes identified as his first wife, who sang harmony on the refrain.

'In the Pines,' also known as 'Where Did You Sleep Last Night?,' 'My Girl,' and 'Black Girl,' is a traditional American folk song originating from two songs, 'In the Pines' and 'The Longest Train,' both of whose authorship is unknown and date back to at least the 1870s. The songs originated in the Southern Appalachian area of the United States in the contiguous areas of Eastern Tennessee and Kentucky, Western North Carolina and Northern Georgia.

Versions of the song have been recorded by many artists in numerous genres, but it is most often associated with American bluegrass musician Bill Monroe and American blues musician Lead Belly, both of whom recorded very different versions of the song in the 1940s and 1950s.

The song 'Grinnin in Your Face' was written by Son House and was first recorded and released in 1965 on The Legendary Son House. House was a slide guitar player and blues singer. He was a huge influence on Muddy Waters and Robert Johnson, who are, in turn, were huge influences on everyone else! House was a pioneer of the Delta blues. The recordings House made are raw, scratchy, but above all emotional and intense, sometimes even demonic.  I know it's been covered by Andrew Bird and Beck, among others. It's really a song of betrayal, and back stabbing, yet the musician rises above it all, and laughs in their faces, and continues his life undeterred. I think we can all relate to that on some level."

Earlier this year, The Mortal Prophets shared their highly anticipated debut EPStomp the Devil, produced by David Sisko and featuring collaborations with Gary Lucas (Captain Beefheart).

THE MORTAL PROPHETS LINKS
Website | Soundcloud | Instagram | YouTube

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