11/05/2012

JOHNNY MARR TO RELEASE DEBUT SOLO ALBUM THE MESSENGER FEB 26 VIA SIRE/ADA

 
JOHNNY MARR TO RELEASE
DEBUT SOLO ALBUM  
THE MESSENGER
FEBRUARY 26 VIA SIRE/ADA

 
Johnny Marr, one of the most celebrated and influential guitarists in the history of contemporary music, will release his first ever solo album, The Messenger, on February 26 via Sire/ADA. The 12-song set captures Marr's musical vision exactly as he imagined, featuring his signature guitar and vocals front and center with a sound which mixes elements of angular art rock and rock n' roll.

The release of The Messenger marks a significant milestone in Marr's distinguished career. First known for his work alongside Morrissey as the creative force behind The Smiths, Marr has spent the last two decades collaborating with a diverse array of acclaimed bands, including Talking Heads, Pet Shop Boys, The The, Electronic and more. Marr was a member of the Modest Mouse line-up for 2007's We Were Dead Before The Ship Even Sank which debuted at #1 on the Billboard Top 200. Similarly, Marr joined The Cribs when they hit the Top 10 with their 2009 release Ignore The Ignorant. Throughout this time, Marr earned recognition as one of the greatest guitar players of all time from such outlets as Rolling Stone and SPIN. With The Messenger, Marr continues to evolve as he steps into the spotlight for the first true solo album of his career.

The Messenger was written and produced by Marr himself. Based in Portland, Oregon since 2005, Marr returned to the U.K. in early 2012 to commence work on the album. Recorded in Manchester and Berlin, it was mastered at Abbey Road by Frank Artwright who recently collaborated with Marr on the remastering work for The Smiths' box set Complete.

Official site                      Facebook                           Twitter


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11/04/2012

The Babies - Our House on the Hill

The Babies - Our House on the Hill

Street Date, November 13th, 2012, Woodsist
After their first full length album on Shrimper Records, a demos EP on New Images, and scores of singles on U.S. and international record labels, The Babies second album Our House On The Hill is their Woodsist Records debut and the first with new bassist, Brian Schleyer.

While the band was originally conceived as a side-project outlet for Kevin Morby and Cassie Ramone - along with drummer Justin Sullivan - to trade song ideas and play house parties, 2011 saw the project grow into a full-time affair. The band spent much of the year touring the U.S. and abroad, all the while writing new material, both in their home of Brooklyn and during a two-month sojourn in Los Angeles.

In February 2012, the band swapped their usual environs of Brooklyn’s Rear House recording studio and spent two weeks in Los Angeles working with Producer Rob Barbato (Darker My Love, The Fall, Cass McCombs). The increased time and focus allowed them to explore musical directions only hinted at on their first album. Thus, Our House On The Hill features hushed dirges, melancholic traveling odes and squealing rave-ups, all made cohesive by Kevin and Cassie’s captivating songwriting and lyrical themes. Organ, piano, saxophone and even strings play a supporting role in enhancing the aural atmosphere, which finds the band finally realizing a sound that can be called their own. Simple yet thoughtful; familiar yet haunting. Sweet but somber.

“The set opener, “Alligator,” is conversational in tone and acts to disarm the hardened listener with its pop confection and curve ball time change signatures on a check of solid Gang of Four gold. “Yo, I dig your hair, I gotta tell you about these holes in my pants, I would rather not hold yer hand. You get the drift.”

Cassie evokes Anna Karina if she were in The Shangri-La’s instead of Godard films in “See the Country” and then married throughout the entire record are those otherworldly harmonized “oohs” & “aahs” by Kevin & Cassie that’ll make the stubble on your spine take notice if you are still one of them folks in need of oxygen to breathe. The switchblade knives & butterfly stitches that paint the heartache and conflict throughout this long player will sharpen you for your next lovelorn argument, stumbling bar brawl between you & a reflection of your 17 year old self in the face of a tinfoil plated locket or for the working stiffs, that 3am Saturday drive home from the bad side of the tracks back to the sad side.
Put the needle on the flip and throw that break up layer of tears away: we got a ride to catch to that house on the hill.” - Dennis Callaci

