Pitchfork, 8.2 Best New Music: “punchy, propulsive electro pop with inventive sound design, absurdist wit, and sly jabs at racism and xenophobia.” Los Angeles Times: "This Belgium-based duo specializes in cerebral dance-pop for those who bravely boogie between cultures." The Guardian: “Adigéry and Pupul are still in the early days of their musical partnership, but they’re already setting themselves apart conceptually.” Paste Magazine: "Charlotte Adigéry and frequent collaborator Bolis Pupul make magic together" FLOOD Magazine: "Whether its industrial electro-pop, art rock, or aughts-leaning dance rock, the Ghent-based duo use a variety of enchanting rhythmic pulses to tackle xenophobia, common microaggressions, cultural appropriation, and teenage sexual objectification" Variety (live review): “Escalating loops courtesy of Pupul and high-spirited vocals from Adigéry had everyone in the area screaming in unison, like they were going down the drop and around the curves of a roller coaster.”
BrooklynVegan (live review): "a force, bringing so much style, wit and charisma to the night” |
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