Pecknold previously combined stop-motion animation with multiplane down-shooting on the video for Fleet Foxes’ 2011 epic “The Shrine / An Argument.” “I had seen the multiplane technique in early Disney films like Bambi and Pinocchio, then later when I discovered Lotte Reiniger’s and Yuri Norstein’s films,” he says. “I’m very drawn to the texture, depth-of-field and parallax inherent in the technique.”
Production was facilitated by Dropbox, which enabled the team to easily share files during the five months “Featherweight” was in production. “Dropbox has been a patron of creative short form music videos for the last several years,” says Sean. “They were very supportive of our ideas and the creative direction we chose to bring the song to life.”
Sean Pecknold-directed Fleet Foxes videos include:
“Featherweight” is the latest single from Fleet Foxes’ fourth studio album, Shore, which was praised as one of the top albums of 2020 by Rolling Stone, Pitchfork, NPR, The New Yorker, Mojo, Uncut and more. With over 125 million global streams to-date, Shore also found strong support at radio, holding #1 on JBE non-comm chart for 14 weeks in a row and reaching Top 5 BDS Monitored and Top 10 Mediabase at the AAA format with the single “Can I Believe You.”
ACCLAIM FOR SHORE:
“Shore looks to the world and realizes there is already enough, as if staring into a darkness and responding with beauty, acceptance, and light." - PITCHFORK (BEST NEW MUSIC)
"A gorgeous folk-rock song cycle about life, death, and art, full of deep mourning and glimmers of relief on the other side. Track for track, Shore is the most immediately rewarding Fleet Foxes record since their brilliant 2008 debut." - ROLLING STONE (4/5 STARS)
“You soothe our worried minds and fraying souls with some gorgeous-as-fuck artisanal splendor." - ROLLING STONE (4/5 STARS)
"When you’ve got a song on your album called “Quiet Air/Gioia,” and it’s every bit as pretentious as that title suggests and yet in no way sucks, you’ve done your artistic betters proud." - ROLLING STONE (4/5 STARS)
"The gorgeous record found tonal balance amid the chaos of recent months, when the project suddenly seemed inconsequential to its creators and, therefore, more like a refuge. Though still primarily the creation of the band’s front man, Robin Pecknold, “Shore” is a collective effort that includes many contributors, and its glistening arrangements are reflective of the unburdening that collaboration fosters." - THE NEW YORKER
"The album is uniformly gorgeous, sometimes overwhelmingly so when taken in all at once...Every now and then there’s a moment of brightness, an actual good thing, that alleviates the darkness of the wretched year that is 2020. This is one of those good things." - STEREOGUM
"Fleet Foxes made the perfect album for this moment." - VULTURE
"Filled with epic, sweeping songs." - ENTERTAINMENT WEEKLY
"These 15 tracks are the work of an artist taking in everything dark and corrupt about this year, and choosing to craft an artifact of hope." - UPROXX
"There are lush soundscapes, fluttery brass cacophonies and subdividing rhythms...there is an acknowledgment of the past, but in a way that throws into sharp relief the potential that lies ahead and the legacy that is carried into the future" - ASSOCIATED PRESS
"Lucid, warm, and with no shortage of heart, Shore is a wonderful album to lead us into the concluding chapters of what has been a heartbreaker of a year." - CONSEQUENCE OF SOUND
"Shore is their most collaborative, most joyous album, and also one that transcends what Pecknold called the agrarian fantasies of their early days for an earnest plea to hear the call of the wild." - THE RINGER
"Robin remains an extremely gifted songwriter, and these songs find him weaving in deceptively simple arrangements and some of the most instantly-satisfying melodies he's written yet." - BROOKLYN VEGAN
"Both vibrant and vital." UNDER THE RADAR
No comments:
Post a Comment