Tour Dates:
11/13 Brooklyn, NY - Knitting Factory
11/14 New Haven, CT - BAR
11/15 Montreal, QC - Il Motore
11/16 Toronto, ON - Silver Dollar
11/17 Detroit, MI - Garden Bowl
11/18 Chicago, IL - Schuba’s
11/19 Madison, WI - Mickey’s Tavern
11/20 Minneapolis, MN - 7th St Entry
11/21 Des Moines, IA - Vaudeville Mews
11/23 Kansas City, MO - Riot Room
11/24 Denver, CO - Hi Dive
11/25 Salt Lake City, UT - Kilby Court
11/26 Boise, ID - Neurolux
11/28 Portland, OR - Holocene
11/29 Vancouver, BC - Media Club
11/30 Seattle, WA - Barboza
12/01 Olympia, WA - The Northern
12/03 Reno, CA - Holland Project
12/04 Sacramento, CA - Bows and Arrows
12/05 Oakland, CA - 1-2-3-4 Go Records
12/06 San Francisco, CA - Bottom of the Hill
12/07 Santa Cruz, CA - Crepe Place
12/08 Pomona, CA - VLHS
12/09 Los Angeles, CA - The Echo
12/10 San Diego, CA - Eleven
12/11 Tucson, AZ - Topaz Tundra
12/12 El Paso, TX - Lowbrow Saloon
12/13 San Antonio, TX - Korova
12/14 Austin, TX - The Mohawk
12/15 Dallas, TX - Bryan St Tavern
12/16 Memphis, TN - Hi Tone Cafe
12/17 Birmingham, AL - Bottletree
12/18 Atlanta, GA - 529
12/19 Durham, NC - The Pinhook
12/20 Richmond, VA - Strange Matter
12/21 Washington, DC - Comet Ping Pong
12/22 Philadelphia, PA - Kung Fu Necktie

Track List:
1) Alligator
2) Slow Walkin
3) Mess Me Around
4) Get Lost
5) Baby
6) Mean
7) On My Team
8) Moonlight Mile
9) See the Country
10) That Boy
11) Chase it to the Grave
12) Wandering

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11/03/2012

White Fence @ The Satellite






WHITE FENCE is playing at the Satellite tonight, Saturday, November 3rd 2012.



Photo: Angel Ceballos
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11/02/2012

WATCH HOW TO DESTROY ANGELS PERFORM "KEEP IT TOGETHER"

WATCH HOW TO DESTROY ANGELS PERFORM "KEEP IT TOGETHER" VIA PITCHFORK

PREMIERE FACTORY FLOOR REMIX OF "KEEP IT TOGETHER" VIA THE QUIETUS

AN OMEN_ EP DUE NOVEMBER 13TH VIA COLUMBIA RECORDS

Photo credit: How to destroy angels_
Watch: "Keep it together" - 

Listen: "Keep it together (Factory Floor Remix)" - 
 
How to destroy angels_ is a collective from Los Angeles composed of Mariqueen Maandig, Trent Reznor, Atticus Ross, and Rob Sheridan. An omen_ EP will
be their debut release on Columbia Records, available
November 13th digitally and on 12" vinyl. Watch an in-studio performance of "Keep it together" here. Then check out Factory Floor's excellent remix of "Keep it together" here.

 
How to destroy angels_
An omen_ EP
(11/13, Columbia Records)

1 Keep it together
2 Ice age
3 On the wing
4 The sleep of reason produces monsters
5 The loop closes
6 Speaking in tongues

Pre-order: An omen_ EP - 
 


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WATCH LIARS PERFORMING “BRATS” Live

 
 
This is the story of Liars crawling into an attack to perform “Brats”, the latest single off of their sixth studio release WIXIW. If you had to have anyone crawling around in your attic shaking out the cobwebs, might as well be these boys. Exploding with sound it is Aaron, Angus and Julian doing what they do best—cultivating the bizarre and embracing their music with abandon.
 
Special special love for everyone at Into The Woods.
 
 
 
 
“Fascinating turns of change have always been Liars' sole consistency, and in that respect, I hope they stay the same forever."
-Pitchfork
 
Photo Credit: Zen Sekizawa
 
Liars recently released remixes of  “Brats" on a 12” on October 16th. This is the first in a series of three albums to be released on vinyl all promoting singles off of WIXIW.
 
