4/04/2017

Shannon McNally to release BLACK IRISH on June 9 via Compass Records | Hear "Banshee Moan"

SHANNON MCNALLY
TO RELEASE BLACK IRISH ON JUNE 9 VIA COMPASS RECORDS 
HAUNTING ANTHEM “BANSHEE MOAN” OUT NOW
"She has the voice: bruised, smoky and ornery, right at home where country and soul meet.
She has the melodies and the timing - she’s irresistible.”
Jon Pareles, The New York Times
 "Only Gram Parsons' term 'Cosmic American Music' begins to touch her mercurial, changeling roots aesthetic ... McNally is a Zen-like, post-Beat song poet”
Thom Jurek, All Music
 
New York, NY (April 4, 2017) – Shannon McNally’s blues-Americana return, Black Irish will make you dance, break your heart, and save your soul. The album was recorded in Nashville, but its distinctive sense of place lies 210 miles west, where Memphis meets Mississippi. The primary colors of American music are black and white, and Black Irish displays that hybrid in many shades, mixing country, blues, soul, rock, folk balladry and classic pop.Shannon McNally will release Black Irish on June 9 via Compass Records. Pre-order Black Irish at iTunes HERE.

Black Irish is McNally’s most personal project yet, which is saying a lot, given the Americana singer-songwriter’s deep catalog. But it speaks to the power of connection, and the power of music to create it and to reflect it. The kick off track “You Made Me Feel For You”, was written by her producer, Americana icon, Rodney Crowell, and serves as a metaphor for their collaboration - how his particular understanding of her unique gifts pulled out the career-defining album many have been waiting for since she came on the scene. 

The initial release from the album is “Banshee Moan”, a track McNally wrote about her experiences in the music industry, experiences common to working women everywhere. “I wrote that a ways back, previous to the rebirth of the women's movement we've seen of late. I’m thrilled to see women truly engaged and pissed off again.” With its haunting melody and McNally’s rich, deep-blue vocals, “Banshee Moan” is no mere protest song; it’s a howl of the collective female spirit, equal parts softness and strength.

Hear / Share “Banshee Moan” Soundcloud | Spotify | iTunes | AppleMusic

The concept for Black Irish began in 2013, as Shannon was going through what she calls “a miserable divorce,” raising her daughter Maeve, and nursing her terminally ill mother Maureen. Her parents had relocated to Holly Springs, Mississippi, and McNally moved in, caring for her mom until her death in 2015.

“I had no vim or vigor in me for a couple of years,” she admits. What saved her was her email relationship with Crowell, who’d been talking about producing her since 2012. “We started this really wonderful thing of just lobbing song titles back and forth. And I just sat at a table and learned about a dozen tunes, my favorite covers, anything to spark a fire in this really dark turn.”

She co-wrote three of the album’s 12 songs – one with producer Crowell, who also penned two more for her; the rest include personal favorites by Stevie Wonder (“I Ain’t Gonna Stand For It”), Robbie Robertson (“It Makes No Difference”), and J.J. Cale (“Low Rider”). The result is an album that stands with the best of classic vocal interpreters like Linda Ronstadt, Bonnie Raitt, Emmylou Harris and Maria Muldaur.

When it came time to record, McNally enlisted her friend, Memphis soul-gospel powerhouse Wendy Moten on background vocals, while Crowell called in some of Music City’s finest, including guitarists Colin Linden and Audley Freed, bassists Michael Rhodes and David Santos, and drummer Jerry Roe.

For those familiar with Levon Helm’s ramshackle take on Muddy Waters’ “The Stuff You Got to Watch”, McNally’s smoothly swinging rockabilly/ jump blues will be a revelation. It’s her tribute to Muddy. “I love how classy he was, how sharp-dressed and handsome, with his pompadour and his gold and his perfect suit.” 


To McNally, the late Susanna Clark’s song about Townes Van Zandt, “Black Haired Boy” (with Emmylou and Elizabeth Cook singing harmony) is a bookend to “Prayer in Open D”, the two most “singer-songwriter” tracks, both featuring Crowell’s fingerpicking.

McNally and company close Black Irish with the joyous, roof-raising Delta gospel of The Staple Singers’ “Let’s Go Home”.

She won’t be staying long. With Black Irish, Shannon McNally moves into the next part of her journey.
Shannon McNally Tour Dates
Apr 12 – Austin, TX – The Paramount (w/ Stephen Still & Kenny Wayne Shepherd)
Apr 14 – Houston, TX – House of Blues (w/ Stephen Stills & Kenny Wayne Shepherd)
Apr 15 – Dallas, TX – House of Blues (w/ Stephen Stills & Kenny Wayne Shepherd)
May 03 – Nashville, TN – City Winery
May 04 – Duluth, GA – Red Clay
May 05 – Asheville, NC – Atlamont
May 06 – Carrboro, NC – Cat’s Cradle
May 10 – Philadelphia, PA – Ardmore
May 11 – New York, NY – Rockwood Music Hall Stage 2
May 12 – Amagansett, NY – Stephen Talkhouse
May 13 – Hudson, NY – Club Helsinki
May 14 – East Aurora, NY – 189 Public House
May 16 – Boston, MA – Club Passim
May 17 – Northampton, MA – Parlor Room
May 18 – Marlboro, NY – Falcon
May 19 – Saratoga Springs, MD – Caffe Lena
May 21 – Easton, MD – Avalon Theatre
May 23 – Asbury Park, NJ – Watermark
May 24 – Blairstown, NJ – Roys Hall
May 25 – Washington, DC – Hill Country
May 26 – Richmond, VA – Capital Ale HouseJune 03– Memphis, TN – Levitt Shell
June 09 – Goshen, IN – Ignition Garage
June 24 – University, MS – Gertrude R. Ford Center

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