(‘Envejeciendo’ Cover Art by Holland Brown - download high res HERE)
The tracks on Envejeciendo are anchored in the Usbeck’s personal experiences with adulthood. After recently forcing herself out of a depressive, aging-induced slump, Usbeck was determined to have fun with the subject matter. The album is peppered with personal anecdotes and nods to her firsthand fieldwork into the aging process. Particularly moving are the samples of a recorded interview with Usbeck’s late Ecuadorian grandmother, who speaks animatedly about her girlhood suitors and imagines what her life could have been had she married someone else. It’s this tone of nostalgic joy, coexisting with curiosity for futures both impossible and unrealized, that runs throughout Envejeciendo.
For Usbeck, even cloudier subject matter like elderliness and death is rife with humor and optimism, evidenced in her buoyant brand of sunshine-dappled pop music. Flanked by drum machines and mirror-polished production, Usbeck imagines a futuristic version of retirement homes that are more like “really fun hotels,” robot caretakers, and Brave New World-esque rejuvenation drugs. Sonically, there are still ties to the Latin American textures of her childhood — the ones that informed her last album, the tropical bricolageAmparo — but here, those textures are filtered through the 80’s synth pop and early 90’s tech-house fixations of Usbeck’s teenage years.
Born in Quito, Ecuador, she moved to the states at 17 to attend art school, and found herself fronting the new wave band Selebrities. But, after five years of singing in English, the polyglot decided to let her mother tongue speak. Amparo, Usbeck’s 2016 Caroline Polacheck co-produced solo debut, was a return to her Latin American roots, sung almost entirely in Spanish, written and recorded across Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn.
Previous praise for Amparo:
“Beautiful, Spanish-Language Debut...Maria Usbeck, formerly lead singer of the great new wave band Selebrities, does something completely different on [Amparo]’—and it’s not just swap out the old fuzzy guitars for soothing harp and quena flute.” - The FADER
"You don’t even have to understand what Usbeck is singing to appreciate the depth of emotion and beauty here." - Stereogum
“Maria Usbeck's timeless solo debut LP is a somewhat unexpected, subtly dazzling triumph that registers as one of the most pleasant surprises of the year. “ - Gorilla vs. Bear
"Maria Usbeck has made a perfect modern indiepop record that floats effortlessly through the ether, but is anything but disposable." -KCRW
“[Amparo] is full of immaculately arranged instruments... Don’t let this one slip under your radar.” - Consequence of Sound
"If you don’t understand Spanish, you might feel compelled to learn it just to understand her narrative." - SPIN
“...Usbeck takes elements of South American music and adds her own pop-infused touch...In combining these fleshly Latin elements with Western-sounding production, Usbeck succeeds in creating a wholly original sound.” - CRACK
“Usbeck's latest track is a blissful and tropical song laden with harp strings, piano, and wooden block percussion - a gorgeous instrumental dream and the perfect bed for Usbeck's Spanish language vocal.” - The Line of Best Fit
“Quito-born Usbeck sings ‘Moai Y Yo’ in her native Spanish, backed by the gentle lapping of water, sparse percussion and the eventual layering of her vocals into a moving, chanting chorus.” - Cool Hunting
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