 
LIARS "BRATS" TRACKLISTING:
BRATS (album version)
BRATS - David Scott Stone remix
BRATS - Cadence Weapon remix
BRATS – Vessel remix
 
 
Liars - Angus Andrew, Aaron Hemphill and Julian Gross – also announce details of the re-release of three of their albums on vinyl. The band’s first three albums, They Threw Us In A Trench & Put A Monument On Top, They Were Wrong, So We Drowned and Drum’s Not Dead are reissued on 180g vinyl and a limited edition 7” featuring unreleased live recordings of ‘WIXIW’ and ‘Pillars Were Hollow And Filled With Candy So We Tore Them Down’ is available free, while stocks last, when you purchase from the band’s official shop: www.liarsliarsliars.com.
 
Angus Andrew explains the album title WIXIW’wish you’ is a familiar and universal sentiment of longing and hope, but when misspelt becomes uniquely shrouded and difficult to interpret, which in many ways is representative of our music and the songs we wrote for this album”.
 
WIXIW is Liars’ sixth studio album and the follow up to 2010’s critically lauded Sisterworld, which garnered an 8.1 Pitchfork rating and Best New Music. The album, with artwork designed by John Wiese, is available on CD, deluxe vinyl (with CD) and digital. The limited edition wax-dipped silk-screened vinyl made by Liars themselves is now sold out. 
 
Recorded in LA, self-produced by the band with additional production from Mute boss Daniel Miller and mixed by Tom Biller, the album is hard to shake, tough to pin down, and impossible to get out of one’s head even after an initial listen. Simultaneously the most accessible and most challenging release from these iconoclasts, it is both a summation of Liars’ work up to now, and a complete break from anything you’d ever heard the band do previously.
 
“If we aren’t confusing people, it’s not us,”
 
“If we aren’t confusing ourselves with what we do, then we’ve failed.”
-Angus Andrews
 
 
 
 

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ADULT. To Reissue Resuscitation And Release a 7" Single of Cover(s)


cover

ADULT. To Reissue Resuscitation And Release a 7" Single of Cover(s) 

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 "We've wanted to re-release this album [Resuscitation] for some time," says ADULT.'s Adam Lee Miller, "but we weren't ready until now. We have some new material in the pipeline, and we thought this would be a nice way to reintroduce ourselves."

It is indeed a nice way for the hugely respected Detroit duo to herald their return to the world of music, especially for anyone who missed out on Resuscitation the first time around — the album's never been available digitally, and the CD version has been out of print for some years now. The reissue thus presents the chance to own one of the more influential records of the early 2000s: either on double LP or, for the first time, as a digital release. Both versions come with four digital bonus tracks from the Resusciation era. Both releases can be pre-ordered now at The Ghostly Store exclusively. FACT Magazine shared the news yesterday.

The world last heard from Nicola Kuperus and Adam Lee Miller on their Let's Feel Bad Together EP, which dropped in 2008. Since then, they've been as busy as ever, but it's been with audio/visual projects, rather than recorded music — they spent the period 2008-2010 making the Three Grace(s) triptych, a 113-minute horror film trilogy that's been to film festivals as far away as Mexico City.
The new material mentioned comes in the way of two cover songs availbale as a 7" and/or digitally November 6th titled Shari Vari / 122 Hours of Fear. Their choice of the two covers that mark their return to recorded music are significant ones. "122 Hours of Fear," originally by The Screamers, sounds like it could have walked straight off the soundtrack to their own horror movie. "The Screamers are a major influence for us," Miller says, "and we first performed the song in February, at our first live show in two years."

Iconic Detroit techno track "Shari Vari," meanwhile, provides a link to the band's past, as well as to their city's cultural heritage — it was originally by Sterling Jones and Paul Lesley, aka A Number of Names, and as Miller says, " we remixed it in 2001, [but] we were never satisfied with our remix, so we decided it would be fun to approach it as a cover and see if we could figure it out better." The results rather speak for themselves, with Kuperus' vocals replacing the icy detachment of the original with a style that's both playful and mildly ominous.

