Multidisciplinary Breton artist
Émilie Tiersen today shares a new single and video, the latest to be taken from
SEIM, her debut album as
QUINQUIS.
SEIM will be released
May 20 on clear vinyl, CD, and digital platforms.
The new track,
“Run” – which translates to “Hill” – features
Ólavur Jákupsson singing in Faroese. Talking about the track, Émilie explained, “
At some point you need to choose between life and death. Either you let death win, or you make a change that will lead you to life. ‘Run’ is about that precise moment when you wake up and open your eyes to a new perspective. Whether you feel it through the soft touch of fresh air on your cheek, or through an inner avalanche. Whether it’s dawn or dusk. You’re at a turning point.” The video was filmed on the island of Ushant – the island where Émilie lives – and features two locals. It is directed by
Edgar Imbault. Watch
here.
Pre-order
SEIM here.
Over two albums Émilie recorded and released as Tiny Feet, but her recent name change – which pays homage to her personal and family history by referencing her maiden name – represents a fresh start musically. QUINQUIS signed to Mute and released
“Adkrog” (which aptly translates as “Start Again”) late last year followed by the single
“Setu.” QUINQUIS will embark on a European tour as a very special guest of Algiers in May, stopping off in Totnes, England for an appearance at Sea Change Festival before returning as part of a European tour with Yann Tiersen in the fall. Full dates below. Tickets available
here.
MORE ABOUT QUINQUISÉmilie began exploring new musical terrain, forging a deeper connection to her own culture, history and identity, over a period of significant personal change and the birth of her first child. She explains,
“To have a son has answered many questions I had about life and roots, the first step to a very deep discovery. I’m raising my child in the Breton language, so there has been this kind of rebooting of the whole system.” Whilst on tour with her husband and baby, Émilie saw her musical expression as a journey and began work on a new idea in each city. Characters – some from her own life, others rooted in the history of Breton culture – began to join Émilie on this journey, coming alive in song ideas.
Once these ideas began to mutate into something more musical, she connected with Gareth Jones. Initially he was going to play synth, but their partnership grew into something more collaborative.
“The record revealed itself in the back-and-forth Gareth and I had,” she says.
“It was really unexpected because Gareth and I are quite the opposite - he was the light to my darkness.” This sense of interconnectedness leads to the album being a multifaceted one. It is deeply personal and introspective yet also collaborative and expansive. It is rooted in both historical and modern stories. It is an album that connects worlds while being entirely its own.
“There is something cosmic about it,” says Émilie.
“I don't know how to explain that but the way it happened with Gareth, and the way everything just suddenly all came together feels like cosmic harmony.” The result is an album that merges sparse electronics, immersive atmospherics, and deft melodies, carried by Émilie’s tender yet quietly soaring vocals which are all sung in Breton.
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