EARLY RESPONSE TO SÉANCE "Ambitious and mindblowing." — MOJO Magazine
“Séance takes its lead from Brian Wilson, Pink Floyd and the Kinks... it’s as cohesive as it is ambitious. ★★★★” – i94bar
"A meditation of sorts on life after death, Séance has detailed production, strong melodies, smart arrangements and restraint, a far cry from the frantic punk of their youth — more XTC than GBH, if you will." — TrouserPress.com
“A masterful romp through the late ‘60s but created by storied punk veterans.” – BraveWords.com “Bassist Paul Gray views Séance as a mixture of The Damned, Cheap Trick and the Kinks, and I wouldn’t disagree. It’s an expression of joy for all four participants playing together.” – OX-Fanzine “Séance shows a rich vein of creativity rarely seen these days. The title track is a power pop gem that is stacked high with melody and vocal harmonies. It brings to mind Jellyfish at their best... ‘So Long’ drives along in a way that’s reminiscent of Rush’s ‘Analogue Kid.’ A joy to listen to.” — Fireworks Magazine “’Time Machine’ is sunny, bouncy pop of the highest order, and Paul Gray’s bass work is a serious highlight of an already excellent disc. Séance is a contender for my favorite album of 2020” – Musoscribe.com
“12 addictive songs. Love it!” – KeysAndChords.com “An album secure in its own grooves and passion, Séance is absolute fun.” – Liverpool Sound And Vision
“The album flits between multiple styles, from Kinks-style music hall pop, to Beatles-esque orchestration and layered Beach Boys-influenced surf rock.” – EssentiallyPop.com “Professor and the Madman has a class to teach.” — LA Weekly |
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