Welcome back, ADULT.

MORE ABOUT RESUSCITATION 
When it first dropped in 2001, Resuscitation served as a de facto introduction to the duo, collecting a bunch of songs on CD that had only previously been available on hard-to-find singles and EPs. Eleven years later, it does the same thing, except this time around, we can see just how influential its creators' work has been — and ADULT.'s music only sounds more remarkable with the benefit of hindsight.
At the time, Resuscitation's combination of crisp beats, squelch-laden synths and Nicola Kuperus' detached monotone sounded like a broadcast from the future, steeped in the analog synth sounds of forebears like Kraftwerk but possessed of an ultramodern sheen all its own. The duo's visual aesthetic was just as important — Kuperus' photography adorned all their album packaging (including this re-release), and their live shows drew on a sense of what a reviewer once called "detached intrigue."
Echoes of ADULT.'s aesthetic can be heard today in everything from today's surfeit of analog synth-toting minimal wave bands to the highly stylized divas who dominate the pop charts. But really, in 2012 Resuscitation still sounds like no-one else. With new material on the horizon — starting with a double A-side cover version single, due out November 6th — it's time to fall in love with ADULT. all over again. And this is the place to start.

7" Tracklist:
A. Shari Vari
B. 122 Hours of Fear

-------------------

Rescuscitation 2xLP* Tracklist:

A1. Lost Love
A2. Hand To Phone (Cordless Mix)
A3. Minors At Nite (Still Sick)

B1. New Object (Edit)
B2. Contagious
B3. Mouth To Mouth
B4. Nausea (Restructured)

 C1. Pressure Suit
C2. Dispassionate Furniture (Reupholstered)
C3. Human Wreck (Radio Edit)

 D1. Side-Swiped (Extended Mix)
D2. Your Lies
D3. Skinlike (Equation Mix)

* Includes 4 additional bonus tracks never before released
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FIDLAR Premieres "Cheap Beer" Video on Noisey/Vice

FIDLAR Premieres "Cheap Beer" Video on Noisey/Vice

Self Titled LP Out January 22nd on Mom & Pop Records

Fall Tour With Jeff The Brotherhood And Delta Spirit



Click Here To Watch "Cheap Beer" Video (Directed by Ryan Baxley) on Vice/Noisey


Tour Dates
11-01 Houston, TX - House of Blues %
11-02 Austin, TX - Fun Fun Fun Fest
11-04 Dallas, TX - House of Blues %
11-08 Los Angeles, CA - The Wiltern %
11-09 San Francisco, CA - The Fillmore %
11-12 Salt Lake City, UT - The Grand %
11-14 Columbia, MO - Mojo's
11-15 St. Louis, MO - The Pageant #
11-16 Cincinnati, OH - Bogarts #
11-17 Detroit, MI - St. Andrews Hall #
11-19 Chicago, IL - House of Blues #
11-21 Cleveland, OH - Cambridge Room #
11-23 Phadelphia, PA - TLA #
11-27 New York, NY - Irving Plaza #
11-28 Boston, MA - House of Blues #
12-01 Paris, France - Espace B
12-02 Utrecht, Holland - Le Guess Who Festival
12-04 London, England - Dingwalls
12-06 Manchester, England - Soup Kitchen
12-07 Glasgow, UK - The Cathouse

^ with Pangea, the Shrine and Meat Market
% with Delta Spirit
# with Delta Spirit and JEFF the Brotherhood
Press Quotes
"Punk's not dead! And Fidlar are here from Los Angeles to prove it with three-chord thrashes that summon the spirit of 77" - Guardian
"Rock needs a band like this from time to time. Someone to remind all those Coldplay’s of the world where music’s balls are." - Nylon Guys
"FIDLAR channel elements of classic acts like the White Stripes and Pixies, while practically begging for a co-headlining tour with contemporaries like Bass Drum of Death and JEFF the Brotherhood" - SPIN
"The tune can be summed up in a handful of image descriptions; sandboarding, grim reaper, suicidal flip-up hat, skull mask, and shred." - Filter Magazine
"We all have a major music crush on FIDLAR here at VICE" - VICE
"They remind me of Pixies a lot (an obvious link, given the singer's Frank Black style screeeeeeam), but there's also some really, really nice'n'fuzzy guitars in there that sound like they've been nicked from the blueprint Death In Vegas followed on 'Aiesha'." - NME
"FIDLAR has an agressive, straightforward, but melodic conception of punk." - LA Times
"But one wouldn't mistake the band for one of its slacker subjects, not when they play this fast. The tracks sizzle with the aggression and bargain-price fidelity of the SoCal punk tradition, though FIDLAR's catchy hooks have more in common with Social Distortion and Wavves than Black Flag. " - MTV Buzz








