3/12/2013

ADULT. Announce New Record Out 5/14 On Ghostly

 
ADULT.
"A good friend of ours said after hearing an advance copy of this record that ADULT. used to sit on the sidelines and critique the idiosyncrasies of culture, but now we are on the inside, sending our message out." So says Adam Lee Miller of The Way Things Fall, ADULT.'s fifth album and a record that genuinely deserves the oft-abused music industry epithet "long-awaited." Miller pauses before adding wryly, "We agree." The Way Things Fall is an album that looked like it might never happen, because since the release of Miller and his partner Nicola Kuperus' last record — 2007's Why Bother? — the duo have been largely absent from the world of music. "After a long world tour, we totally burnt out," Miller relates. "We decided we wanted to do something completely different." That something was a trilogy of films entitled the Three Grace(s) triptych, completed in 2010, along with a variety of other pursuits, including managing a major commercial building renovation and working on their visual art projects.
When Miller and Kuperus re-entered the studio in 2012, there was no intention of making another album — they planned to record a 12" containing two new songs they'd written in 2012 for their return to live performance at the Detroit Museum of Contemporary Art. But it turned out that the time away from music had recharged ADULT.'s batteries, and then some. "We were apparently a dam that was ready to break," says Kuperus. "We were writing frantically, as if in a frenzy."
The result is a record that sounds both focused and coherent, flowing with a conceptual ease. "[The album] flowed efficiently and agreeably for us," says Miller. "We have never worked better together. We believe this is because we exorcised all of our demons through our past records, we have no baggage, we started anew. We left behind the self-conscious adolescents." And indeed, ADULT. have never sounded so self-assured, so poised, and so vital.
The songs are some of the most memorable the band have recorded — Miller describes them as "the closest we have to come to writing traditional 'pop' songs, even though we know they are totally mutants," and he's right on both fronts. From the whiplash synth lines of the opening "Heartbreak" to the ship's bell sample that closes the record, the songs are full of the sort of memorably twisted melodies we've come to expect from the band. Analogue sounds predominate, and notably, there's no bass guitar at all: "This wasn't a conscious decision, but something realized at the end of the process."
The lyrics address issues that Kuperus describes as "personal and universal," illustrating themes of relationship-related fear and doubt with striking and occasionally surrealist imagery — "Nothing Lasts" finds Kuperus claiming "I can see in to your mouth/ Down into your throat/ Straight to your heart/ Tears me apart", while the somber "A Day Like Forever" deploys images of time stretching and disappearing, and "Tonight, We Fall" describes feelings as tangible objects that "stick to you, stick to me." The contrast between the reflective lyricism and the squelching analogue synth textures they inhabit creates music that's both deeply heartfelt and viscerally thrilling, something that's been a constant feature of ADULT.'s work over the years.
Previous Press /
"Grim, stripped-bare techno, razor-sharp synth-pop, and snarling electro-punk...It's terrifically conceived and even more terrifically crafted, the sort of record so perfect in its own aims that parsing out influences or agendas seems a fool's game. These tracks, this duo, this entity that is Adult.: they're a great and interesting thing, this nation's best inducers of head-banging, high-speed driving, amazed chuckles, and giddy bedroom shout." Pitchfork
"Itchy gothic synthcore...Detroit's eeriest, scariest, plain witchiest couple...Compressing the sound of gothic cathedral symphonics into the frame of a stuttering, cobwebbed Casio, Millar ratchets up the disco glitch into a ferociously minimal, hyper-tense techno rush." NME
"Sterile, synth-soaked productions." XLR8R
"Like snorting Paxil-laced Adderall off a Fad Gadget lithograph, Adult. is cathartic cabaret for the sketched out...The gnarled vignettes aim to alienate, which only further endears core fans, whether electro heads, electroclash survivors or no-wave fetishists. URB


The Way Things Fall Tracklisting /
01. Heartbreak
02. Idle (Second Thoughts)
03. Tonight We Fall
04. New Frustration
05. Love Lies
06. At The End Of It All
07. Nothing Lasts
08. A Day Like Forever
09. We Will Rest
10. Rise & Fall

Links /
Ghostly International

3/09/2013

Wire To Release Change Becomes Us On March 26

 Wire To Release Change Becomes Us On March 26 
Download "Love Bends" At Stereogum 
Second Set In The Band's Legal Bootleg Series Available Now 

Wire has announced the release of Change Becomes Us due March 26 on Pinkflag. In anticipation of the album's release Stereogum is running an MP3 premiere of "Love Bends." Additionally the band properly launched the second set in the "Legal Bootleg Series." The newly released live recordings are from Wire shows and sessions at Nottingham Social (February 23, 2000), WFMU (April 4, 2011) and KEXP (April 13, 2011). More information and order links are available on the band's website.

