Photo By Adrian Boot
Early Praise for Mutator:
“Mutator exemplifies Vega’s extremist senses of doom and beauty. On ‘Fist,’ Vega croons ‘Destroy the dominators,’ over a bed of swamp-crawling synths and a deadpan hip-hop beat, while on the bucolic ballad ‘Samurai,’ he declaims lyrics that are by turns ominous and impenetrable.” The New York Times (Read the Feature)
“a unique balance between mesmerizing and abrasive — locked in a steady drum groove with one synth swirling languidly while the other whirrs with a relentless fury”
Rolling Stone
“Vega’s brazen subversion allowed him to permanently break the cultural mould.”
The Wire
“Still timelessly relevant and utterly magnificent” 5* Record Collector
“ghostly and throbbing” Stereogum
“a dark and danceable record that reflects both the era in which it was made and Vega’s singular musical worldview.” AV Club
“Vega proves to still be that innovator and revolutionary with Mutator.” FLOOD
“very cool, very Vega” Brooklyn Vegan
Today sees the release of Alan Vega’s lost album, Mutator. Vega’s name is synonymous with unfettered creativity, and his work proved informative in the invention of industrial, synth/post punk and genres beyond. From the late 1950s, through his years playing in Suicide, and all the way up until his death in 2016, Vega was constantly creating. This process naturally led to a wealth of material that didn’t see the light of day immediately when it was recorded, which came to be known as the Vega Vault.
Mutator is the first in a series of archival releases from the Vault that will come out on Sacred Bones Records. It was recorded with his longtime collaborator Liz Lamere and discovered in the vault in 2019 by both Lamere and his close friend and confidante Jared Artaud. Soon after they mixed and produced the songs into the visionary album that was lurking within those tapes.
The Vega Vault’s creative director Michael Handis and film director Douglas Hart (The Jesus & Mary Chain) have teamed up for a moving archival video homage for Mutator single, “Muscles”. Hart reveals, "When I was 15 years old, an arts show on British TV called ‘Riverside’ showed the video for Suicide’s ‘Frankie Teardrop.’ This video became for me the nexus between music and images... Those sounds and frames have haunted and sustained me for 40 years. So to be involved in bringing the Vega Vault to life for ‘Muscles’ blows my f**king mind - a dream project for me."
Handis adds, "The Vega Vault's visual collection showcases the true spectrum of Alan Vega’s persona with intimacy - the artist, the poet, the musician, the style icon, the unifier, the polarizer. Douglas Hart's touch pushes these rare and unseen images beyond their digital threshold, mutating static stills into a full-on optical assault. This kinetic approach to the archival photography mirrors the blazing spirit of Alan Vega - primitive yet simultaneously futuristic. And totally cathartic.”
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