"Thanks for coming, man. Want some bum juice?"
"What the fuck is in this shit?"
"Tampico and Everclear. It's pretty gross."
When they started in 2009, seeing FIDLAR meant showing up to a house party and eventually having this exchange with one of them. Zac Carper, The bands guitarist and singer (well, one of 'em) would hand you a red cup , throw an arm around your neck and probably end up blurting out how fucked up he was. Their set list would read more like a grocery list of party supplies than a list of songs: "Cocaine. Cheap Beer. Chinese weed. Four Loko."
After a few years of being a band Zac still plugs in his pedals attached to a skate deck ("Pedal board", get it?) and says "Hi We're FIDLAR: F-I-D-L-A-R. It means 'Fuck It Dog, Life's a Risk".  Seeing a FIDLAR set consists of drinking and dancing with people that are twice as drunk as you are while the band rips through songs about what they know best: The girl doesn't call, my ex is a whore, I lost my phone, my car is a piece of shit, my friends are pieces of shit, I do too many drugs, I'm really awkward, I love Del Taco.
FIDLAR is Zac Carper, Elvis Kuehn,  Brandon Schwartzel, and Max Kuehn.   Elvis and Zac met at Kingsize Soundlabs in LA and recorded a ton of demos with the band before playing a live show.  Their first show was on a FMLY bike ride at a skatepark in Culver City. Three years later the band has played with Black Lips, OFF!, Japanther and toured with The Hives.  They've released two EP's and just got back from touring Europe.
Listening to them, you can tell that the band did their homework on punk rock and seem dead set on inflicting lessons on anyone willing to listen.  Any given song will give you a Germs influenced guitar solo, the catchy "Ooo's" and "Ah's" of The Misfits , and lyrics in the same family as Black Flag's "Six Pack" and "TV Party" . On the same token they can just as easily be compared to any of the bands they cover (Blink 182, FEAR, CCR, Warron Zevon), yet it all comes across entirely their own: Surfier, Faster, more fuzzed out, more personal and a lot more drunk.
FIDLAR's first LP is coming out via Mom + Pop and Wichita recordings. Recorded at their home studio, The album is set to be 14 tracks long and out January 22nd.  FIDLAR are your dumbass friends that find a beer, scrape the shit off their shoes, and tell you how the hardest thing about waking up late and trying not to fuck up your life is having to do it with no job, no money and everyone bumming your cigarettes.
'FIDLAR' Tracklisting
01 Cheap Beer
02 Stoked and Broke
03 White on White
04 No Waves
05 Whore
06 Max Can't Surf
07 Blackout Stout
08 Wake Bake Skate
09 Gimme Something
10 5 to 9
11 LDA
12 Paycheck
13 Wait for the Man
14 Cocaine
 
 



Links:

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PUBLIC IMAGE LTD invade los angeles

 PUBLIC IMAGE LTDINVADE LOS ANGELESWITH CRITICALLY ACCLAIMED CONCERT AT CLUB NOKIAAND ONCE IN A LIFETIME DJ SET AT KCRW’S MASQUERADE BALL

PUBLIC IMAGE LTD are currently wrapping up their first U.S. tour since their 2010 reunion trek which kicked off at Coachella. In his live show review for Rolling Stone.com, Steve Appleford praised the iconic British group’s Los Angeles (Sunday, October 28, Club Nokia): “The piercing sound of John Lydon's voice is still like no other. During Public Image Ltd.'s two-hour concert at Club Nokia in Los Angeles on Sunday night, he sang with a mixture of biting antagonism and real vulnerability, filling the theater with a fiery wail and compelling new songs from the reunited post-punk originators.” Read the full Rolling Stone review here: http://www.rollingstone.com/music/news/public-image-ltd-lead-a-fiery-sermon-in-los-angeles-20121029

The night before the Los Angeles show, the PiL frontman JOHN LYDON regaled 3,000 party-goers with his first DJ set in over 15 years at tastemaker Los Angeles station KCRW’s Halloween Masquerade Party which took place Saturday, October 27 at Park Plaza Hotel in downtown Los Angeles (see JOHN LYDON’s full DJ set list below).