In spring 2012, Wire's plan had been to convene at Rockfield Studios in Wales to review the rudimentary blueprints of songs that had never made it beyond a few live performances in1979 and 1980 - a time when the band-members were in creative overdrive yet the band itself was disintegrating. The aim wasn't simply to resuscitate and record old songs; in fact, many of them hadn't become proper songs in the first place, existing only as basic ideas or undeveloped parts. Rather, the objective was to approach that unrealized work as an oblique strategy, a potential springboard for Wire's contemporary, forward-looking processes - a possible point of departure for new compositions.

This took place with Wire firing on all cylinders, as a four-piece studio entity again, the core line-up of Newman, Graham Lewis and Robert Grey now enhanced by guitarist Matthew Simms. Simms had played a key role in helping the band to cultivate and shape its new sonic landscape throughout the preceding year's live work. Out of the exploratory Rockfield session and subsequent, extensive development and production at Newman's Swim Studio, the ostensible source material became, in the classic Wire tradition, something quite other than what it may have once been - or what it might have become if it had been pursued in 1980.

"Love Bends" is a case in point. Its roots lie in "Piano Tuner (Keep Strumming Those Guitars)" - the raucous, octave-hopping number performed in February 1980 at the Electric Ballroom in Camden and preserved on Document and Eyewitness. But it's now morphed, improbably, into an irresistible, totally modern pop song. "It had to be turned into something else," explains Lewis, "because it only really had one bit." Just as improbably, the gently lilting "Re-invent Your Second Wheel" is tangentially connected to the notorious "Zegk Hoqp," which was more of a one-time happening than a song at the Camden gig: mostly shouting and banging, executed by a stage- full of Wire cronies in funny hats. "It was written for performance, around people with newspaper headdresses; not with music in mind," Lewis emphasizes. Similarly transformed, "& Much Besides" is a six-minute oneiric-melodic interlude that gives no hint of its putative origins in "Eastern Standard" - a dreary, obtuse three-minute track from the Electric Ballroom concert.

Newman's songwriting and production on Change Becomes Us reimagines the past in ways that ultimately break any substantive connection with it, making entirely new pieces - and these songs themselves enact Wire's restless drive to become other, often thriving on a fundamental tension between opposing sonic characteristics. With its stop-start, soft-hard, quiet-loud structure, "Adore Your Island" veers between what Newman describes as "prog and unhinged punk rock," never quite resolving itself; the drama of "Attractive Space" hinges on a progressive splitting of the song's personality, between its calm, expansive, anthemic orientation and an increasing sense of intensity and claustrophobia.

Change Becomes Us encapsulates the paradoxical essence of Wire's creativity. The tendency of these new songs to refuse a single, settled identity is emblematic of the band's ever-evolving aesthetic - one that's always hinged on sustained tensions and oppositions: between the familiar and the unfamiliar, the comfortable and the unsettling, the melodic and the brutal, the cerebral and the visceral, the smart and the moronic, the obvious and the inscrutable, the rational and the absurd. This intrinsic, core ambivalence generates the essential otherness that has characterized Wire's most memorable, distinctive work - from the epochal innovations of Chairs Missing and 154 to the electronic-pop deconstructions of A Bell Is A Cup to Send's postmodern-punk expressionism and the widescreen lyricism of Red Barked Tree. Change Becomes Us is an undeniable part of that illustrious lineage. Definitely more than just a good idea at the time. - Wilson Neate (Author of Read & Burn: A Book About Wire)
  
For more info, please visit:

