De Lassus says, "It's a perilous exercise to make music videos in 2020, but it's also an unexpected way to kindle a DIY spirit. I wanted to show women, my sisters of heart and dance. So I asked Kate Stables, through a window, to improvise and repeat each other's gestures and movements over the solar music of Emahoy Tsegué-Maryam Guèbrou, just before a torrential rain fell on us. We're used to singing together, and moving was just as natural. It's often like that with the people you love. I love these images and thought they would fit well with the song Louis which tells the story of a king who is at first narcissistic and then paranoid, who ends up losing everything he owns, including love, because of his toxic desire for power. This video, conversely, tells of the simple joy of finding someone who becomes your perfect echo, even for a short moment, and finding a deep soothing feeling to vibrate with someone."
Credits:
"Pas de deux" by Kate Stables and Mina Tindle
Filmed by Thomas Vauthier
Song Produced and recorded by Thomas Bartlett
Additional recording by Mina TIndle
Clarinette : Doug Wieselman
Mixed by Pat Dillett
Mastered by Joe Lambert
In a departure from the radiant alt-pop of De Lassus’ first two albums, SISTER brings that depth and contrast to a more heavily contoured yet beautifully nuanced sonic backdrop. The album was mostly made in New York City with producer Thomas Bartlett (Joan as Police Woman, Yoko Ono, Florence + the Machine), with additional production by Sufjan Stevens and Bryce Dessner.
SISTER is an album populated by mythic creatures of all kinds: lions on parade, lovers turned to cannibals, kings and Sirens and women with wings. Like any great fabulist, she threads her storytelling with a fragile wisdom, revealing essential truths about all the danger and wildness within the human heart. With each moment elevated by her spellbinding vocal work—a gift she’s shown in recording and touring as a singer for The National—SISTER ultimately makes for a transportive listening experience, at turns impossibly dreamlike and profoundly illuminating.
“With my first two records I was on a quest, searching for the meaning of life and love and absolutely everything, but in making this album I felt much more grounded,” says De Lassus, who notes that becoming a mother closely informed her songwriting on SISTER. “Instead of feeling nostalgic for the past or worried about the future, I’m living more fully in the present, and it makes all the colors feel deeper and more contrasted than they were before.”
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