                      
Above: JOHN LYDON DJ set at KCRW’s Masquerade Ball. Credit Gary Leonard.

JOHN LYDON KCRW DJ SET LIST:
1. One Drop / PiL2. The Bomb (These Sounds Fall Into My Mind) / The Bucketheads3. I Feel Love / Donna Summer4. Open Up (Full Vocal Mix) / Leftfield Lydon5. Groove Is In the Heart / Deee-Lite6. Reggie Song / PiL7. Pump Up the Volume (7" Version) MAARS8. Lollipop Opera / PiL9. Heads High / Mr. Vegas10. Out Of The Woods / PiL11. Fernando / ABBA

The potent and eclectic PUBLIC IMAGE LTD line-up featuring JOHN LYDON (vocals), LU EDMONDS (guitar), SCOTT FIRTH (bass) and BRUCE SMITH (drums) continues to garner rave reviews for their epic, not-to-be-missed live sets. In a recent live review, Andrew Youssef of Stereogum was impressed by the “…a razor-sharp fifteen song set of his art-damaged punk.” (October 30, 2012). Elsewhere, Chris Young of the Orange County Register added, “Lydon, one of the more compelling singers in rock history, was a fireball of energy and hyper-kinetic movements as the synthesizer stabs of ‘This Is Not a Love Song’ kicked off the main set. ’Flowers of Romance’ was slinky and silky at the same time, with Scott Firth masterfully working over a stand-up bass for the hypnotizing groove. Playing out like a tribal romp, ‘Warrior’ inspired Lydon to stomp all over the stage, his voice razor-sharp and seething with bile.” (October 31, 2012)

PiL recently stopped at NPR affiliate The Current. Watch the group’s live performance of “Reggie Song” off their new album THIS IS PIL on NPR:
October 30, 2012


Up next, PUBLIC IMAGE LTD are wrapping up their headlining North American trek with shows in Houston, TX tonight Friday, November 2 and the Fun Fun Fun Fest on Saturday, November 3 in Austin, TX. One in-store appearance for JOHN LYDON remains on Saturday, Nov 3 at the Fun Fun Fun Fest-Waterloo Records Tent in Austin 4:00pm (Auditorium Shores, 920 W. Riverside Dr.).

The group--described as “a musical force taking a jackhammer to pop music’s boundaries” (Phil Gallo, BILLBOARD, 5/19/12)--are touring in support of their new album, THIS IS PiL. It was released May 29 this year via their own PiL Official label, with distribution through Redeye in the U.S. and Cargo in the U.K. and has generated overwhelmingly positive reviews from critics. Edward Kruty of Reuters called the band’s first album of new music in 20 years  "...a sprawling, hour-long musical journey that both evokes the PiL of old and pushes into new territory. A mixture of big, bassy, fast-moving tracks, some slower guitar pieces and Lydon's at times-unaccompanied voice, This is PiL has an epic album feel without being overblown” (October 18, 2012). THIS IS PIL features standout new tracks such as “Deeper Water,” “Lollipop Opera,” “One Drop” and “Out of the Woods.” On October 1, a new AA side single titled “Out Of The Woods/Reggie Song” was released in CD, digital and as a special 12 inch Vinyl.

Following are the remaining U.S. tour dates for PUBLIC IMAGE LTD:
DATE

CITY
VENUE

Fri
11/2
Houston, TX
Scout Bar

Sat
11/3
Austin, TX
Fun Fun Fun Fest

 
PUBLIC IMAGE LTD:
@pilofficial

 KCRW: JOHN LYDON Q&A + “Out Of The Woods” online video premiere
http://blogs.kcrw.com/musicnews/2012/10/kcrw-premiere-public-image-ltd-out-of-the-woods-video/


PUBLIC IMAGE LTD perform live at Club Nokia in Los Angeles. Credit: Kevin Estrada.

