Having trained in classical double bass and electroacoustic composition, Glotman uses these traditions in combination with improvisation, with particular focus on analogue processes, to create textural and spatial works. In recent years, he has been known for his notable pieces in film and media composition, working closely with influentential late composer Jóhann Jóhannsonn on acclaimed titles such Mandy (2018) and Last and First Men (2019), which he co-composed and produced the score. Apart from his work in film and media, Glotman is a celebrated recording artist in his own right, venturing into dark corners of ambient drone and post-classical with acclaimed albums such as his 2020 album Emanate via Fat Cat’s imprint 13070, 2017 album Negative Chambers with close collaborator Mats Erlandsson released via Miasmah Recordings, and his solo album Études released in 2015 via Subtext, receiving him high acclaim from the likes of Pitchfork, The Wire, The Guardian, BBC 6 Music, The Quietus, Uncut, Electronic Sound and more. Glotman now returns with his most personal and unique album yet. |
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