FAILURE RELEASE DEPECHE MODE COVER: “ENJOY THE SILENCE” Spotify: https://spoti.fi/2Zxa4VV; YouTube: https://youtu.be/p1M6ir5JArQ | ||
July 3, 2020, LOS ANGELES – Failure have released a newly recorded cover of the Depeche Mode classic, “Enjoy The Silence” (Spotify: https://spoti.fi/2Zxa4VV; YouTube: https://youtu.be/p1M6ir5JArQ). “We originally recorded a cover of ‘Enjoy The Silence’ for the 1998 Depeche Mode tribute, For The Masses,” says Ken Andrews. “That album has all but disappeared, no longer in print and not available via streaming platforms but we as a band are proud of our take on that song and had wanted to re-record it for some time. With the blessing of both Martin Gore and Depeche Mode, we re-addressed our version and came up with this new version for 2020.” The digital single arrives at a time when Failure had been slated to perform a series of live residencies in Chicago, Los Angeles, and New York City. Those dates have since been cancelled due to COVID-19. | ||
The band is taking pre-orders for FAILURE 1992-1996 (https://www.hellomerch.com/collections/failure), a four-piece vinyl box set featuring the three ‘90s-era albums. With the original masters finally being unearthed, Comfort, Magnified and Fantastic Planet have been meticulously restored, remixed, and remastered by Ken Andrews to a new level of sonic fidelity that eclipses all previous iterations of the band’s early work. “Almost everything people have heard from these albums has been sourced from 16bit digital files made in the ‘90s, which was state of the art at the time,” explains Andrews. “But when we found out we were getting our hands on the original analog master tapes, and with all the confusion and lack of quality control on several of the previous iterations, we set out to create the definitive versions of Comfort, Magnified and Fantastic Planet. Everything has been sourced directly from first generation multitrack and stereo master tapes. This is us finally getting to present our early work the way we’ve always wanted to.” In addition to all the originally released songs from the three albums, the band has discovered several unreleased songs which have also been restored and will be included in the box set. “Listening to the b-sides and outtakes from that first year of being a band takes me right back to playing the tiny stage at Jabberjaw in Los Angeles,” adds bassist/guitarist Greg Edwards. “It’s always surprising to me how much of the expansiveness and atmosphere of the later records exist in embryonic form on those earliest stripped-down recordings.” “These new versions have all the magic from the originals, but now, instead of looking through a hazy pane of glass, the window has been completely opened and you can hear all the elements in their full glory,” explains drummer Kellii Scott. | ||
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