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KING DUDE LAUNCHES WEST COAST TOUR TONIGHT

KING DUDE LAUNCHES WEST COAST TOUR TONIGHT

SHARES NEW VIDEO FOR "I'M COLD"

BURNING DAYLIGHT AVAILABLE TODAY FROM DAIS

King Dude photographed by John Watson

Following the recent release of his new album Burning Daylight, King Dude starts his West Coast tour this evening. To celebrate the occasion, he's sharing a new video for Burning Daylight cut "I'm Cold". Watch the sinister Justin Oakley & Amanda Row-directed video below, along with all upcoming King Dude tour dates.

VIDEO: "I'm Cold" - http://youtu.be/RbXKD6AhgYw

TOUR DATES 

11/02 Vancouver, BC - LanaLou's
11/09 Seattle, WA - Chop Suey
11/10 Portland, OR - Rotture
11/12 San Francisco, CA - Elbo Room
11/13 Los Angeles, CA - Down & Out
11/14 San Diego, CA - Soda Bar
11/16 Eureka, CA - The Shanty
12/07 Brooklyn, NY - Club Europa
12/08 Philadelphia, PA - First Unitarian Church
12/12 Chicago, IL - Empty Bottle
12/14 Oakland, CA - The Uptown
12/15 Oakland, CA - The Uptown

   
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11/01/2012

Mitchell Adam Lucker (October 20, 1984 – November 1, 2012)

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Mitchell Adam Lucker (October 20, 1984 – November 1, 2012)

There was a candle light vigil for Mitch Lucker of Suicide Silence tonight. He died this morning after being in a motorcycle accident. There was a vigil of 500+ people on Main Street and 12th street in Downtown Huntington Beach, CA. I was very close to there and have just returned home.
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BEAK> MONO>


BEAK> MONO>
         Release New Single on December 10th 2012
MONO single on 7” vinyl is out December 10th, 2012 on INVADA RECORDS UK.
 
BEAK> were formed in 2009 by 3 musicians, Billy Fuller (bass), Geoff Barrow (drums) and Matthew Williams (keys-axe).
 
BEAK> have a strong ethos to making records – all albums come from live improv sessions with all musicians playing together in one room, no preconceived written ideas and once recorded no overdubs or fixing – what you hear is what happened.
 
BEAK> have released 2 albums and toured extensively in Europe & the US, headlining shows and supporting Chris Cunningham & The Horrors along with playing many festivals in Europe (ATP, Primavera Sound, Route du Rock).
 
Despite BEAK> members all being in other bands they passionately feel that BEAK> should not be seen as a “side project” – they’re a real, continuous working band.
 
Although BEAK> have been played on specialist UK radio shows, this single "MONO"is the band's first track specifically taken to radio as a single.               
 
BEAK> are on tour throughout the UK this November and December and will announce US tour dates for early 2013 shortly. 
 
 
November 15           Leeds            Brudenell Social Club  
November 16           Manchester    Deaf Institute
November 17           Glasgow        Stereo
November 18           Dublin            Whelans
November 19           Liverpool        Kazimier
November 21           London          The Lexington
November 22           London          The Lexington *w/Thought Forms    
December 19           Bristol           The Exchange *Invada Party w/ Savages/
                                                   Thought Forms/The Fawns/Scarlet Rascal                                                                Train Wreck/Fair Horns/Guest DJ
 
About the album………..
 