The Knife-A Tooth For An Eye

 
Directed by: Roxy Farhat and Kakan Hermansson
 
 
Today, The Knife unveil A Tooth For An Eye from their forthcoming album Shaking The Habitual and premiere their video directed by Roxy Farhat and Kakan Hermansson.
“A Tooth For An Eye” deconstructs images of maleness, power and leadership, Who are the people we trust as our leaders and why? What do we have to learn from those we consider inferior?
 In a sport setting where one would traditionally consider a group of men as powerful and in charge, an unexpected leader emerges. A child enters and allows the men to let go of their hierarchies, machismo and fear of intimacy, as they follow her into a dance. Their lack of expertise and vulnerability shines through as they perform the choreography.
Amateurs and skilled dancers alike express joy and a sense of freedom; there is no prestige in their performance. 
The child is powerful, tough and sweet all at once, roaring “I’m telling you stories, trust me” (a quote borrowed from Jeanette Winterson’s novel The Passion).
There is no shame in her girliness, rather she possesses knowledge that the men lost a long time ago.
Watch the film on theknife.net
 
The track 'Tooth For An Eye' is available to download next week on Tuesday March 12th, 2013, Shaking the Habitual will be available on April 9th, 2013.
 
A TOOTH FOR AN EYE SONG LYRICS:
Under the sun
Look what we have got
And those who haven’t
Bad luck

We’ve been running ’round
Pushing the shopping cart
January twothousandtwelve
Even in the suburbs of Rome

A brick in a castle
A camp for those on the run
Dance as weapons
Release my

Eyes eyes eyes eyes tell me you
Some other kid is sucking on my thumb
Eyes eyes eyes eyes tell me you
Another kid needs to suck on my thumb

Under the sun
Picking piles of flowers for the flowers’ pot
It’s all that I’ve got

On my doorstep
A screaming hand
I’m telling you stories
Trust me

Rewrite history
To suit our needs
Open my country
A tooth for an

Eye eyes eyes eyes tell me you
Some other kid is sucking on my thumb
Eyes eyes eyes eyes tell me you
Another kid needs to suck on my thumb

Border’s lies
The idea of what’s mine
A strange desire
Drawing lines with a ruler
Bring the fuel to the fire
 
Artwork Credit: Liv Strömquist
 
 
The Knife: Website | Facebook | Twitter
A Tooth For An Eye: Youtube | Soundcloud

3/05/2013

The Deer Tracks: on the East Coast

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

GLISS RELEASES THIRD LIVE ACOUSTIC VIDEO

GLISS RELEASES THIRD LIVE ACOUSTIC VIDEO
PERFORMING AT SXSW MUSIC CONFERENCE

Watch Into The Water and Blur 
As they continue to topple alternative specialty radio charts, Los Angeles trio, Gliss, is pleased to release the third of the live session videos, this one for their track "Weight of Love," directed by Dominic Loverde. This comes from a series of five acoustic videos the band will be releasing via Under The Radar Magazine every Monday over a period of five weeks. As previously announced, watch the first video here and the second here. According to the band, the videos were "filmed on a cold and rainy California day far up in the mountains," and the chilled mood is evident through the cascading images and sounds. Gliss is finishing up their Monday February Residency at Los Globos in Silver Lake, Los Angeles, see the final date below as well as preliminary SXSW dates. Their newest album,Langsom Dans, was recently released via Modern Outsider.


Danish/American band Gliss makes a huge departure from their old sound on the new record Langsom Dans which is gathering comparisons to Beach House, Crystal Castles and Lower Dens. The LA based trio, consisting of Victoria Cecilia, Martin Klingman and David Reiss, pour their collective musical imaginations into recording timeless art pop with a precise Scandinavian texture that steps away from their previous work. The 12-track LP features heavy synths and electronic beats with Danish expatriate, Victoria Cecilia, stepping into the role as lead singer. The passionate vocal harmonies dictate the recordings with stories of coming out of the darkness into a new life, bringing to mind The XX, Portishead and Depeche Mode.

Langsom Dans Tracklist:
01. Blood On My Hands
02. A To B
03. Into The Water
04. Weight Of Love
05. Blur
06. Hunting
07. Waves
08. The Sea Tonight
09. Through The Mist
10. In Heaven
11. Black Is Blue          
12. Kite In The Sky

Tour Dates: 
03/06 - Scottsdale, AZ @ The Rogue
03/08 - Denver, CO @ Gathering Of The Clouds
03/12 - Austin, TX @ Gueros (4:45)
03/13 - Austin, TX @ Maggie Mae's (9:00)
03/14 - Austin, TX @ Home Slice Pizza Party (1:30)
03/14 - Austin, TX @ 4407 Avenue C (3:20)
03/15 - Austin, TX @ Mellow Johnny's (KEXP 5:30)
03/17 - El Paso, TX @ Low Brow Palace
03/19 - Tucson, AZ @ Plush
04/06 - Los Angeles, CA @ Bootleg Theater w/ The Warlocks
05/03 - Leeds, UK @ Live At Leeds
 
