Badu recently entered the tech space as a visionary to create the ambitious Quarantine Concert Series: The Apocalypse. The series married technology with Badu’s creative vision to give users an unmatched, first-of-its kind, intimate and interactive steaming experience that maintains the integrity of her live shows. Of the series, Badu told New York Times in Sunday’s Arts & Leisure cover story, she planned on sharing her new-found technical prowess and platform once she made all the mistakes first. And she is making good on what she told Variety “Let me perfect this and figure it out and make these mistakes and be the guinea pig, and then I’ll bring (artists) in.”
Nick Hakim first entered Badu’s consciousness when, in the course of her trading music recommendations with André 3000, he sent along a link to Hakim’s song “Roller Skates.” After finding herself “instantly drawn” to the song, Badu went down a Nick Hakim rabbit hole, which resulted in her reaching out to him over Instagram. From there the two discovered that they not only shared a host of mutual friends, but more importantly that they live in same world of tones and chords; so much so that a number of Nick’s songs were written in the same chords and utilizing similar sounds to songs Badu wrote as early as age 7. However, as Badu tells it, the most striking similarity between the two is the ways in which their music elicits “sorry, joy and nostalgia” — the full breadth of human emotion.
Watch this space for more news and information around Erykah Badu’s “Too Sensitive”
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