Terence Fixmer today announces details of a new album, his debut for Mute, and shared the first single,
“Corne de Brume.” The new album,
Shifting Signals, is set for release on double vinyl, CD, and digital platforms
December 2.
Over two decades, Fixmer has mapped his singular sound across a sizable stack of singles, EPs, and seven grit-smeared solo albums intended to make you sweat. For his first album on Mute – the space-inspired
Shifting Signals – he deals out a fistful of club-minded, pitch-black ragers while expanding his sound palette to convey a wider spectrum of moods.
Lead single
“Corne de Brume” (meaning “foghorn”) is the album’s guiding star and hard-hitting statement piece; a six-minute tempest of saw-toothed synths designed to evoke a ship’s foghorn, setting a moody and uncompromising tone with ear-piercing synthwork that slices through the foggy noise.
“I was imagining a boat sailing off somewhere into the distance,” says Fixmer.
Listen to “Corne de Brume”
here.
Pre-order
Shifting Signals here.
Throughout
Shifting Signals, the follow up to 2018’s album
Through the Cortex, he fixes his gaze on a vivid sci-fi world where deep space stretches out infinitely.
Shifting Signals was sparked by a formative childhood viewing of Ridley Scott’s 1979 sci-fi horror classic
Alien.
“I was totally traumatised but at the same time fascinated by it,” he recalls.
“I kept thinking about the images from the film while I was making this album.” MORE ABOUT SHIFTING SIGNALSShifting Signals swoops, dips, and scales the heights of white-knuckle adventure. Throughout the album concepts of unknowable space extend to the vast and mysterious natural world in our more immediate orbit. On tracks such as “Corne de Brume” and “Step to the Edge,” Fixmer captures more tangible elements – the sea, earth – but always with an eye on their wild and uncontrollable side.
On “Step to the Edge.” Fixmer reverts to techno fervor with sharp shocks and pummeling kicks that nod to his floor-shaking club repertoire. Similarly, “No Latitude for Errors” plots the brawny coordinates of EBM via an onslaught of jabbing synths and furious beats. Along with hypnotic stomper “The Way I See You,” these tracks feel noticeably rooted in the trailblazing “techno body music” he’s known by many for.
But it’s not all fire, brimstone, and banging techno. “The Passage” slowly builds tension through layers of droning noise that surges powerfully like a jet engine.
“Everyone will obviously see something different, but for me it conjures a space centre in an alien movie at the point when you hear the transmission; it’s futuristic. You see a space shuttle floating somewhere into infinity,” offers Fixmer.
Meanwhile, the clear-eyed piano and B-movie synths on “Synthetic Mind” bring a cinematic element to the album that ambient closing track “Desertic” brings into focus.
“I wanted give people a direct movie image in their head when they listen to it,” says Fixmer.
He continues,
“On each album I aim for something different but I retain the core sound, which is always there and often dark and melancholic. Sometimes the balance tips slightly and on this album, I’m striving to be freer and open myself up more to melody.” 
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