   Credit: Zac Taylor 

3/04/2013

UNKNOWN MORTAL ORCHESTRA SHARES VIDEO FOR "SWIM AND SLEEP" VIA VEVO

UNKNOWN MORTAL ORCHESTRA SHARES VIDEO FOR "SWIM AND SLEEP" VIA VEVO

ANNOUNCES SXSW SCHEDULE
PLAYING FREE NYC SHOW JUNE 28TH AT SEAPORT MUSIC FESTIVAL AT PIER 17


Unknown Mortal Orchestra photographed by Neil Krug
Following the release of their brand new record II and their recent performance on Late Night With Jimmy Fallon, Unknown Mortal Orchestra is sharing their puppet-filled music video for "Swim and Sleep (Like A Shark)". In addition to the new video the band has announced their six performances at SXSW, as well as a show at South Street Seaport in New York City this June. Check out the video along with all upcoming tour dates below.
 
VIDEO: "Swim and Sleep" - http://youtu.be/E6Niqxw_Yz0
   
SXSW DATES
 
03/13 - 5:30pm - Mellow Johnny's Bike Shop - KEXP Showcase
03/13 - 11pm - Scoot Inn - Life or Death PR Showcase
03/14 - 3:45pm - 1100 Warehouse - Pitchfork Unofficial Day Party 
03/14 - 1am - Red 7 - Jagjaguwar Label Showcase 
03/15 - 1:50pm - Stubbs BBQ - SPIN Media Official Party 
03/16 - 5pm - Old Emos - Brooklyn Vegan

TOUR DATES
  
03/04 - Wrong Bar - Toronto, Canada +% - SOLD OUT
03/06 - Hope College - Holland, MI +% 
03/07 - Lincoln Hall - Chicago, IL % - SOLD OUT
03/08 - Bluebird Nightclub - Bloomington, IN +% 
03/09 - Firebird - St. Louis, MO +% 
03/11 - Opolis - Norman, OK +% 
03/12 - Club Dada - Dallas, TX +% 
03/18 - Larimer Lounge - Denver, CO +% 
03/19 - Urban Lounge - Salt Lake City, UT +% 
03/21 - Treefort Music Fest - Boise, ID 
03/22 - The Crocodile - Seattle, WA +% - SOLD OUT
03/23 - The Media Club - Vancouver, Canada +% 
04/05 - Aladdin Theater - Portland, OR %
05/01 - King Tuts - Glasgow, UK
05/02 - Academy 2 - Dublin, Ireland
05/03 - Liverpool Sound City - The Garage - Liverpool, UK
05/04 - Cockpit - Live at Leeds - Leeds, UK
05/06 - Deaf Institute - Manchester, UK - SOLD OUT
05/07 - Thekla - Bristol, UK
05/08 - Institute - Temple Room - Birmingham, UK
5/10 - ATP Festival curated by TV on the Radio - Camber Sands, UK
05/11 Les Nuits Botanique - Rotonde - Brussels, Belgium
05/12 - Zoom Club - Frankfurt, Germany
05/13 - Strom - Munich, Germany
05/14 - Luxor - Cologne, Germany
05/16 - Village Underground - London, UK - SOLD OUT
05/17 - The Great Escape - Brighton, UK
05/18 - Le Guess Who - Utrecht, Netherlands
05/20 - Prinzenbar - Hamburg, Germany
05/21 - Vega Small Hall - Copenhagen, Denmark
05/22 - Merleyn - Nijmegen, Netherlands
05/23 - Rotown - Rotterdam, Netherlands
05/24 - Villette Sonique Festival - Paris, France
05/25 - London Calling - Amsterdam, Netherlands
06/28 - Seaport Music Festival at Pier 17 - New York, NY
07/04-07 - Roskilde Festival - Roskilde, Denmark
  
+  with Foxygen
% with Wampire

MAGIC WANDS : 'Diamond Rain' - brand new single by US dream-pop duo out 14th August 2026 (Metropolis Records)

        MAGIC WANDS DIAMOND RAIN new single out 14th August 2026 (Metropolis Records) stream   |   Bandcamp   |   video MAGIC WANDS | live ...