"The results are impressive...a record that's heroically uncommercial but hypnotic none the less." -The Observer
 
"Theirs is a refreshingly opaque, charmingly fumbling sound world whose obstinate  primitivism can't conceal a playful musicality and facility for skewed, inside-outside grooves."    - MOJO
 
"It’s weird, timeless, gloom funk where ancient-sounding electronics phase in Silver Apples woose-glory, krautrock grooves melt into This Heat avant-punk minimalism, where Devo performs through a mouth full of cottonballs and a stomach of Codiene.” –Spin Best 40 LPs of 2012 so far.
  “Krautrock is synonymous with a certain rhythmic precision and propulsion, but BEAK> don't just lock into a motorik beat and activate the cruise control. Rather, they see the music as part of a broader continuum, digging up its roots in the frazzled psychedelia of Syd Barrett-era Pink Floyd, funk, and musique concrete...” Pitchfork
 
"Creativity prospers in hard times...Menacing and paranoid, this second album makes satisfying sense in 2012." - NME
 
"Music made for the sheer joy of making music."  -Q
   
 
“The slow build of "Kidney" feels: The move from a simmer into a raging boil feels inevitable and perfectly positioned in the track's running time. The push-pull of "Wulfstan II" has that same purposeful embracing of the quiet/loud dynamic. Nothing about the songs shock; you just give yourself over to the waves of volume and incident. What will surprise you is how much more of it you'll want to hear even after a full seven minutes of sound." -Alternative Press                                                                                                    
"Delightfully creepy"- The Fly
 
"A group playing exactly what they want, how they want and never mind the consequences." - Loud and Quiet
 
“The multiplying rhythms combining and spinning on top of each other provide a dense network to get lost in, as well as the vocals leading you down the rabbit hole to get there.”- Consequence of Sound. 

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Jah Wobble and Keith Levene "Yin & Yang"


Jah Wobble and Keith Levene "Yin & Yang" 
Available on December 11

The first collaboration by Public Image Limited founding members since the landmark 1980 album "Metal Box"  

FREE DOWNLOAD of "Yin & Yang" HERE (Explicit)

 

Due for release on Cherry Red Records (via MVD in North America) on December 11, Yin and Yang is the first full-length collaboration by PIL founding members Jah Wobble and Keith Levene since the landmark 1980 album Metal Box. Below, Jah Wobble spills the beans on the making of the album.

"I reunited with Keith a couple of years ago. He was off smack and keen to play again. We had a bash in a rehearsal room and it went well. To start with I got him to play on three tracks of the album, (Psychic Life) that I was making with Julie Campbell (Lonelady). Since then we have performed 'Metal Box in Dub' live. These shows were very well received. As far as I was concerned he was back and on top of his game again. I thought it would be a good idea to go and record some new material.

I wasn't sure what we would come up with. As we proceeded, in a very relaxed fashion, the realisation dawned on me , that we were making music that was linked to psychedelic music (especially the British variety), of the swinging sixties through the mid seventies that we both would have been exposed to when we were young. (Albeit our stuff has a spiteful post modern edge to it, I must admit it was a good, (if rather juvenile), laugh referring to myself, (and the listener) as a c*** , as well as eulogising about my beloved Jags and Staffs in the mist of a psychedelic onslaught). Bands such as Hawkwind and the Pretty Things spring to mind. Our 7/4 version of George Harrison's 'Within/Without you' reminds me of Cream, in its wild approach and execution. There are elements of Americana in 'Yin and Yang' as well. Check out the Keith's acoustic work on the dubby Appalachian flavoured 'Strut' . Likewise listen to the Southern States R&B of 'Mississippi', especially the baptist church organ of the multi- talented Jonas Persson. But my favourite track is the moody instrumental 'Back on the Block', just listen to the controlled anger of Keith's electric guitar.

When Keith and I performed Metal Box In Dub I invited my regular trumpet player Sean Corby along. I knew that he would help inject an element of 'Electric period Miles' into the mix. Not long after we had finished recording Metal Box back in 1979 I heard Miles Davis's 'Dark Magus'. Well, it absolutely blew me away. Talk about cathartic moments. Since then I had dreamed of introducing trumpet into compositions such as 'Graveyard' and 'Memories'.

Sean steals the show on 'Fluid', my old friend 'Little Annie' does the same on 'Vampires'. Marc Layton-Bennett, my regular drummer, plays like a demon throughout. The track 'Understand' features Nathan Maverick on vocals. He is the singer that we employed to handle vocals on the Metal Box in Dub performances. I was determined to get him to help write a song for this album. And the boy did good. He really reminds me of someone. Just can't quite put my finger on who it is."  





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